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Source Audio Sorcerers Society (S.A.S.S) Part 3

I want to hear stereo on my board not a computer... There's only mono, unless SA is surrending this idea to someone one else. Are you familiar with such a device? If so I can quit barking up this tree....
The beat Buddy is on my board. It has stereo line and headphone outputs.
 
I want to hear stereo on my board not a computer... There's only mono, unless SA is surrending this idea to someone one else. Are you familiar with such a device? If so I can quit barking up this tree....
Maybe just get a cheap USB audio interface with 2 (line) ins? They come with headphone out and - as an extra - are powered by USB, so no need for another 9v source. I have a Motu m4 (the m2 would suffice for just 2 ins/outs) and it can run without a computer, too.
 
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Looks interesting all it needs is a headphone out, and some type of digital out, lose the cab sim add some EQ (optional) and you have my perfect end of chain pedal. With this I'm back to using a daw to hear stereo. I think we should be able to hear stereo pedals as easy as mono but I'm finding that's not the case .
It has headphone out. Are you even trying? Or just want to complain about your particular requirements and budget?
 
Looks interesting all it needs is a headphone out, and some type of digital out, lose the cab sim add some EQ (optional) and you have my perfect end of chain pedal. With this I'm back to using a daw to hear stereo. I think we should be able to hear stereo pedals as easy as mono but I'm finding that's not the case .

It seems you want a very specific set of features, in a small pedalboard enclosure, at a budget price? That's a big ask. The tone of your posts seem indignant towards the manufacturer featured in the thread, do they owe you something we aren't aware of?

Heck, I'm not a music hardware developer but even I easily understand that to make a product profitable from concept to end product, one has to consider a wide range of perspective customers!
 
It seems you want a very specific set of features, in a small pedalboard enclosure, at a budget price? That's a big ask. The tone of your posts seem indignant towards the manufacturer featured in the thread, do they owe you something we aren't aware of?

Heck, I'm not a music hardware developer but even I easily understand that to make a product profitable from concept to end product, one has to consider a wide range of perspective customers!
I never said budget again people SA wanted feedback of what people may be interested in, now I do that exact thing and I'm getting back lash, honestly I'm done.....
 
I never said budget again people SA wanted feedback of what people may be interested in, now I do that exact thing and I'm getting back lash, honestly I'm done.....
or from another point of view - you got lots of helpful suggestions of existing gear to do what you want, which both helps you, and helps SA work out what the need would be and competitor products …
 
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Think about putting a stereo pre amp or whatever with features in the hopper. As the only option to hear stereo is through a daw or stereo pa, it would be great to not only hear our effects in stereo (headphones ) but to output the results digitally than to go through another ad conversion.. if there was a stereo device like this that was reasonably priced I would have purchased it, but I don't think there are any in today's market. Or some type of stereo looper done SA style..I do think your next product is needed as well...
I’m confused about what exactly you are asking for? A stereo headphone amp? On my stereo recording board I put pedal preamps (all mono) before the split into my stereo signal, as most of my stereo FX are delay, reverb and modulation that work best after the preamp in my experience. I use my HX Stomp as the final interface, additional stereo FX and looper with the stereo FX in its stereo FX loop as @Derek Williams mentions (and the Stomp has a headphone out).
 
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Congratulations to the SA team on the release! It can be a tough reality when the internet brings some rain to the party, but I’m sure y’all are used to it.

I look forward to learning more about what it is, rather than what it isn’t, and on your own release schedule. I applaud the continued forward looking investment.

(I have decades in the craft beer world, and this latest storyline just reminded me of the beauty and the challenges of a connected marketplace)
 
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I have my new SA pedals on the board, but haven’t gotten to take ‘em for much of a spin yet. I will say the minute I did have with the Spectrum sounded awesome and more responsive than several previous pedals in the same role. Very encouraging!

The hold up (besides my schedule) is that I have some noise coming from the Atlas compressor. I’m only a little ways into troubleshooting, but I’m hoping it’s cable related. It sounds like tiny little helicopters, activated with the pedal.

Running with Eventide power supply & EBS flat patch cables. Figuring it’s either a bad patch cable or an unlucky rub of power and audio?

We’ll see, but any pointers are welcome!
 
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I'm making a little progress, but started a post to a "noise" thread instead of clogging things up here. I do think I've isolated it to power/electrical vs audio, and have a plan for next steps. (Giving each SA pedal their own outlet, vs any of them being daisy chained)

Very often you will find that digital pedals that utilize a clock (time based) can leak noise when sharing power. A dedicated, isolated power line is always advisable with digital pedals but not always necessary. Making sure your Atlas is on its own isolated power is a good first step. Also consider that compression often (if not always) raises the noise floor of your signal, so any upstream noise is exacerbated!