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Squier Vintage Modified Precision V: who's got one?

@steve_rolfeca: Man, I wish I had anybody like you to work on my instruments around here! Thank you for the detailed and thoughtful response. I know just enough about setting up instruments to know I should bring mine to somebody who knows better, but I have found truly great techs lacking in my area. I will probably bring a printout of this with me when I bring the instrument in.

The stock pickup screws are made of something that resembles swiss cheese.

So it wasn't just me, haha/groan.

If the hole was stripped, rather than the screw, grab the white glue and some toothpicks...

Just the screw ... so far ...

If it's impossible to get even levels with this setup, then you'll know that you've got a defective pickup half, and can proceed accordingly.

I don't mean to overstate the imbalance between strings as currently set up; a lighter attack on the D and G mostly evens things out. I doubt a defect, but also hadn't considered it. Noted.

If you still don't like the character of the tone with a good working pickup and the normal setup, then it may be that a vintage-style Precision V pickup set isn't for you.

I had planned on having the new pickguard (black) and bridge (Hipshot Kickass) and electronics (M&V, not-cheap guts) all installed at once, but with the delay on the M&V, this convinces me to hold off on the electronics and see what I get with the new bridge and adjustments to the stock pickup (assuming somebody can get that totally stripped screw out, haha/groan again). I think I'm mostly after a classic P-into-B15 sound, only supercharged (hot pickup into Mesa Buster! 200 1x15" combo).

The fact that you're tuning to a low G or A, makes me wonder if a.) your other basses are active, or b.) none of them have vintage-wound Precision pickups in them.

A bit of both. For a different sound, I like my Ibanez ATKs (early models, both 4- and 5-string); those have serviceable 3-band preamps, but I barely use the EQ. That's part of what attracted me to Lace pickups. I have a Lace Aluma-P in the instrument in my avatar and love it, which led me to get my hopes up (and subsequently dashed) about using the 5-string arrangement shown in their wiring diagram. I also have a stock Westone Spectrum GT with one of those crazy hot '80s Japanese P-in-a-bar arrangement, and I think that does the supercharged P thing well; it doesn't have the low end of the Aluma-P, but it has noticeably more than the stock Squier pickup as currently installed.

Replacement pickups are limited by the need to stay reasonably true to the original. While Duncan QP's have a fuller low end than stock Squier or Fender Am Std pickups, they still sound like a P.

If the SD QP still sounds like a P but with more lows, that just might work.

If you already have a non-vintage pickup that has served you well on other five string basses (the Nordy Big Single soapbar is one that comes to mind for me), then why not do the obvious?

Ah: if I wanted soapbars, I could have found a suitable bass with those much more easily and wouldn't think of getting one of these only to modify it beyond recognition. I have a Spector Legend 5 Classic, and I don't think I've ever owned a better looking or better playing instrument, but none of the sounds I get out of it sound like "me." I had the Tone Pump Jr preamp removed and Lace Alumitone soapbars installed, and still. I needed a 5-string Precision, and I want it to sound like it ... just moreso.
 
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Does this one come in a 5-string version? The only split coil I see from SD for 5s in this configuration is the QP (which might work after all, according to @steve_rolfeca's assessment).
No- you'd have to get it from the Custom Shop. But the QPs might just be what you are looking for, and those are easily found.
 
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...I have a Spector Legend 5 Classic, and I don't think I've ever owned a better looking or better playing instrument, but none of the sounds I get out of it sound like "me." I had the Tone Pump Jr preamp removed and Lace Alumitone soapbars installed, and still. I needed a 5-string Precision, and I want it to sound like it ... just moreso.
I can understand your frustration.

Bill Lawrence's P pickups were and still are amazing, but he never designed a 5-string version.

