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source audio c4

Not possible as yet, I’m afraid as the C4 filters cap at something like 6kHz if I recall correctly. @rsmith601 may be able to give an exact figure. A few of us have asked if it might be possible to increase the filters’ upper limit, given the rich harmonic content of the oscillators.

I definitely have found scenarios where I want some filtering on an oscillator, but even the fully opened filter is removing too much of that nice upper harmonic content. It would be great if this is something that SA will have the resources and desire to circle back to at some point; I am not sure how hard this would be to achieve though.
 
It occurred to me that there's no reason I couldn't leave Out 2 permanently patched back to In 2 for presets that make use of a 2nd pass at things in series, since I'm doing a strictly mono pathway.

I'd thought for a sec that hey, I could set all the presets I'm using to follow that path, but that's only if I have a free voice for routing In 2 thru the pedal back to Out 1. Still, it doesn't matter since most presets wouldn't be affected at all by the patch cable, right?
 
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Any patches similiar to what Gordo is doing at the 40 min mark on last nights Dinner & Movie?



Note, this link will only work for a few days till they announce weeks movie.

Is Gordo the bass player? If so, it sounds a bit like a Bassballs (twin band pass filters) and there are C4/Spectrum presets which do that.
 
My C4 arrived Thursday. I’m thinking of buying the Disaster area DMC micro. If I bought an Aftershock too, can I manage them both with a single DMC? Sorry for the question but I'm new to midi.
@Gibs210 can comment, but I would say no. Using the Hub and a MIDI controller would be better if you want to include the Aftershock.
 
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My C4 arrived Thursday. I’m thinking of buying the Disaster area DMC micro. If I bought an Aftershock too, can I manage them both with a single DMC? Sorry for the question but I'm new to midi.

I have both and keep them next to each other on the board with a DMC micro and i just swap the cable between the two when I need to edit one. Granted, the AS doesn't get tweaked anywhere near as much as the C4.
 
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My C4 arrived Thursday. I’m thinking of buying the Disaster area DMC micro. If I bought an Aftershock too, can I manage them both with a single DMC? Sorry for the question but I'm new to midi.
The C4 stores internal presets to be recalled by MIDI, but the Aftershock doesn’t as far as I know- the Hub however can be used to store and recall Aftershock presets. There is also only a single USB-MIDI output on the DMC controllers and both the C4 and Aftershock receive MIDI through USB unless you are using the Hub. So the Hub plus the DMC would be necessary.
 
Got th C4 last week and the DMC.Micro today. Found about 30 nice presets that I can probably use occasionally. Now just need to integrate it into the pedalboard. Running dual channel, dual amp with a DI box creating the two channels right now. Might want the C4 on the dirt channel only but not sure yet. If I do maybe the C4 can create the clean/dirt channel separation?
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My C4 arrived Thursday. I’m thinking of buying the Disaster area DMC micro. If I bought an Aftershock too, can I manage them both with a single DMC? Sorry for the question but I'm new to midi.
Hub is the best way to go for all the mentioned reasons before. Hub, would also make using the editor with the C4 easier, since you wouldn’t need to worry about swapping around usb cables from the controller to your computer.