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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Another random thought - anybody know of a voltage doubler that attaches to a standard 9v plug and steps it up to 12v/18v/24v? I've got an old Godlyke Iso-Pump that I use for my Iron Pig and it works well, but they don't seem to be made anymore, or at least aren't in stock anywhere. If there's anything similar, I'd be interested. And can Fuzzrocious stuff be run at 18v?
 
I'll definitely take the Sabbath and Death ones. Spirit Crusher is awesome! Thanks!
I noticed that I actually have Solitude in standard notation, not tab. The rest you asked for are attached though.
 

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Thanks everyone, we're through the worst of it I believe but it's a long road ahead and I'm not quite sure which direction is worse or better, which makes this suck a lot.

Best of luck with the sales. Hope the family issues aren't too much.

I'll apologize in advance for the rest of this rambling post.

You mention the RCO Pedals clone of the Life Pedal. So he's a solid builder? I've been debating contacting him and seeing if he can make me a Volt Thrower. I missed out on one of his clones a week or so ago when I was out of town and have been kicking myself since. I've really been getting into Rats more and more lately, and that's the top of my list. I had an actual Dunwich a few years ago, but stupidly sold it when it wouldn't adequately replace my fuzz. Now, I'm using Rats for distortion (you know, as they're supposed to be...), and I'm wondering if that would be "the one" that may replace my Iron Pig. I may also wait since apparently Magic is doing a run of "Super Volt Throwers" in the near future, and they sound amazing. Other than a few boutique Rats to try (if I can get my hands on them), I have no real GAS right now, which is nice. Anybody know if Way Huge makes a Rat clone? So far, I pretty much LOVE everything that guy makes, and it would probably be cheaper than other options...

In other happenings, I've played a LOT of bass the last few days, which has been amazing. I keep on woodshedding old Metallica and Maiden, while tweaking my dirt pedals. Getting all of those songs down cold now, which is nice. In the process, I'm also feeling out each of my dirt pedals for their various tones, and really enjoying the variety. In that vein, the Pharaoh Supreme has just been removed from my board again. Couldn't quite get it to cut as much as I wanted, so tried the Swollen Pickle again, and it just works. Plenty of dirt all in all registers, and definitely more treble than the Pharaoh. Both take a while to dial in, but still - they're absolutely amazing fuzzes. We'll see if the Pharaoh returns soon like last time. Since I also have a Swollen Pickle clone, that went on board #2 to replace the Grey Stache, which, the more I played, seemed too compressed. It didn't have the heft of the other two, though it certainly cut better than the others. Just at the expense of the low register, which takes precedence.

Other random things I noted - and back on Rats. I have two amps/pedalboards. I like having options, and at this point, I have no reason to not continue. So I usually buy two variations of a circuit to have similar tones on both boards. My #1 Rat has been the Iron Pig, with the Cat Tail a close #2. The Cat Tail seemed to have a better cohesive "blend" of the dirt/clean tones, however, which always made me think. Even though it's not an actual blend, the clean and dirt tones sound more like a single signal instead of two like the Iron Pig can do sometimes. No amount of tweaking seemed to get the Iron Pig to combine the two tones as well, though it was more open in general and I preferred its tone. (As an aside, I may one day have Ryan add a clean blend to my Cat Tail and see what I can do with that to replicate the more open tones of the Iron Pig.) I tried 9v/18v, and that didn't change either (though the 18v settings definitely sound a bit more natural and open). In contrasting the two rigs, however, I realized the only main difference between the two were the crossovers. I have a GK 700RB-II with the GK Bi-Amp feature as my #1, with a 400RB-IV as my #2. On a whim, I turned the 700RB-II's cab to "full range" and there it was - my Iron Pig's clean/dirty tones were matched. So I guess I won't be using that anymore! I also A/B'ed the Pharaoh and Pickle again with that new discovery, but the Pickle still won for the same reasons. Regardless, I feel like it will be much easier to swap pedals between boards now that they're basically the exact same amp with different power capabilities!

With all of this dirt swapping and whatnot, I've come to realize I also really don't have any significant GAS like I used to. Might grab a Volt Thrower of some sort, maybe get the Cat Tail modded with a clean blend or something, but other than that, just looking to fix up minor issues with my gear like the sometimes wonky Pharaoh footswitch and figuring out what's up with my Dunwich DIY HM-2's treble knob. It' been great focusing on just playing my bass! Next I need to figure out which song I want to learn next!

Which leads me to my final point - what song should I learn next? Caveat - it's got to have fairly accurate tabs readily available. No way I'm going to try and learn by ear. I DO have an old copy of Guitar Pro if that's an option too. Here are some of my thoughts - sorry - most is decidedly NOT doom, but I'm going for "classic" songs/bands in their respective genres.

