Haha...no, but I do have some Ampeg on board....7 Pro and Pf800 with a 410he.Is the boat you are on using SVTs as anchors?![]()
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Haha...no, but I do have some Ampeg on board....7 Pro and Pf800 with a 410he.Is the boat you are on using SVTs as anchors?![]()
Haha...no, but I do have some Ampeg on board....7 Pro and Pf800 with a 410he.
I'm sure if this thread continues there will be more people on both sides of the fence choosing what they thought sounded better. But...when you say agree with many I think I saw only two folks put their votes on the REDDI.10cc thanks for this post.
I only listened to the first four and agree with many that #2 was my favorite.
I could easily understand why others might not prefer this as the REDDI is very warm and thick to my ears.
I'm sure if this thread continues there will be more people on both sides of the fence choosing what they thought sounded better. But...when you say agree with many I think I saw only two folks put their votes on the REDDI.
@Azure Skies what settings would be flat?
This certainly opens up a lot of questions - I don't understand.
Is the low impedance signal (XLR out) affected by EQ and the volume?
If so how do you control stage volume when driving a power amp without changing the gain stage to the FOH signal?
Two unbalanced outs that can be selected as a pass through or as a post EQ or post volume to either drive a power amp or run into the input of a bass amp?
Are there internal dip switches for all of this? I never read any of this in the original thread?
Here are the front panel in/out jacks:
XLR out - Balanced post effect
Line out 1/4" - Unbalanced out line level
Input 1/4" - input to the preamp
Thru 1/4" - wired in parallel to input. Useful for sending your unaffected signal to a bass amp
YesGreat, thank you. The unbalanced line out is post EQ and volume? same as the XLR?
Not that I'm aware of but I can snoop around and see.10cc.. Any way you could get your hands on a Rupert Neve Di? I don't know if others are interested, but it'd be fun. I have one that I bought for our church, but I haven't been able to compare it to anything.
Another vote for the REDDI. The P15 is nice if that's what your after. Even set at noon, too smiley for my tastes. And yes I do check my channel strip after the gig, and darn near flat with the REDDI and onboard tone control of my bass. It may not be for everyone, but it works for me and is consistent 100% of the time. Thanks for putting the clips together.I'm sure if this thread continues there will be more people on both sides of the fence choosing what they thought sounded better. But...when you say agree with many I think I saw only two folks put their votes on the REDDI.
It is interesting to listen to your clips and mix this in as well.
The Reddi seems to have more of the 64 bias and the P15 the 66, at least how Garth presented them in this video. That being said two nice pieces of gear, I'm glad to own one of them. If it was practical to lug around a new B15 all the time I certainly would...
IMO the bass player should not adjust the "EQ" affected signal that goes exclusively XLR to FOH cause he can't listen FOH while on stage.That's wrong. The v1 sends the unaffected in the thru port. The only affected signal was from the DI XLR out.
Passive DI in speaker level mode is my first choice for an SVT tube head.I'm gonna try today and post some more clips! Like I mentioned before the Radial JDI in speaker mode tapping off an SVT and the DI off of a Arkham Zephyr.
Also I'm gonna post two more new clips with the REDDI and P-15
I'm sure if this thread continues there will be more people on both sides of the fence choosing what they thought sounded better. But...when you say agree with many I think I saw only two folks put their votes on the REDDI.
I'm gonna try today and post some more clips! Like I mentioned before the Radial JDI in speaker mode tapping off an SVT and the DI off of a Arkham Zephyr.
Also I'm gonna post two more new clips with the REDDI and P-15
No problem. I've got some new clips I'm hoping I can upload tomorrow before lunch that are very interesting.Another vote for the REDDI. The P15 is nice if that's what your after. Even set at noon, too smiley for my tastes. And yes I do check my channel strip after the gig, and darn near flat with the REDDI and onboard tone control of my bass. It may not be for everyone, but it works for me and is consistent 100% of the time. Thanks for putting the clips together.
My bad Jim I totally misread your statement.Sorry, I was referring to the REDDI thread that started to turn ugly when it became a competition with the B-15 (which also sounds great).