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I run my SVT very similar to you pic
A big reason for me switching from my Digitech reverb to my EHX holy grail nano was that I liked the latter's bare bones approach with no EQ knob. Because I don't want the crappy EQ on a reverb pedal when I have a much better EQ on my amp and I just want my reverb tone to be the same as my regular tone, but reverby. Also part of the reason I'm getting a custom Dunwich pedal to replace the bass big muff and swollen pickle. Because **** tone knobs on pedals. The Sitar pedal obviously has a lot of knobs, but I basically just read the (extensive, for a pedal) manual on how to make it most natural sounding and set it at that. The D-180 is my regular overdrive. I lay the fuzz on top of that (which is why neither is set very high).Lol. Sorry dude. I'll try to be more on point with my historical gear knowledge.
Most of my amps only have a "master" volume, the CL400 being the oddball. Under master it has two controls that control the highs and lows and a pregain. I usually set my master to "wrecking ball" and adjust the pregain to taste. With pedals I usually set the tone for how I like that particular distortion and leave it. I hesitate to have too many preamps or EQs because ultimately I want the sound of my bass and amp. That said, I am buying a source audio programmable EQ next paycheck to give my front end a little low end boost before it hits any pedals that may suck some of it dry. Also the 4 memory slots would allow me to set up my Jazz and T40 so that changing that program would be the only thing I need to adjust when playing a different bass. I try to minimize change but to do that requires a hair more involvement than straight to amp purity for the sound I want.
Usually I aim for a tone between Tim Commerford and Jeff Matz with a dash of the guy on the most recent Tombs album.
But I'm with you regarding computers/stereos.
I'd love to try an Orange and forgot to add them to my list. Like we were talking about last night. So expensive! The only way I'll likely get one is used... Then have to deal with how it was treated and maintenance.@kzr750r1 I've never had a prob. with my 200W AD200.
In other news, I need to get myself a microbrute stat.
I'd love to try an Orange and forgot to add them to my list. Like we were talking about last night. So expensive! The only way I'll likely get one is used... Then have to deal with how it was treated and maintenance.
I'ma jump on this CL400 discussion.
Tbh, I think the amp itself is low heavy by default.
Yeah sure, I still have to build BFM cab for my Kappalite 3015s, but when I try to play with the band, I cut the low and drop it all the way to 1.
I don't think I'm being overcautious imo
I didn't think there was another CL400 user on this forum. If the bass cut is engaged on mine I don't push the low know past 7. With the cut switch disengaged it sits around 4 or 5. But that's like gig volume huge lows. If I try to play like that at home it is mud city. Wayyyy too bassy and I can't turn it up enough to hear the mids and highs because well... 400w tube amp, dually and second floor apartment.
First thing first, get rid of the tort guard.Gentlemen.
I've got a Squier Pro-tone P/J kicking around, black with a really red tort guard and a rosewood neck. I'm thinking about doing a rattle can refinish of it. suggestions for colours?
i'm definitely considering it, but i'm cheap. has anyone spray painted a guard? i rarely use a pick so it wouldn't take much abuse...First thing first, get rid of the tort guard.![]()
I'm sure there are cheap aftermarket ones. You could then sell the tort one to the weirdos on the basses forum who seem to think everything needs a tort guard.i'm definitely considering it, but i'm cheap. has anyone spray painted a guard? i rarely use a pick so it wouldn't take much abuse...
Never used an octave fuzz pedal. Partly cause it seems like most octavers aren't very useful down to low B.
That makes more sense. Especially useful if the guitar is playing something high.I'm not gonna use octave fuzz to go below B0 because it would be useless and impractical. I'm merely thinking about adding more to the guitar sound, so the band as a whole can sound huge with tons of mids.
But holy poopie, that LWA Extreme Octave sounds insane. I'm all about that square waves