Working on a bunch of new music for the new year with a few different bands, here's an EP from a year or two back with some of my studio buddies...recorded with my upgraded Spector Rex through a variety of Tech 21, Aguilar & Darkglass gear, definitely some of the meanest tones I've ever had![]()
https://soundcloud.com/matthew-the-bass-player/sets/melange
I'll have some newer stuff up soon...
Thanks for the kind words Spector brothers!
I just uploaded another EP that I recorded with a different group a month or two ago: https://soundcloud.com/matthew-the-bass-player/sets/after-life-ep
I'll be getting to some new demos next![]()
Aaaaand here's another playlist with some demos for tunes scheduled to be released this year: https://soundcloud.com/matthew-the-bass-player/sets/demos
Now to PM Adam and talk about that Rex, back to your regularly scheduled Spector programming....
So aside from JPS, am I going to be seeing anyone else at NAMM next weekend?
Also, here's another Soundcloud link; definitely not as heavy, more in the indie/rock vein, but the bass tone is still undeniably Spector
https://soundcloud.com/matthew-the-bass-player/sets/another-world-fallen-riviera
We're actually releasing a new EP in a few weeks, I used my Coda and NS-2 on the new tracks, and with any luck we'll have copies pressed in time for NAMM to sign after our showcase at the Casio booth![]()
I like the bass tone in all of these, I'm not into the heavy fuzz on a bass but respect what your doing in the songs...would be nice to double the parts with one fuzzy and one with the bottom cutting is all I would try but I also understand that it might not be good for the creation/artistic approach.

