Thanks, made my day.aah, that's your problem right there. You should![]()
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Thanks, made my day.aah, that's your problem right there. You should![]()
Great quote!My life is simple, I play flatwounds.
My experience with octavers is, you can't just kick them on and expect them to do everything they theoretically should. Approach your octaver as if it's a new instrument. You have to play it. Get used to its strong and weak points. Playing the same note on a different string can make a world of difference in how the octaver reacts. So does playing louder or softer. Experiment with mixing your dry signal; I rarely turn it fully off.
And yes, roundwounds with their richer harmonic content may not vie with a particular octaver. My life is simple, I play flatwounds.
(YawningJorin please don't take all this to mean I consider you a beginner, I'm just formulating some thoughts.)
I'm really enjoying having one PD7 as a mild OD that's always on, and then using the other PD7 (in distortion mode) to switch on when I want to tear apart the fabric of space and time.I also played around more with my PD-7s, and I think they've officially replaced my HM-2s and B3Ks on my boards. They're just too good. I can get pretty much identical tones to my B3Ks by just reducing gain, and the saturation on the lows is incomparable. Both B3Ks and HM-2s are staying around for now, but it's wild that the B3K is officially off the board. It's been my longest serving pedal at about a decade, and I didn't think it would ever fall. But here we are.
I actually just edited my post - I really enjoyed going from "Clean" to "OD". Identical settings on both just brought my bass alive. It would be awesome to have a footswitch to go from one to the other.I'm really enjoying having one PD7 as a mild OD that's always on, and then using the other PD7 (in distortion mode) to switch on when I want to tear apart the fabric of space and time.
Interesting. I actually haven't messed with the clean mode much. The one I have in OD mode, though, has the drive at zero, so maybe that's similar to the effect you're getting in clean mode? I dunno.I actually just edited my post - I really enjoyed going from "Clean" to "OD". Identical settings on both just brought my bass alive. It would be awesome to have a footswitch to go from one to the other.
Noooo, no. No. We don't need inflated prices! I was thinking that somebody out there could just make a clone with a footswitch to go between "Clean" and "OD". Don't need the "Attack" settings myself. All I know is that the "Clean" setting really made my bass shine. Livened it up in all the right ways.Interesting. I actually haven't messed with the clean mode much. The one I have in OD mode, though, has the drive at zero, so maybe that's similar to the effect you're getting in clean mode? I dunno.
We need the JHS guy to talk up the PD7 in one of his videos and then people will start getting interested and cloning them. (Though that would also unfortunately drive the price up.) If he says it's good for guitar they'll become cool immediately![]()
I can't play flats, they have a totally different sound and don't match with anything I doAnd yes, roundwounds with their richer harmonic content may not vie with a particular octaver. My life is simple, I play flatwounds.

Fetch yon writing utensil and inscribe these monikers.
Fu Manchu
Clutch
The Sword
Kadavar
Red Fang
Corrosion of Conformity
Orange Goblin
These are merely a start, padawan. Simply general suggestions to begin the search for groove.
Please don't buy gear now and die of starvation. We need you alive here.I'm almost tempted to try again with a cheap one such as the Boss OC-3 (even tho I shouldn't really spend money in gear right now...)


Monster muff?? Is this extra big? Extra muffy? Just a monstrosity?as well as finish my monster muff that's been lying around
tentacle is basically an armstrong green ringer, so octave fuzz that also gets ring modulator soundsYou ain't done till you got both digital and analogue up and down and an octave fuzz to boot.
Actually, question regarding that, is the method used to get an octave up in e.g. the EQD Tentacle the same as in an octave fuzz? Seems like analogue octaves up are rising in popularity now, often with dirt but toggleable such as in the EQD Sunn pedal, Fuzzlord Nazareth, etc. If I'm not mistaken the Hyperfuzz also lets you toggle the octave, that being the difference between fuzz 1 and 2.