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Stingray Classic Returns

Strikes me as a smart business move.

Fender has been reissuing period correct P's and J's over and over at ridiculous (to me) prices for years. It makes sense for EBMM to cash in similarly on its legacy. There are rather few manufacturers who can pull this kind of stunt off but EBMM is definitely one of them.

Heresy, perhaps, but I have hunch that due to improvements in construction techniques and overall QC the EB 76's will probably be better built than the original MM run.

39 years later and the biggest excitement is that they are making Leo's version yet again.
Curious to see how these sell compared to the Specials.

I'd be shocked if they even came close to the 1 in 10 ratio the Classics managed.
 
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Strikes me as a smart business move.

Fender has been reissuing period correct P's and J's over and over at ridiculous (to me) prices for years. It makes sense for EBMM to cash in similarly on its legacy. There are rather few manufacturers who can pull this kind of stunt off but EBMM is definitely one of them.

Heresy, perhaps, but I have hunch that due to improvements in construction techniques and overall QC the EB 76's will probably be better built than the original MM run.



I'd be shocked if they even came close to the 1 in 10 ratio the Classics managed.
This.
Fender makes period correct instruments with feature I don't care for: truss rod adjustment at the neck heel-buried in the pocket, reverse thread tuners, concentric VT/VT, etc... Oh well, I don't buy those. At least the argued EB 'old features' like the 3 bolt plate (which is moot if the pocket and heel are cut correctly) and the bullet truss rod (still better than Fender heel adjustments) are still not really issues. If you want 6 screws, wheel truss rod adjustments and 3EQ, get something else.

I also agree that these won't sell in massive numbers, they are somewhat niche for Stingray lovers.
 
More! its all the original details:
Bullet truss rod, 3 bolt neck.
String tree on the D&G.
No fretbord dot at 21st fret.
Original center groove bridge saddles...
Which would then be a centered mounted bridge instead of offset.

that might be vintage correct but are the vintage correct thing it actually an improvements over the Classic or will they make it worse construction wise? Will the 3 point screws make it sound more vintage correct?

The price tag is just too high. For half the price or less you can get a second hand Classic or regular Stingray.
 
Strikes me as a smart business move.

Fender has been reissuing period correct P's and J's over and over at ridiculous (to me) prices for years. It makes sense for EBMM to cash in similarly on its legacy. There are rather few manufacturers who can pull this kind of stunt off but EBMM is definitely one of them.

Heresy, perhaps, but I have hunch that due to improvements in construction techniques and overall QC the EB 76's will probably be better built than the original MM run.



I'd be shocked if they even came close to the 1 in 10 ratio the Classics managed.

My Memory was a little off [being 69 now]:) was 3 years ago and 40-1

Here is actual Post;
"I don't think we'll make an Old Smoothie or Classic how we used to again. We'll have a limited version of a Classic drop soon and then hopefully we can improve those concepts in 2022.

*Edit just read the other thread..

There is only so much capacity with Covid that we had to reduce certain offerings. To put it in perspective I would guess it's 40-1 for Special vs Classic sales."
 
My Memory was a little off [being 69 now]:) was 3 years ago and 40-1

Here is actual Post;
"I don't think we'll make an Old Smoothie or Classic how we used to again. We'll have a limited version of a Classic drop soon and then hopefully we can improve those concepts in 2022.

*Edit just read the other thread..

There is only so much capacity with Covid that we had to reduce certain offerings. To put it in perspective I would guess it's 40-1 for Special vs Classic sales."

Thank you for the clarification. That might actually be a more realistic ratio.
 
My point is, try as they might, EBMM can not make a bigger selling bass than the original Stingray as designed by Leo. I thought the Big Al was a masterpiece but could never find one that didn't weigh a ton.
I just bought a Big Al about a month ago and, yep, it IS a masterpiece. I'll mostly agree with you about the weight, too. At 10.1 pounds it's my heaviest bass (assuming I sell my 10.5 pound L-2500 as planned). But, it does balance nicely for me. I've played two four-set gigs with it so far and I didn't feel it as much as I expected. But, I'll admit to still being in the honeymoon phase with it, so we'll see what I think after having for a year.

The one negative I find so far is that the short lower horn makes it less comfortable to play sitting down than my Stingrays and Jazzes. But that's not too big a deal to me.
 
Still, Classic's birdseye maple wins!
1-1.jpg
 
I would hope a Company of EB Status would not put reject strings on 2500+ Basses for Players to try, Demo', purchase Etc.

On my 'Special' OEM Slinkys sound great still after 2 1/2 months as did the ones on my EBMM 25th Anniversary[AKA Reflex] back a while

Even on my 2019 Fender Ultra P the OEM 7250's were fine and sounded excellent

But my guess is most buyers will swiftly replace Slinky Rounds with their favorite Flats

Mine will likely get DR Pure Blues. I'm not a fan of flats on Stingrays. Well, actually I'm not a huge flatwound fan at all, but with the addition of EB cobalt flats a few years ago, I have been using those on some of my basses. They sound pretty decent.

They 'sorta/kinda' tried that with the Classic and many here on TB seemed to like it but alas not enough

Read a post on EB Bass Forum where EB Rep said Specials/3 band pre Specials out sold Classic's 10-1; He also said that the Classic may return but not as it was; this was maybe a couple years ago so here we are.

I remember that statement a couple years back.

Interestingly, they did do at least one "special run" of Stingray Classics over the past few years and, as far as I know, were only sold over the Music Man website. I bought one from a guy here on TB that had recently bought it new from Music Man website. When he told me that it was new, I was a bit suspicious because that was after the normal "Stingray Classic" had been discontinued. But I checked with EB and yes, it was new (the guy I bought if from only had it for a couple months). But then like a moron, ended up trading it off. It was a great bass.

Strikes me as a smart business move.

Fender has been reissuing period correct P's and J's over and over at ridiculous (to me) prices for years. It makes sense for EBMM to cash in similarly on its legacy. There are rather few manufacturers who can pull this kind of stunt off but EBMM is definitely one of them.

Heresy, perhaps, but I have hunch that due to improvements in construction techniques and overall QC the EB 76's will probably be better built than the original MM run.

Yes... I've been a huge, huge fan of Fender's reissues over the past ten years or so. It's pretty much all I've bought from Fender. My latest is a Fender CS 55 Precision that is freaking amazing. One of the best, if not the best bass I've ever had.

As for the QC on the new Stingray reissues and the original Stingrays, no doubt it will be way better and way more consistent. There were some great Pre EB Stingrays, and... there were some downright crappy ones.


As for the comparison of between the Stingray Special and various reissues (this one and the classic series), I'll always go with the reissues. I have nothing against the Specials and they are great basses... but, part of the "Stingray sound" is bred out of them. They may be more versatile, but they just do not sound as good to me. Ultimately, to each his own. All preference. For just an all around "do everything" bass, I'll generally take a Fender Jazz. But if you want a "stingray sound" it's got to be a Stingray (or clone).