I remember doing the calcs ages ago, and the Acme's Max SPL's were in the mid to high 120 dB's. The Eden's went into the 130's, abliet with less bottom end. I'll re-do the math and post here when I get a spare minute.
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geshel said:Can you explain that? At anything above 75Hz, I'd guess that the efficiency lead of the Eden is too much for the Acme to catch up to. The difference is at least 6dB, right? Can the Acme really handle 4x the power (as a pure, continuous sine wave)?
jivetkr said:can someone post some pics of their cabs? the site only has pics of the 410 & 1210.
I want to see the 1212, 101010 & the 21012
I think the reason why the answer is "no" is the same reason why my 210/115 rig sound better with the 210's on the bottom, 115 on top. The 210's on the floor give tight low end. The 15 sounds muddier when put on the floor, more articulate when stacked off the ground. The 10's stay tight sounding on the ground. More so than the 15.With that being the case, wouldn't it make more sense to have the (more) low end producing speaker (12") be the folded one
lo-freq said:Well...I didn't get to A/B the Berg HT322 & Schroeder 410 before I sent the 322 off on a trade-in.
The bass guitarist that originally was auditioning the 410 was previously an Epifani T310 (nyc) owner. He played my 322 with his rack gear (Dem 201S & World 2.1) and a ThunderFunk head. He said the Berg was smaller sounding than the 410.
I love the Berg sound, but I definitely think the Schroeder 410 has more apparent loudness at a given power level, tighter low end, and better cut through tone.
All the Bergantinos I've heard are what I would call the most musical cabs I've auditioned with a very open and smooth midrange and treble.
I haven't heard any of the NVxxx series & I haven't yet heard the HT/EX112 mini stack (just a HT112 by itself).
My next indoor gig is July 16th. I'll probably post another mini-review after that (the club did have pretty crappy acoustics the last time I played there, so we'll see how the 410 fares in a less than ideal venue).

Roscoe5 said:How well do the Shroeder cabs reproduce the Low B? That is one aread where my Bergantino HT322 shines. It has been the "one cab" that nails that Low B String just as strong without losing punch or chuffing. Do the Shroeders handle the Low B well enough to use a single cabinet? If so, which Model Shroeder would handle the low B string notes the best? Thanks! - Gary
Roscoe5 said:How well do the Shroeder cabs reproduce the Low B? That is one aread where my Bergantino HT322 shines. It has been the "one cab" that nails that Low B String just as strong without losing punch or chuffing. Do the Shroeders handle the Low B well enough to use a single cabinet? If so, which Model Shroeder would handle the low B string notes the best? Thanks! - Gary
lo-freq said:I can only speak with regards to the 410 (haven't heard the other models yet -- hope to play through the 1210 this next week -- another bassist near by is getting one).
The Schroeder 410's reproduction of the low 'B' is tighter, more defined, and more solid than the HT322.
My review after an outdoor gig is here.
P.S. The HT322 is a great cab for outdoor gigs as well.
That's not really the same concept at all (dispersion vs. floor coupling) as the Schroeder design, although I somewhat see your point.brock29609 said:I think the reason why the answer is "no" is the same reason why my 210/115 rig sound better with the 210's on the bottom, 115 on top. The 210's on the floor give tight low end. The 15 sounds muddier when put on the floor, more articulate when stacked off the ground. The 10's stay tight sounding on the ground. More so than the 15.