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Just as Nic and Addison say in a recent (and very cool) video on the YT channel of JHS pedals, the trim must be cranked at 100% to give some benefits. That's true. It will never replace your Era, but boosted by an overdrive, it gives a nice fuzz. I keep that in mind for the day my unique fuzz pedal suddenly disappear...The distortion is not so useful, no. I wonder if adjusting the gain down via the trim pot on the side would make it more useful, but I use my PnP as a slap preset, so the distortion never gets used anyway. I have a Walrus Audio Eras for my Mötörhead moments.
FWIW, the distortion circuit is a rat. So if you like the sound, then the Jam pedals Rattler bass is reckoned to be the best Rat for bass guitar.
Also: I recently bought an electric mandolin, and running that through the distortion on the PnP sounds AMAZING.
Peace, SoundSupport

Finally got this where I want it. Caveat, caveat. I have a Doc Lloyd PDR comp on its way, and if I like it as much as I like the Diamond, it'll replace it (and/or if I don't but I find a Diamond Bass Comp Jr. anywhere, THAT'll be the replacement). Otherwise, I think I'm set.
The base is a custom 13" Temple Audio Board that fits into the back pocket of my backpack; for most of my gigs I've now reduced my trips to one (even if I have to walk a mile from the parking lot or take public transit)--bass in a case and backpack--and still have one hand free. The Quilter InterBass was the last piece of the puzzle.
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I am a big fan of the Diamond but after getting my hands on the PDR I actually preferred it a bit more. The clean blend made a big difference but it’s still a super straightforward comp. I’d prefer a diamond for more rock oriented music and the PDR for stuff that requires a little more precision. Just my two cents.
It took nearly 10 years for someone to say that."Show me your compact pedalboard setup"
No.
I decided to split up my main board and put together a second board to grab on the fly
I'd rather pull out what I need, than have a board with everything on it all the time.

I love the "grab and go" mentality. I try to keep it in mind - few of the sessions/gigs I get require much more than a tuner and an HPF. After that, octave. Then sometimes a filter. But I finally started understanding compression, so have recently added that to the Go arsenal as well. And then I get all, "Well, one more will fit - don't you want to have chorus handy? What if there's an opportunity to do an 80's pop song?" Then during lockdown I started playing with a looper - and you can't really use a looper unless you have some reverb for it...![]()

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Optostomp and Vt always on . Sft , DUG , or both on depending on the flava wanted . The Dug acts as my DI even if not in use . I may add a Chorus before the dug sooner or later .
When I first put the pedal on my board I did try running it at 18 volts and found it too loud and unbalanced with my other pedals . I am currently running it at 9 volts and it works beautifully with my Vt bass and dug if I wish . Once I dialed it in with the VT bass I get a deep rich pushed tube like overdrive from mild to heavy . I recently removed the Optostomp as I found it to effect the tone I dig from my pedal chain too much .Do you think the SFT is too loud?