Maybe I'll try it this week. It's jam night, so nobody cares anyway!![]()
That is not the right attitude to have. If the bass player is gonna just phone it in, what hope is there for anybody else in the band?
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Maybe I'll try it this week. It's jam night, so nobody cares anyway!![]()
Do you play with a pick?
I love the sound of a P bass with flats in rock when played with a pick. (Something I don't do enough of...)
That is not the right attitude to have. If the bass player is gonna just phone it in, what hope is there for anybody else in the band?![]()
...
Whoa who said anything about phoning it in? I just meant that nobody else cares. I'm sitting here at work wringing my hands over this decision. I'm posting here because it's (arguably) more important (in my mind) than the work I'm getting paid to do. lol
There was a winking smilie at the end of that. Don't take it too seriously.
You're such a good man @nerkoids! Here's a post I made today in the Fender Rumble Club.NO! This thread must live on!!!
GHS rocks.
In yet another episode of 'For Those That Care': I drove the 90 miles south to the Salem VA hospital for my semi-annual cardio checkup. The good news is that I will live. Cardiologist very pleased that I've lost 30 pounds in six months and that I am physically stronger now. Heart doing fine even with minor A-Fib symptoms. Regular cardio checks no longer necessary! It is a beautiful spring day and 180 mile round trip was a pleasure.
They will handle it man. Just dime the tone knob and dig in. The GHS PF's have a thick low mid punch but lots of grit in the high mids when you need them to sound spankin'!Has anybody tried playing "rock" music with Precision Flats? I'm playing in the host/backing band at a bar jam night this week, and debating bringing my P Bass (P Flats) to the gig instead of the jazz (Pressure Wounds).

Flats are made for rock. I've used GHS Precision flats, Ernie Ball stainless steel flats, LaBella flats, Pyramid flats, Rotosound flats... and more. And still using them. Exclusively at this point.
Do you play with a pick?
I love the sound of a P bass with flats in rock when played with a pick. (Something I don't do enough of...)
They will handle it man. Just dime the tone knob and dig in. The GHS PF's have a thick low mid punch but lots of grit in the high mids when you need them to sound spankin'!![]()
Still though, I think I'm leaning back towards Pressurewounds for the P bass. Slightly more versatile (IMO and for my needs), and just more of the sound I want out of that bass. I also find PWs easier to play physically, VS flats.
Ideally I'd have two P basses, one with PWs and one with PFlats, but for now I'll just have to keep the flats coiled up in the drawer for if I ever want/need them for the studio.
I know exactly where you're coming from... I'm in the same boat as you are.
As of June 25, my P bass will have PWs back on to meet my current tonal needs. As much as I LOVE the P bass-P Flats combo for the classic old-school vibe, that's not what I NEED out of my P bass.
Honestly having the flats on my P Bass was turning me off from bringing it out to the last couple gigs, even though I really wanted to play that particular bass. Apparently this feeling was unfounded, because it really did sound good, but that was a red flag for me. As good as they sound, I think flats just aren't my thing, especially for live playing.
I often thought the same thing, because from my position on stage, in a semi loud band, flatwounds are slightly harder to hear (for me). However, the bass tone in the FOH mix is ALMOST ALWAYS better for me when I’m using a pbass and flats. And in particular, either TI, Sadowsky or Labella flats. The feedback I get from ppl out front validates this for me, too.
GHS Bass Boomers are the 'Power Bass' string. There's no denying that fact.I'm also 100% sure that it also would have sounded great with Pressure Wounds, or Boomers too for that matter.
I'm absolutely 100% sure that everything sounded great out front at the gig yesterday. Sound guy, band mates, and randos in the bar all offered unsolicited praise for how the bass was sounding.
I'm also 100% sure that it also would have sounded great with Pressure Wounds, or Boomers too for that matter.
To say I can be nitpicky and tend to over-analyze things is putting it lightly. I usually have to step back and remind myself that, at the end of the day, if it sounds good out front, it is good. Beyond that it's just different flavours of good tone. One might be (subjectively) better than the other, but if it's good tone either way, might as well pick the strings I'm more comfortable playing.
Yeah thats cool, I understand. I just also want to add that ppl who hear our band always prefer the bass tone when I am using flats. By a significant margin. They comment that it is clear, and articulate.
"clear and articulate" are not normally the adjectives one would expect for flatwounds,
One of the FOH techs at my church once described my bass tone as "rich and full, but still with good clarity and definition". Guess what, that's when I was playing the Pressurewounds.![]()
There is no denying the magic of GHS Pressurewounds.One of the FOH techs at my church once described my bass tone as "rich and full, but still with good clarity and definition". Guess what, that's when I was playing the Pressurewounds.![]()
We are the GHS evangelists. Un invited. Un compensated in any way. Hell, we don't even get free t-shirts much less free strings. We do, however, tell the truth. That's important. You may believe it, or you may not. Makes No Nevermind. (that's a southern phrase).PWs are very special strings. Can't thank you and @Linnin enough for getting me on the GHS train.