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SPECTOR® Club - Part 31

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My blue one is JUST like it.....

Oh yeah.....It will be a cold day in a VERY hot place before I come out in a police thing with one of those Lame-o P bass relics.....No thanks...Necks are like ballbats....Ask me how I know!!!!
White NS2 style is where it's at for me...Gotta find one...(not that I need another bass LOL)
 
Went to GC to get strings and look what they had!

Sick color! USA bolt on!!!!!
 

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I am listening to the recording of Sting playing that white Spector from the Omni show...I have it on CD as well....he gets some cool tone...really full and round....NOT like the f**der sound....

Yeah, the only fender sound I like is...well I don't really like any fender sound! :spit:

...unless you rip the guts out and replace it with an obp-3 like I did to my old MIA jazz. :bassist:
 
Sweet.. I'm seriously contemplating a hz copy for the NS95. Wish I could afford the real thing, but I can't. Anyone have some sound clips of the haz copy in action?

Just heads up for you guys the MM114 pre is on a ridiculous back order from Mighty-Mite and it'll be a while before you can get one. I bought one back in early January that ended up being defective and it might be late May-early June before they can get a replacement out. It did sound great for the 5 minutes it worked though!
 
Hello everyone.
I was finally able to fulfill getting one of my dream basses: a Spector NS-2, black gloss. I assume based on my research that the bass was manufactured between 1988-1989.
Thanks to the support of some people in TB and members of this club I was able to get the bass up to its full potential (a pickup was not fully connected producing some saturation).

I attach some pictures of this beautiful bass. I love it!

Simply Beautiful!!! :bassist:
 
So what is the main difference between a Brooklyn and a Kramer era NS-2? What would be the main reason to prefer one over the other?

IIRC, a lot of the early era Kramer stuff was built with the Brooklyn parts after the sale in the NJ plant. So if you have say an 86-87 you're still basically getting a Brooklyn.
The pre-Kramer stuff were/are just the original line from Stu & Co so that's all. At some point I think (but may be wrong) the neck profile changed a tad on the Kramer NS-2's but again not sure.

I've talked to people who own and play both and some prefer the NY models, some prefer the NJ ones, same as some prefer the NS4/5CRFM line to the current Euro LX model, etc..

I know there are some other changes but IMO it's pretty minimal. If I were to ever get an older one again, it'd probably be a Kramer-era model bc they made more 5'ers during that period.
:bassist:
 
So what is the main difference between a Brooklyn and a Kramer era NS-2? What would be the main reason to prefer one over the other?

Most of the Brooklyn NS-2's used a Badass bridge but they did start using the Spector locking bridge the last year they were in Brooklyn if I am not mistaken. Some of the Brooklyn models had dot inlays on the neck as well and from what I have heard, they have a thinner neck profile.
 
Who sells Forte's?! Don't do it man!

Atleast I'm keeping my Forte 5! :D I'm just turning into a 5 string snob! Hehehe! :p I'm waiting to put money down on a new Coda 5 Deluxe! Bahama Blue body, BEM fretboard, Abalone inlays, chrome hardware, OBP2 pre active/passive switchable, 35" scale. :bassist: :)

Daddy needs to sell a couple basses! FYI I lowered price on the Forte 4 to $1900.00!
 
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