Hey JPS,
Another mystery:
The quote above made me take another look at the SD's.
Back in the mid '90's I was working in and out of south Florida. Someone tipped me that a local store had a Spector 6 string bass on consignment.
I'm thinking NS-6, only to get there and find out it's an SD-6. I was slightly dissappointed as I didn't care for this new Spector shape, but I checked it out anyway.
They were asking $3000. I made them an offer of about half that because the fingerboard had some real issues (3 bad humps making it almost unplayable as is). The Florida humidity can do weird things to basses, but my other Spectors survived just fine, even with extended periods at sea on Cruise Ships, so I don't know why the issue with the fingerboard. Anyway, I didn't buy it.
Here's the mystery:
The Spector site says total production of "2" SD-6 basses.
I remember distinctly being somewhat impressed that the one I looked at was labelled....#3. This was one of the things that made me consider fixing it up (fingerboard) and having it.
A reject (due to fingerboard) that slipped out the door?
We need a separate thread: Spector Mysteries
I agree about the Mystery Spector Thread.
I can't comment on that SD-6.
I have no idea. The numbers on the site, PJ gave those to me.
In the workshop in NY, in file cabnets, are journals. All hand written. Back in the early days, Stuart would write down the serial #, finish, model number and date completed. Then they'd go out the door.
So the number of basses made that he had direct access to, i.e. the overseas stuff can be a mystery because apparently some of the shops, especially the Chinese ones, didn't keep such good track of things, anyway, he knows what has come out of his workshop... that's legit.
I do know of a B.O.B. bass that is unlike any other because it was pieced together from spare parts at the shop by one of the guys that worked there 20 years ago. The neck is actually off a NS-2J and therefore it has crown inlays. No other B.O.B. does. It's also not signed that I am aware of. The main parts are 100% Spector... it was just put together and finished outside of the shop. Something that is not permitted now. But back then if something was laying around and was either flawed or not usable, Stuart would say, "do whatever you want with it."
So a few Spectors have some to exist that are "parts" guitars. But Stuart knows about them, he approved them being made. And these instruments won't ever be on the market.
PJ warned me when I started this job that it's impossible to account to every model made. Because of things like this.
And Stuart is a genuinely open and giving person. Very generous. So it wasn't anything for him to tell a trusted employee, ah... that's junk if you want it, take it.
And really stuff like that is what makes the history of Spector so interesting at times.
Oh! I just thought about it... I know of a NS-X Bass, from Brooklyn that was built much later from parts, and the employee in question wanted to try their hand at doing the inlays... so this NS-X has MOP crown inlays and a modern USA Spector Bridge. It also has the Haz tone circuit. Talk about a weird bass.
I know of a handful of these stories.
So the one you saw in Florida. Who knows?
I lived in Savannah, Georgia for 25 years. And yes, the humidity and dampness will mess a bass/guitar up... especially with the extremes in the heat (110 degree summer days) and winter (20 degree winter nights). So I don't doubt the damage to the neck.
If all else fails, ask the true guru... my Jedi... I am his Padawan (sorry, suffered through a bunch of Star Wars this past weekend)... Ask PJ.