lip in noI dont get it, I need more letters. I must be related to a prehistoric creature.
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lip in noI dont get it, I need more letters. I must be related to a prehistoric creature.
I dont get it, I need more letters. I must be related to a prehistoric creature.
Quick check in... I was staining a guitar, and I don't like the way the back came out, so I want to rattle can the back. It's an LP with binding. Is there anything special I need to do to the stained wood, or can i just press on with the usual paint prep?
What I did before when painting was:
The body is basswood.
- Sand, grain filler, sand
- sanding sealer, sand
- Primer, sand
- color coat, sand
- clear coat
- cure
- sand, sand, sand, buff, buff, buff
Follow-up question. I was going to finish the stained guitar with Danish Oil. If I'm clear coating with poly on the back, should I still use danish oil on the (nicely stained) front, or use the same poly clear coat on the whole thing?
A bit confusing - but if you have clear-coated the satin section (back) you can sand (400) to reduce the buffed gloss and spray your color right over it. And if most of the guitar is clear poly - seems like the whole guitar should follow suite. You can do satin for more of a natural wood look.
Sorry... probably should have provided more detail. It's a kit, so it's basically bare sanded wood that I've stained, but not done anything else to. Flamed maple top (which looks nice with the stain), basswood body (which looks... not so nice). The plan would be to leave the top stained, and paint the body black over the stain. The question is whether I need to do anything to the stained wood before prepping it for paint, or if I can just ignore the stain and prep for painting as I would with bare wood.
Then there's the question of how to clear coat it... I was going to use Danish Oil on the whole thing, but that won't work with the paint, so I will use poly on the painted part and ... here's the second question ... Danish oil or poly?? on the top...
View attachment 3414356
I got around to top coating the color sample today. Used Deft semi-gloss lacquer.
I like how it deepened the color.
Satin and semi-gloss are so much more user friendly for DIY'rs and look and feel great! It's the obsessive shiny-finish that's the hardest to do and requires more equipment/experience and financial involvement.
Like I said - if it has a buffed poly clear over it (as your step-by-step illustrated) then sand it matte and paint away. If not, you need to stabilize the stain first. And also like I offered - poly the whole bass.
As I said before, There’s nothing but stain on the bare sanded wood right now, and that is now a couple of days dry. The step by step is my usual process when painting solid but I haven’t done any of that to this guitar because until yesterday I wasn’t planning to paint.
So how exactly do I stabilize the stain prior to starting the paint prep? Just make sure it’s good and dry? Sand it off? Apply some treatment or coating?
Has anyone ever metalflaked an open pore body without grain filling first? Wondering how the grain looked with flake over it.
View attachment 3414356
I got around to top coating the color sample today. Used Deft semi-gloss lacquer.
I like how it deepened the color.
As I said before, There’s nothing but stain on the bare sanded wood right now, and that is now a couple of days dry. The step by step is my usual process when painting solid but I haven’t done any of that to this guitar because until yesterday I wasn’t planning to paint.
So how exactly do I stabilize the stain prior to starting the paint prep? Just make sure it’s good and dry? Sand it off? Apply some treatment or coating?
Has anyone ever metalflaked an open pore body without grain filling first? Wondering how the grain looked with flake over it.
poopyHas anyone ever metalflaked an open pore body without grain filling first? Wondering how the grain looked with flake over it.