I have these materials:

Metallica - I have Kill 'em All through Master of Puppets tab books, as well as the Black Album
Iron Maiden - I have their "Bass Anthology", basically a greatest hits tab book
Megadeth - Another anthology book

I'll need materials for the following, but can likely find some (though if you have links, etc. share away!):
Black Sabbath - really, anything, as long as it's not TOO tough and has accurate tabs
Motörhead
AC/DC
Judas Priest
Dio
I also love all sorts of old school death metal like Dismember or Hypocrisy, as well as At The Gates, Amon Amarth, all sorts of stuff.

And thanks again for reading my senseless ramblings!

Reach out to him, I know some of his offerings are due to parts availability between boards and components, but also on a whim of what he'd like to build or sells well. He's been quick to respond to me. What I'm trying to figure out is what enclosure size we can fit what I'm trying to do in. I'm wanting basically the same Lifepedal but with a treble boost instead of the clean boost. And I'm debating on going with a std rat or trying a bellows. Eitherway it'll essentially replace that pedal and I'll get more use out of it. He said he's game for any custom work.
 
I could live without either. Mostly because of the singing. I can sort of listen to LedZerg because drummer. Can't do Rush too much because of all the dorky baggage, but I kind of like that Subdivisions song because of the synth...? I'm weird :cigar:
 
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I noticed that I actually have Solitude in standard notation, not tab. The rest you asked for are attached though.
Just spent most of my free time the last few days jamming to Snowblind and have about 90% of it down - so thanks again! Just a few odd transitions I've got to nail, and I definitely don't have every fill 100% like Geezer (which I doubt I EVER will...), but I'm a happy dude. Getting my calluses back and having fun actually playing my bass lately. Hope all is well with everyone else in doom-land.
 
Just spent most of my free time the last few days jamming to Snowblind and have about 90% of it down - so thanks again!

Hehe, that happens to be the Sabbath cover that my band is currently working on. I'm absolutely not trying to get Gezzer's fills correct. The hard part of a cover is getting a similar idea across while making it your own, IMHO. I often really mess with it a lot, to the point of completely changing the bass line to another part that I think is a more "pure" version of what they were going for. On this one, I'm actually trying to make it sparse. I've got two guitarists, one tuned to C# on that song, who can fill up a lot of space. If I can make that song sound even more dramatic by laying back, I think I've succeeded.

In the world of other covers, I think I might have actually convinced them to do Devo's "Mongoloid" through the power of playing the bass line unaccompanied, with fuzz and echo. If we do, I'll have to get one of the guitarists or the singer to grab the bass or the synth. I wouldn't want to sequence the synth part to that song, or doing it without synth - either of those seems like a crime.

 
Hehe, that happens to be the Sabbath cover that my band is currently working on. I'm absolutely not trying to get Gezzer's fills correct. The hard part of a cover is getting a similar idea across while making it your own, IMHO. I often really mess with it a lot, to the point of completely changing the bass line to another part that I think is a more "pure" version of what they were going for. On this one, I'm actually trying to make it sparse. I've got two guitarists, one tuned to C# on that song, who can fill up a lot of space. If I can make that song sound even more dramatic by laying back, I think I've succeeded.

In the world of other covers, I think I might have actually convinced them to do Devo's "Mongoloid" through the power of playing the bass line unaccompanied, with fuzz and echo. If we do, I'll have to get one of the guitarists or the singer to grab the bass or the synth. I wouldn't want to sequence the synth part to that song, or doing it without synth - either of those seems like a crime.


I like to do most covers "accurate-ish" if it's in a metal context, but I also know that I'll never get the exact tones/riffs/gear/etc., so I don't worry too much. For so much of it, the feel is more important. A lot of my "practice" time is just playing it over and over on repeat, no matter how many mistakes I make (once I get the "gist" of the riffs, that is. If I'm totally wrong, I go slow and figure out each part.) But I've found it gives me a lot better understanding of the song if I make a mistake and can quickly jump back in without any additional hiccups.

For covers of non-metal stuff, I just like to make it heavy. I've thought for years a doom version of Johnny Cash's Ghost Riders in the Sky would be AMAZING.
 
I'm absolutely not trying to get Geezer's fills correct. The hard part of a cover is getting a similar idea across while making it your own, IMHO.
Totally agree, see my signature.
I often really mess with it a lot, to the point of completely changing the bass line to another part that I think is a more "pure" version of what they were going for.
I like to do exactly this! Sometimes I wonder if I'm being pretentious for thinking I know "what they were going for".

But that has never stopped me. :bassist:
 
Anyone have recommendations on the better music distributor services out there? We're just finishing our first album and this is totally new to us haha. Looking at Anti-Joy right now if anyone has experience with that.
My Band uses Distrokid. We paid around 18 USD for one year, it includes Spotify, Amazon, Apple, Tidal, Deezer and other services. It's easy to use. We started using it a week ago, so I can't tell you how it is in the long run.
 
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Hey guys, just wanted to drop this here. 3 years in the making, finally feels like we're a real band now lol. I've heard these damn songs way too many times so would love to hear what y'all think about them stylistically, I'm sure we all know how silly our own music sounds after listening to it hundreds of times over.

Carrier Wave Debut Album

Much thanks to everyone in this community for fielding random questions through the years and generally being just badass supportive people!