Here’s my two compact boards. Perfect for traveling and flygigs. The Quad Cortex arrived last week
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Just wondering...but a $1900 QCtx and a $650 HX, both modelers, have what I expect are good tuner functions, but you keep a TC Polytune mini on your boards. Why?Here’s my two compact boards. Perfect for traveling and flygigs. The Quad Cortex arrived last weekView attachment 4546488
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Just wondering...but a $1900 QCtx and a $650 HX, both modelers, have what I expect are good tuner functions, but you keep a TC Polytune mini on your boards. Why?
My Photon has a good Bass tuner and I was able to dispose of a real nice full format Korg Pitchblack due to redundancy.
Yes, I know about the tuner functions
But I want to be able to tune, both with sound and with mute.
Also with the smaller board, I sometimes use the parallel clean DI on the G70. If I mute on the HXS, that DI would not be muted. And I gladly spare the audience hearing me tune
(Not that I have bad instruments that need tuning all the time, but better safe than sorry)
Finally got this where I want it. Caveat, caveat. I have a Doc Lloyd PDR comp on its way, and if I like it as much as I like the Diamond, it'll replace it (and/or if I don't but I find a Diamond Bass Comp Jr. anywhere, THAT'll be the replacement). Otherwise, I think I'm set.
The base is a custom 13" Temple Audio Board that fits into the back pocket of my backpack; for most of my gigs I've now reduced my trips to one (even if I have to walk a mile from the parking lot or take public transit)--bass in a case and backpack--and still have one hand free. The Quilter InterBass was the last piece of the puzzle.
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Where’d you get that mini board?Put this together today for bare-bones EUB jams. If this doesn't work for me, I'll throw in the towel and go for an EBS MicroBass 3, or something else with a built in tuner. Still got my other board with Boss Core/C4, etc. View attachment 4546636
That's a piece of acrylic that I had cut to size. There are places that'll do it online. Different options for thickness and colour, including transparent, which I was tempted by. If I was doing it again, I'd get rounder corners, maybe.Where’d you get that mini board?
Win for compactness.Put this together today for bare-bones EUB jams. If this doesn't work for me, I'll throw in the towel and go for an EBS MicroBass 3, or something else with a built in tuner. Still got my other board with Boss Core/C4, etc. View attachment 4546636
@Matt Dean I’m confused about the Super 300’s placement. I’ve seen it early in the chain like you have it several times. Yet other preamps, such as a Subway DI, Noble, etc are always at the end. Can you give insight into why some preamps are put earlier in the chain? Thanks!
@Matt Dean I’m confused about the Super 300’s placement. I’ve seen it early in the chain like you have it several times. Yet other preamps, such as a Subway DI, Noble, etc are always at the end. Can you give insight into why some preamps are put earlier in the chain? Thanks!
First, I am of the school of thought that an effect pedal can be placed anywhere in the signal chain that sounds good to our ears. However, I have over the years of playing this game found that certain types of effects sound best in certain places in the signal chain. For example, compression sounds best at the end to me. I like modulation and filters closer to the end as well. Octaves sound best at the front of the chain to my ears. Regarding the Super 300, I am using it more like an overdrive than a preamp, although its also a fine pre. I tend to put my dirt before filters and after octaves. In the case of my small roots/rock board, I just use a couple of dirt pedals, an envelope filter and a comp.
Excellent Q&A about effects strategy and placement. We all have different goals and needs from our effect setups, that is why I follow these threads, plus all the cool pedals.@Matt Dean Thanks for sharing your experience with it. Super 300 sounds pretty great in all the clips I’ve heard.