Gibs210
Commercial User
- Aug 31, 2019
- 850
- 875
- Disclosures
- Part time Tech Support for Source Audio effects
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Yes that will all work. You will just need to convert that 1/4 TRS to the 1/8 TRS as @Gibs210 describes. We should probably have added a second TRRS port, but this was created before we had so many pedals like the C4 and Ultrawave!

I’m not really familiar with ableton, if it’s able to send cc and pc messages as well midi clock, then all your midi bases are covered for C4. You would only need a usb cable to connect to the C4 and pc.Cool, thanks.
C4 arrives tomorrow hopefully. Dead excited.
Is it possible to operate CC via Ableton DAW? Would I need the hub? If so, I might explore this in time. Any tutorial vids that people recommend with Ableton? I can search but just wondered....
Looking for an expression pedal for a spectrum and ultrawave. What is the benefit of the source audio pedal vs let’s say a Dunlop. You mentioned that the trrs is proprietary so would I be losing functionality by going with a pedal from a different manufacturer? Thanks!no, I have never seen a TRRS Y cable for one, and the TRRS port is propriatary in its wiring in order to work with our expression pedal, hub, and tap switch. You could use the 1/4 in connections, but you’ll need to flip the tip and ring connections with a crossover cable, and the minimum and maximum values in the app for the expression functions will be reversed.
It’s just more of a headache to setup a third party expression pedal. Because of the special cabling and reversed controls. Also, we can’t always garuntee that it will work properly due to differences in components.Looking for an expression pedal for a spectrum and ultrawave. What is the benefit of the source audio pedal vs let’s say a Dunlop. You mentioned that the trrs is proprietary so would I be losing functionality by going with a pedal from a different manufacturer? Thanks!
Have you tried the Lo-Retain knob?Spectrum question.
For a sub octave patch is there a way to set what is essentially an hpf on the effect while leaving the dry signal full range?
If so, what setting makes that happen?
My use case is to emulate what I used to do on an HX with the crossover split funtion.
on the HPF, if the slope is super steep I would set it about 50 or just below A on the E string. If it is more shallow then above that to get the same effect.
Thanks!
Another way would be to run a patch cable from output 2 to input 2, send input 1 to the octaver on processor 1 and send that to output 2 only. Then have processor 2 have a highpass filter enabled and use input 2 as the source. Route this out to output 1 only. You could then either use the dry/wet mix to mix in dry (though that might cause issues with the loop), or you can use a free voice and route the dry input signal directly to processor 2 using the “direct output” setting.@Quatschmacher No Peter, I was being lazy... I'll give that a shot. I wonder if there is any way to specify the frequency... other than by ear I mean
I connected all the pedals, the Neuro hub and the Disaster Area midi pedal to the hub so that I only need 1 cable to the computer. It’s a connection in the side panel. There’s also a phone out and an aux in, in the panel as well, from the CabZone X. I just need to solder the cables first.So much to like here, including that Sandberg!! What’s the USB box underneath do, please?
Have you tried the Lo-Retain knob?
Does the current preset have external control enabled?Ok external control indicator. None of the other pedals have the light on? Hmm