So, I have a Euro 4LX. Many of you might remember it because of the sunburst refinish. I also switched it to black hardware and an EMG BTS preamp. I must admit that I find myself unhappy with the tone in comparison to my US NS4. Now for starters, I realize that comparing the basses is not apples to apples. The NS4 has the humbuckers, 18 volt preamp and is a walnut back/buckeye top. Just the wood alone is a big difference of course. However, I can't help but wonder if a switch to one of the US preamps that Spector sells wouldn't get it closer.
My question is that I love the sound of my NS4. More growl, more low end, more punch, etc. Anyway, I see the 9 volt preamp comes with the PJ models (not to mention is pricier). If i love the NS4, is the 18 volt a better option, or is their something about the pairing of the 18 volt with the humbuckers vs the 9 volt with the PJ? Any thoughts are greatly appreciated.
Euro 4LX and NS4 in foreground (the 83 NS2 and Euro 4LX Bubinga were sold):
I played both today.
My NS-2 (The Black Pearl) has the USA 9v Haz circuit and active P/J pups. It has solid quilt maple wings. Birdseye Maple Fingerboard.
My NS-4 is a water cured redwood model, like your buckeye burl has the black walnut back 50/50 with the redwood. 2 EMG DC pups and the 18v USA circuit (also made by Haz). Pau Ferro Fingerboard.
OK. Here's my assessment of these two circuits.
NS-2 - Love it. The circuit working with the P/J setup provides a rich, growly tone. There's dimension and range... It's not unlike your NS-4 - the basic color of the tone, the growl, the grit... it's there and actually stronger with the NS-2.
NS-4 - Also Love it. But it's bigger, deeper, somewhat richer, not as punchy and not as growly at certain EQ settings as the NS-2. You've probably noticed that you can almost clean the growl up with certain settings with the NS-4. Which is great. You can get a cleaner tone if your want, or you can get growl.
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Everyone knows that I've championed the TonePump. When you look at what Stuart and PJ were trying to accomplish and do so with (to be honest) superior technology... it's a great solution that's 1/4 the cost of the solid-state USA circuit. So this is another reason why the Europe Series is such a great value. They've done everything they can to keep costs down.
Is it the same. No. Can you get it to also sound like the USA. Yes. But in the big picture of the full tonal qualities and range of the NS-2, does the Euro4LX match it's USA sibling. No.
There's a warmth and almost organic sound to the analog solid-state circuit in the NS-2. Which is why Stuart has never changed that circuit since it's creation in 1979. It IS the heart of the SPECTOR tone.
You can yank the circuit out of your Euro and put the USA 9v in it and it'll sound a lot more like a USA NS-2. But it still won't be 100% the same.
And this has to do with the wood quality. Pau Ferro is a superior wood to the Rosewood that's used on the Euro basses. Not that Indian Rosewood is bad at all. But Pau Ferro is warm. I love the sound of my NS-4. And body wood is the next issue.
Your buckeye and my water cured redwood basses are special in that the quality of the top wood when matched with the quality of the premium/flawless black walnut it's married to (if I could reverse the wood on my wings... the back side of my bass is beautiful. The walnut is gorgeous) makes the overall tonal quality of our NS-4 basses superior to the European woods being used in the Euro model's construction.
There's also the boat-anchor of a solid premium brass bridge and nut... not brass zinc... so you'll never get your Euro4LX to sound exactly like a USA NS-2. But you can get it really close.
I will be replacing the TonePump in my NS-2A fretless with a 9v USA Haz this year. And I'm also putting a USA (old style with no intonation screws) bridge on it. That should make my NS-2A sound pretty amazing as a fretless.
But I'm also very interested in the NS-4P. The NS-4 with the piezo bridge. For a fretless, which will be something I'll want to do probably next year... that piezo with the 18v USA circuit has to be wicked - beautiful sounding.
I will probably find out.
