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SPECTOR® Club - Part 36

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Are you talking about FOH sound, or the sound from your amp while on stage? Are you going through the PA at all? I go direct through the PA - but my onstage sound is quite mid heavy. I actually turn down the bass and treble a bit and boost the mids so I can hear myself on stage. The sound going to the FOH is up to the PA guy - and the PA handles all the low end. I have three settings on my amp depending on the room/venue. My sound guys know which songs are going to intentionally have more mids - and those songs I go post-eq into the PA.

If your rig does not go through the PA, you have to turn up the mids more anyway for the tone to cut through. It's very difficult to hear yourself if you have a scooped sound. I play with two guitarists and a keyboardist, so the frequency range I have is precious.

No PA, just my rig. The problem was both FOH and on stage. On stage my tone was SUPER bassy on the E and A string, and the D and G were super thin and very hard to hear. I had a lot of trouble cutting through the mix. In the FOH my tone, apparently, wasn't bassy or full at all. I had to almost dime the bass and mids on my DB750 just to get it to sound decent - something I've never had to do with my P or Ray. With my Ray I just boost my mids and bass the slightest hair and I'm done, and with my P I up the mids to about 2o'clock and call it a day.
 
+1... Hope you (and the bass) are okay.

We don't want to see any 'Epic Bass Player Fail' videos on youtube, either! :)

we are assuming that neither you nor the bass got hurt!!

It was pretty funny! As soon as I realized I was falling I lifted the bass as high up in the air as I could to protect it from the ground - obviously I have my priorities straight as I did nothing to protect myself from the fall :D And in true rocker fashion I continued to play even after I hit the ground lol.
 
Okay guys, so I used my Spector Euro 4LX on my last gig and........... I'm slightly disappointed :crying:

While I love the sound of the TonePump preamp in a solo setting, I've found that it gets lost too easily in a band setting. I'm thinking I need to throw in some sort of preamp that has a mid control/boost that I can use to get the mids in there while also allowing me to crank the bass and treble up high enough to get that snarl that I love. Any suggestions? :bassist:

And don't worry! I have no plans on jumping ship and selling my Spector. The Euro is still the best playing bass I have ever played. It is going NOWHERE!

Try the EMG BQC system. $133 from best bass gear, free shipping and if you write max before ordering he will probably give you a discount code. Super affordable, solderless/plug and play installation and on board mid frquency selection and boost/cut in one stacked knob with bass and treble on the other stacked knob. It's a great sounding pre, really flexible, and sounds fantastic paired with the EMGs and in a Spector instrument. It's awesome.
 
Please feel free to direct me to a good source for said EMG's. What about the preamp? I think something got goofed when that bass pot was replaced....the trebble pot acts like more of a master vol with a center detent (I know makes absolutely no sense) and I am wondering if I should replace the preamp too or atleast have the wiring checked?

I put in active EMGs and a tone pump in my black NS2a. I've been nothing but happy with the tone.

One thing you might run into is the replacement EMGS might be a little larger than the passive spector pickups you are pulling out, especially the "p" pickups. Some here have routed out the cavity a little to make them fit (I would recommend a professional if you don't know how to do it). I actually sanded down my P pickups a little to make them fit.....and it was tight. Enjoy the bass. those are great.
 
well-i just plugged her in and i am amazed at the amount of output from these pickups. i dialed down the tonepump to about %50 from almost flat out full.
nice set up sounds very modern. time will tell if it is for me or not.
the neck seems about as narrow as you would find for a 6er which is good for me.
and yes-i know wilson is lusting for this exact bass...

hey guys-this bass is not calling my name.
i hope it calls one of yours...
she is up for grabs in the classifieds...
 
You can try getting a set of P/J EMG HZs - you might be able to find a set on ebay for about $100

You can try getting active EMGs - but not sure about the pots in the preamp.

The preamp is the Korean Haz copy, which is what I had in mine. The wiring always seems to be backwards - P pickup and J pickup pots reversed - this is a first I've heard of the treble pot acting as a volume pot.

It should be V, V, T, B

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For all who don't know, I bought this bass from peledog...

I seem to remember the P and J pots felt backwards to me. I swapped some wiring around and made it "right" the first day I got it, although the wiring diagrams I found on the net were opposite.
 
For all who don't know, I bought this bass from peledog...

I seem to remember the P and J pots felt backwards to me. I swapped some wiring around and made it "right" the first day I got it, although the wiring diagrams I found on the net were opposite.

The white NS-2A I bought from ubnomnar has the same issue with the pickup pots wired in reverse. This seems to be a common thing. lol
 
Okay guys, so I used my Spector Euro 4LX on my last gig and........... I'm slightly disappointed :crying:

While I love the sound of the TonePump preamp in a solo setting, I've found that it gets lost too easily in a band setting. I'm thinking I need to throw in some sort of preamp that has a mid control/boost that I can use to get the mids in there while also allowing me to crank the bass and treble up high enough to get that snarl that I love. Any suggestions? :bassist:

And don't worry! I have no plans on jumping ship and selling my Spector. The Euro is still the best playing bass I have ever played. It is going NOWHERE!

Don't know where the problem is but I do know the tonepump is capable of churning out a TON of bottom end. You probably already tried it, but if it was me, and I thought I needed more mids, I would turn down the bass and treble knobs a bit (this is the same as turning up the mids.)

Who knows, some sort of mid control know might be what you need. The EMG with the sweepable mids seems cool.
 
The white NS-2A I bought from ubnomnar has the same issue with the pickup pots wired in reverse. This seems to be a common thing. lol

Thats weird. I have to have my knobs a certain way or I'm a wreck.....OCD maybe?

When I changed to the tone pump, I followed the directions carefully. When I was done, the bass and treble were reversed. It took 30 seconds to swap them but what the hell? It turns out, thats the way they do it. If you look the Euros (which use the tonepump) the bass and treble knobs are reversed from the USA hazlab models. You would think they would want them to be the same.:eyebrow:


drives me nuts
 
Okay guys, so I used my Spector Euro 4LX on my last gig and........... I'm slightly disappointed :crying:

While I love the sound of the TonePump preamp in a solo setting, I've found that it gets lost too easily in a band setting. I'm thinking I need to throw in some sort of preamp that has a mid control/boost that I can use to get the mids in there while also allowing me to crank the bass and treble up high enough to get that snarl that I love. Any suggestions? :bassist:

And don't worry! I have no plans on jumping ship and selling my Spector. The Euro is still the best playing bass I have ever played. It is going NOWHERE!

I'm not the biggest TP fan, but I also haven't played one that had the trim. I suggest any of the Aguilar OBP's! I really like the 2 and the 3!! ...also can't go wrong with a US HAZ! :bassist:
 
The white NS-2A I bought from ubnomnar has the same issue with the pickup pots wired in reverse. This seems to be a common thing. lol

If I'm not mistaken that was the NS-2A that he bought from me, and yeah the pots were definitely wired backwards! ...that is a sweeet playing NS-2A! :bassist:

Yep... it's the one. It is an all around sweet classic white NS-2A. Now it's the perfect match for peledog's white JAR:bassist:

If he were to buy my white NS-5p he'd have a trio of killer white Spector NS basses.
 
Is there any way to get a rosewood fretboard darker? I do condition it often.

You can use Watco Walnut stain, the stuff looks black to me while in the can, however it is not when applied.
It might get really dark after several coats?
This is a excellent Danish finishing oil now owned by Rust-Oleum.
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This is a Fretless Carvin I refinished a few years ago, it is all KOA and I added a little Walnut to the clear Watco oil and it's easy to see it's effect here. (I added just a little). Picture is a little blurry!

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