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ORANGE BASS TERROR: The Review!

No head-pounding, finger-tearing stank for me.
Yet.:D

If a man can't have head pounding stank with his new amp for the holidays, is life worth living?

Maybe send them to a movie, in laws house, the moon?

To all lucky owners, please help a brother:
* Is the overal tonality have a feel like, Ampeg, GK, SWR, Trace, other?
* What does it sound like with a non-Orange cabinet?
* Is the fixed mid-range EQ a disapointment as far as adjustment / flexibility?
* Describe the tone; I'm hoping, punchy, warmish, bit of midrange growl, very clean (from what I've read, like an SVT for warmth and midrange but cleaner - all based on what I've read on the Interweb)
 
If a man can't have head pounding stank with his new amp for the holidays, is life worth living?

Maybe send them to a movie, in laws house, the moon?

To all lucky owners, please help a brother:
* Is the overal tonality have a feel like, Ampeg, GK, SWR, Trace, other?
* What does it sound like with a non-Orange cabinet?
* Is the fixed mid-range EQ a disapointment as far as adjustment / flexibility?
* Describe the tone; I'm hoping, punchy, warmish, bit of midrange growl, very clean (from what I've read, like an SVT for warmth and midrange but cleaner - all based on what I've read on the Interweb)

Again the tone was warm but not too tubish feeling. You can tell that there is a sold state power supply behind it, I would approximate its sound to a Genz Benz 6.0 but more on the warmer side.

The EQ is exactly like the AD 200 so if that will answer your question to weather the EQ is a disappointment. To me less is better and for what the amp is, works perfect for that set up.

I would say that it would play just as well through a non orange set up, so next time I am around I will run it through mesa cabs.
 
I thought I had read it was made in Korea on one of the other threads here.
IME, IMO, where it's made has very little bearing on quality, given that good components, due diligence and quality control are employed.
 
It's a whole different argument, but a lot of people subscribe to the theory that you should look to have amplifiers that are more powerful than the ratings for the speakers. This might sound odd, but the theory is that if you use your ears, you're less likely to kill a speaker by overpowering it than you are underpowering it and clipping your amps.

Gigged the Terror last night. Weird shaped room and very echoey, but it sounded SUPERB, thick, warm and punchy. Easily enough power!


I love this thing!
So we have woofers being mechanically damaged and burnt out by too little power do we, so using a fuzz box with the bass to obtain a rough square wave, to ape the effects of transistor power stages being clipped, How far do we have to lower the wattage to damage the loudspeaker in your expert estimation, is this a progressive thing
like the less watts you have the more damage you do. Ergo! leaving the loudspeaker in a dry garage without anything connected causes the
voice coil to suddenly blister and burn?
Or the loudspeaker starts to throw its self backwards and forwards
as if driven by a poltergeist out of X max and beyond X lim until the root of the cone fractures or you rip the pig tails clean out?.
What physical laws are involved in this please?
You see I used to get paid to blow drivers up at Celestion we used to use more powerful amplifiers than the loudspeakers rating rather than less because after rigorous destructive testing, we found smaller ones however overdriven and clipped never, I repeat never! caused any damage to a low frequency loudspeaker.
There is however an effect where excessive output stage clipping presented to a passive dividing network sends a disproportional amount of signal to the high frequency unit.
This is due to the crossover mistaking a squared wave as a series of higher frequency peaks and feeding these to your tweeter.
So we constructed smitt trigger circuits to allow us to ape this behavior in amplifiers that where not driven into clipping, This was to obtain control of levels, so that we could progressively increase power until the tweeter failed. Thus we had a better idea of what the real physical limitations might actually be.:ninja:
 
Again the tone was warm but not too tubish feeling. You can tell that there is a sold state power supply behind it, I would approximate its sound to a Genz Benz 6.0 but more on the warmer side.

The EQ is exactly like the AD 200 so if that will answer your question to weather the EQ is a disappointment. To me less is better and for what the amp is, works perfect for that set up.

I would say that it would play just as well through a non orange set up, so next time I am around I will run it through mesa cabs.


The eq is cut boost the ad200 is not, well I don't know f anybody knows orange said 12 treb 1:30 mid an. 3 bass is flat... On the ad200
 
these are available in the US at Humbucker Music.
Not sure how long they have been available. I've checked since August and this is the first time they've been "in stock"!

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Hey man, happy holidays!

I bet it would sound pretty righteous with an HT115. ;)

We tried it with a bunch of different cabs, my two favorites were the Orange 1x15" cab and the Bergantino 610. The single 15" had something really cool going on in the midrange, plus a super fat bottom end. The 610 was tighter and punchier, but that's to be expected.

Hey Nick,

How do you think the Bass Terror would sound with an HT115? :ninja:
 
I'm begining to think that I want one of these because:
* It is made by Orange
* It's small, cute, and powerful
* Has a cult following

Can someone please direct me to some solid, detailed, reviews that say this amp sounds fantastic?
Realize that they are new to the market but have not seen any trade reviews or that much here on TB,
Even the Orange site only has a few biased comments.
You Tube has 2 video clips with a horribly over processed bass, or, a clip from a trade show recorded through the video camera mic (although the dude with white shoes is a player).
Hype or fine audio on this one?
 
It really does sound good. Imagine the EQ of the AD200 in a much smaller package, with a DI, and you're getting close. The breakup doesn't quite have the same sweetness as on the AD200, but for cleans and almost cleans, it's great. Plenty of power, very portable, good deal for the money. The only other amp I can think to compare it to is the GK Fusion 550, and I definitely prefer the Bass Terror to that.
 
It really does sound good. Imagine the EQ of the AD200 in a much smaller package, with a DI, and you're getting close. The breakup doesn't quite have the same sweetness as on the AD200, but for cleans and almost cleans, it's great. Plenty of power, very portable, good deal for the money.

We recently received the Bass Terror and all of the isobaric cabs in for review. Gear nut that I am, I had to break these guys out of their boxes the second they arrived! :D

Based upon my initial experiences, I have to give a big +1 to nj's comments, above. This is one heck of a nice sounding head! It definitely sounds like an Orange, and it has plenty of volume on tap (initial results seem that it has more perceived volume than some of the other 500-watt class-D heads - I am guessing the added harmonic content from the tube preamp may be part of this).

If you are even remotely interested in one of these heads, you should give one a listen, pronto! :bassist: :bassist: :bassist: :cool:
 
We recently received the Bass Terror and all of the isobaric cabs in for review. Gear nut that I am, I had to break these guys out of their boxes the second they arrived! :D

Based upon my initial experiences, I have to give a big +1 to nj's comments, above. This is one heck of a nice sounding head! It definitely sounds like an Orange, and it has plenty of volume on tap (initial results seem that it has more perceived volume than some of the other 500-watt class-D heads - I am guessing the added harmonic content from the tube preamp may be part of this).

If you are even remotely interested in one of these heads, you should give one a listen, pronto! :bassist: :bassist: :bassist: :cool:

Tom, any chance you guys will be able to get some vids/soundclips of it?

Sounds VERY promising so far :)