Thanks godspeed68,I anticipated it to be a lot more colored/with tube warmth below 12 o'clock. It's amazing how much my bass just sounds like my bass through this thing, but somehow, heightened?
Yes, the REDDI seems to do that ;>)
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Thanks godspeed68,I anticipated it to be a lot more colored/with tube warmth below 12 o'clock. It's amazing how much my bass just sounds like my bass through this thing, but somehow, heightened?
Peter, what pre tubes do you use for these?
I absolutely love my REDDI. My band just released it's third album and save for one track where I used my Lakland 55-94 Deluxe, all of the tracks were recorded with a '62 AVRI Precision with TI flats going direct into my REDDI and then to the console. That's it. The engineer said that the bass sat so well in the mix and was one of the best DI's he's ever worked with/heard.
Here's the music video for one of our singles, "Blues In My Soul" recorded with just the '62 AVRI P and REDDI. (note: the P-Bass in the video was not the one used on the recording)
Yes, I know, I know. I'm interested in what brand. Thanks!
Took me a couple days to jump in as I was out on one of my band's oldies cruises, but I have done a little tube rolling. Not much, though, as Peter told me with the Svetlanas and Sovteks it's kind of a lateral move and the Sovteks are a buck cheaper, so I never bothered. I did try these Russian NOS 6N1P's from 1965 in them, though. Loved them at first...they add close to 4db of gain and give a boost to the midbass frequencies that I found quite nice at times (100-125hz, that area), but after a month I went back to the Sovtek as I was getting some complaints from soundmen I trust that the midbass was a bit too much.The one we use is Sovtek BUT when we run out and need some fast we will use a Svetlana......not always but that would be our sub when we need it fast.
They both sound great (IMO) the Svetlana is a tad more expensive (1.00) more than the Sovtek.
Now, Jimmy has rolled a few so maybe he will jump in with his results?
Steve, quit torturing yourself already. I know you're not playing out now like you used to, but try the REDDI anyway. If you don't like it, you'll end up with plenty of folks willing to take it off your hands for not much less than you paid for it.Maybe instead of a new fretless bass I should get one of these. I don't record but I play at church and we are getting a new room with new line array speakers, 2 pairs (4 cabs) of 18" subs, etc. etc. I wonder how my Roscoe would sound thru a REDDI into that type of PA.
Steve, quit torturing yourself already. I know you're not playing out now like you used to, but try the REDDI anyway. If you don't like it, you'll end up with plenty of folks willing to take it off your hands for not much less than you paid for it.
I know. I am really trying to get it all sorted out. I think my Koa/ash/BEM Roscoe Century 5 is the bass that will stay. It's amazing to play, look at and listen to. There are times at church when I think a fretless would be nice, but not real often. For as much as I'd use it, I could just get a cheap fretless 4 and be fine.I may have to put you back on gear probation for your own safety, Steve![]()