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There’s a “John K mod”/cap swap to brighten it up a bit; it’s supposedly stock on newer models.Way Huge Pork Loin. It is a bit dark, but adds tubey 'fullness' and up to overdrive, has a clean blendy AND plays nice with fuzz. My always on pedal
100% agree. Who cares if you don’t use the same stuff as someone else. If it works for you, it works. End of story. I know if I go here, I’ll get the real low down on a piece of gear from a real-world perspective. No blues-lawyer stuff.
I like the darkness, personally. Just thought I'd mention it as it is not the modern bright darkglass type sound.There’s a “John K mod”/cap swap to brighten it up a bit; it’s supposedly stock on newer models.
It is a much more versatile sound! As much as I love my Pork Loin and B3K, if on had to go, the B3K would be gone. It’s a much more narrowly focused tone in that box.I like the darkness, personally. Just thought I'd mention it as it is not the modern bright darkglass type sound.
Has anyone used the Fairfield Barbershop overdrive? I’m still on a quest for a simple overdrive that isn’t too heavily eq’d. I like the sound of my V4B into my 8x10 but can’t get enough dirt out of it at a volume that works for our band.
i've never played an OB1 but from the samples i've heard it should get you that old school sabbath tone more so thank the GK, if that's the objective
Hey @Band Mom ! I remember youHi Kriegs! I used to frequent the G&L thread a while back. While I've mostly gravitated back to Gibson, I still have my L2K that I use from time to time. Those MFDs don't mess around, and I'm surprised I've never given their guitar counterparts much thought when it comes to our music. Time for some experimentation!
@chanson, East of the Wall's original bassist was Brett Bamberger who has been playing with Revocation for the past four albums or so. I've always thought the dude was a great player. I'll have to check out EotW's newer stuff, thanks for sharing!
But first, I really need to sell off some stuff I don't use!