Check out this Facebook video by Brady Muckelroy. In addition to being a heck of a builder and bassist, this passive PJ sports a set of Ulyate TicTacs. I don't know if they're what you're looking for, but they sound amazing to me. Brady favors pretty transparent amps and cabs, so think of this is being pretty much the acoustic version of a DI to FOH situation:



And here is Howard's web page:

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Found a clean one on Reverb. Plays and sounds fantastic!
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I feel like I have legitimately convinced myself my VM5 will sound even more "wooly" if I get an anodized gold pickguard. Why is the human mind such a mysterious place?
Ahoy there, neighbor to the north. Do you also have a sunburst? I went with black but haven't ruled out going gold. Or mirror.
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I can understand your frustration.
Bill Lawrence's P pickups were and still are amazing, but he never designed a 5-string version.
I am sorry but you are wrong. The magnificent P-46 is an ingenious 4 or 5, or 6 string pickup in one design. The additional magnets and design creates a field around the strings so that you dont have to have the string directly over one of the many pole pieces to get the sound. I put one in my 5-string VM-P. Sounds amazing. The only downside in this case is that the halves are equal in size and so needs a new pickguard.
 
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Ahoy there, neighbor to the north. Do you also have a sunburst?
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I've got Candy Apple Red with a black pickguard; literally my only complaint about this instrument is that a piece of plastic is the "wrong" color. And be careful with the mirror! Might make your tone too bright! ;)

Where are you finding your pickguard dude?
 
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I've got Candy Apple Red with a black pickguard; literally my only complaint about this instrument is that a piece of plastic is the "wrong" color. And be careful with the mirror! Might make your tone too bright! ;)

Where are you finding your pickguard dude?
Neagle Luthier on reverb. I had a guy swap out the guard (which I figured I could do myself) while swapping the pickups (which I'm neither equipped to do nor comfortable doing at this time), and he said that he had to cut it (and that he always has to cut them), so the fit around the end of the neck isn't quite perfect but even I don't notice anymore. There's a guy up in Chico who will create a custom one for you if you send him the original, which I might do if I go gold or mirror or diamond plate or paisley or something.
 
Interesting. Let me know how it turns out. I'm kind of tempted to try to modify one myself, but I get the feeling that it's more complicated than I'm giving it credit for. What did you swap your pickup to?
I ordered an Atlas from M&V, but they are relocating and told me they wouldn’t get to it until September, so I figured I would try a Seymour Duncan Quarter Pound in the meantime. I had that installed … and then M&V got me the Atlas several weeks earlier than expected, haha.

Many on this thread are happy with the stock pickup on this instrument, so I wonder if I got a lemon (of a pickup): it had the overall character of a P and plenty of output, but no matter how I adjusted it, it had way too much high end and way too little low end. The SD QP also has the overall character of a P, but with even higher output (a plus, for me) and a better balance of highs and lows to my ear. I look forward to trying the Atlas but I do like the SD QP.
 
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@Monterey Bay-ss Definitely sounds like a lemon-y issue to me, I think the pickup in my VM5 is the hottest out of all of my instruments except for a ceramic MM pickup haha.
Did you make any other modifications to yours? I was thinking of changing the pots out at most, I kind of get the feeling the pots/cap and the nut are the "weakest" link on the instrument.
 
I ordered an Atlas from M&V, but they are relocating and told me they wouldn’t get to it until September, so I figured I would try a Seymour Duncan Quarter Pound in the meantime. I had that installed … and then M&V got me the Atlas several weeks earlier than expected, haha.

Many on this thread are happy with the stock pickup on this instrument, so I wonder if I got a lemon (of a pickup): it had the overall character of a P and plenty of output, but no matter how I adjusted it, it had way too much high end and way too little low end. The SD QP also has the overall character of a P, but with even higher output (a plus, for me) and a better balance of highs and lows to my ear. I look forward to trying the Atlas but I do like the SD QP.

I bought mine second hand from GC Used, so I don't know for sure if it's completely stock, but I like the pickup that is in it. It does look stock. I ended up putting in a Stellartone ToneStyler Bass Ten which can change output from wide open bypass to dubby.

That's really my only mod besides putting a little cylinder on the B string between the ball end and the bridge to give it more space for the windings on the ball end and for intonation purposes.
 
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