• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Stoner/Doom Bassists Thread, Part 90: Maxed Out

Mannnn gk 400rb guy got busy must wait til tomorrow night to get it...

Hardly any videos for the RB series on YouTube, and most are slap n pop. And none were dirty save one short one.

Had to check out guns n roses to get some idea of the thing in a mix even if clean and the bigger brother.
Worry not, fellow Doombro. The 400RB has the tones you seek. It should be able to handle any mix, power constraints notwithstanding.
 
image.jpeg
Heavycraft in action over the weekend. Next gigs aren't until end of May, ugh.
 
going to record the instrumental track for the art show tomorrow then my friend from pleasure 2 (indian jewelry) is gonna work his programmer big beat magic on what the guitarist and i do, going with the mini moog drive delay and the sb-2 strung with the la bellas, kinda into this surgical percussive punchy bass tone recently, probably because the guitarist has two dozen pedals and i just save all my extreme od and distortion up for the Hell-0 shows where it's more of a sexy evil vibe
 
I can't remember the last metal band interview I read that wasn't along the lines of "they really don't actually like metal and want to transcend the genre". Maybe that's the reason I can never start a metal band, I like metal.

But... but... but Metal is in itself the transcendence of all styles, genres, sounds, thoughts, and ideas that are too weak to be Metal. What about Metal can be transcended when Metal already rules every dimension of the Universe?

 
Ugh, regular talkbass. Dude assuming that I have a big rig and my band is loud because my guitarists are having a volume war, rather than just because my band is doom and we choose to be loud. He's into metal, so I feel like he should know better.

Yup. It might be even worse for Rock, or genres not necessarily associated with being as loud anymore as Doom. At least when you say you play Doom, it's known for being a loud style of music. When I say "well I play rock," it no longer has those same connotations. Now it's all about having combos and what not (partially due to the expensive of stacks etc), but my idea of rock was formed seeing images of Cream and Hendrix with multiple stacks of amps, that's what it's supposed to be.

"Oh, it's too loud for some people" Well then some people can pound sand. That sort of music was never supposed to polite and cater to everyone, and it shouldn't. Play what you want and there's probably someone out there who wants to hear it (though that someone might just be the people in the band). But people being condescending over what you want to and how you do it just fries me. Maybe it's more of a perspective thing, like they see it as an entertainment job to placate as wide a swath of people as possible, versus seeing it more as an artistic medium in which to create what you want how you want, whether it has widespread appeal or not.

Interestingly, I see a lot of new "rock" bands that seem to be taking cues from like...'65, '66, you know, small combos, not terribly complicated, very sputtery fuzzes, etc, which I enjoy well enough. But I want to see more of that '68 style, stacks, improv, feedback, loud, etc.
 
Last edited:
  • Like
Reactions: Sartori and Burnsy
"Oh, it's too loud for some people" Well then some people can pound sand. That sort of music was never supposed to polite and cater to everyone, and it shouldn't.
I can't get excited about music that caters to everyone.

Its boring.

Had this conversation so many times.

Explaining to coworkers that I joined a band this weekend and won't be doing gigs for the next 3-6 months.

Some people want to write music collaboratively and not just be a biologic jukebox.

Never done it for money don't plan to start now.

Different strokes etc....
 
  • Like
Reactions: Sartori and D.M.N.