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The Combo Club

Thanks to everyone for the answers! The new Ampeg Rocket BA-210 seems a good alternative to the Fender Rumble 500, but I'm afraid I can't test both of them where I live.
GK MB-212 II is tempting, but maybe too expensive for the budget I have.
I don’t know if this is useful but I live in Europe, I like to play a bit of everything both modern and vintage sounds. I hope this makes sense. :)

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I bought it used and can’t return it, it’s not a bad amp but not the best for my Jazz bass.

Sorry for my English.
Those Ampegs are pretty great, sounds very nice and you can gig with them.
That Promethean gets a good buzz...
Yeah your English is good man.
 
Due to a combonation of events, I was here today……7ender MIM Guitar factory in Ensenada. Factory workers working, closed to the public, no store, tours, nada. Across the main drag from Costco…
 

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BlackWolf, welcome! You are now Combo Club member #276. Wear your number proudly in your TB signature, on tee shirts, your bass case, whatever works for you!

We'd love to hear about you, and your combo and bass journeys.

Also, your English is fine!

Those Ampegs are pretty great, sounds very nice and you can gig with them.
That Promethean gets a good buzz...
Yeah your English is good man.
Thanks to both of you, I appreciate it. :)
Yeah… luckily the amp works flawlessly.
I’m not familiar with Ampeg to be honest and from what I’ve heard both sounds good, but the Rumble 500’s “Three-button tone voicing” caught my attention.
 
Thanks to both of you, I appreciate it. :)
Yeah… luckily the amp works flawlessly.
I’m not familiar with Ampeg to be honest and from what I’ve heard both sounds good, but the Rumble 500’s “Three-button tone voicing” caught my attention.

I generally leave the Vintage switch on. If a situation calls for it I'll switch it off and/or turn bright on. I haven't really found a place I wanted the Contour on. I typically start with the EQ flat (per the Rumble Club Wiki), EQ for the room/situation, and handle everything else from the bass controls or pedalboard.

For what I play, the Vintage voicing is nearly always part of the sound I want.
 
I generally leave the Vintage switch on. If a situation calls for it I'll switch it off and/or turn bright on. I haven't really found a place I wanted the Contour on. I typically start with the EQ flat (per the Rumble Club Wiki), EQ for the room/situation, and handle everything else from the bass controls or pedalboard.

For what I play, the Vintage voicing is nearly always part of the sound I want.
Yep. I've tried a coupla times turning VINTAGE off. Nope. It adds a bit of 'fullness' that I like to have. For certain rooms I'll add the BRIGHT. EQ is almost always 10/2/2/10.
 
Yep. I've tried a coupla times turning VINTAGE off. Nope. It adds a bit of 'fullness' that I like to have. For certain rooms I'll add the BRIGHT. EQ is almost always 10/2/2/10.
Back when I was playing with reverb I discovered that with a Keeley Gold Star and just a touch of reverb I could get that nice wooly dirty vintage sound. I have discovered that most reverb pedals can’t do this. They tend to be way over the top or nothing.
 
Yep. I've tried a coupla times turning VINTAGE off. Nope. It adds a bit of 'fullness' that I like to have. For certain rooms I'll add the BRIGHT. EQ is almost always 10/2/2/10.

That's pretty much my setup, and I blame you. You discussed it all before I saw the wiki. The Rumble is a good amp with the Vintage switch off. It's a really good one with it on. I expect the bass sound to have a full bottom end teh Rumble w/ Vintage on delivers that.
 
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Good day comboites! It's been a long time but I have returned from my walkabout! Took a little detour through tubeville and decided to hang out for a bit and groove. Have some upcoming travel that will require lightweight portable boom and I picked out this Bad Larry to fill the slot. Hope everyone has been well and loving life
 
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Good day comboites! It's been a long time but I have returned from my walkabout! Took a little detour through tubeville and decided to hang out for a bit and groove. Have some upcoming travel that will require lightweight portable boom and I picked out this Bad Larry to fill the slot. Hope everyone has been well and loving life
Welcome back! Lovely gear.
 
View attachment 4572423
Good day comboites! It's been a long time but I have returned from my walkabout! Took a little detour through tubeville and decided to hang out for a bit and groove. Have some upcoming travel that will require lightweight portable boom and I picked out this Bad Larry to fill the slot. Hope everyone has been well and loving life
Speak to us about that Peavey!
 
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IMG_20220206_110623.jpg


I goofed and posted this on the show your bass thread by accident. so lemme swap this over.

Ok, had some time to spend with the Peavey. First impression, HELL YES. For comparison sake I'll reference my last combo the Trace Elliot Elf 110 Combo. I took all 17lbs of the Elf around hotels and barracks rooms for a few months and the light weight, tiny footprint and ample power worked perfectly. I sold it when I got home and recouped some of the $600 buy in on it. It currently holds down bar gig duties for a fellow TBer.

This time around I won't be traveling per say but more so living at work. I'll spend about 18-20hrs a day at my office and needed a little something to keep there. I immediately thought about the Elf again. But, as much as the form factor was great the price tag is still pretty hefty. I've had ampeg, TC, and two other peavey combos in the past. Trace is owned by Peavey as well and I've watched some videos with peavey big heads and others that pretty much say they're using the same parts in both brands. The Max 110 rings up at $300 and probably has the same speaker, has the same DI (as stated by Peavey big heads), and most of the same components, likely made same factory.

The larger cab has two ports, you can see them in the picture, the speaker is angled up and most reviews are from church players who DI to FOH and use this as a stage monitor. It's loud, clear, doesn't seem to be colored with EQ flat and none of the button engaged (keep in mind I've been playing 2 very colored tube heads for the past few months so take that for what it is).

Now let's talk buttons! We'll I'll let the manual handle that.
Screenshot_20220206-112521_Acrobat for Samsung.jpg Screenshot_20220206-112529_Acrobat for Samsung.jpg

Now that you've read that I will add that they all work tastefully. Nothing engages and just makes your tone sound like immediate garbage. I am super impressed with the over drive. Crank the gain and volume and you've got tons of volume, punchy lowend, and headroom. The kosmos C is the same it has always been, a kind of sub Harmonic generator that tricks your ears until hearing more low end. It's not new technology and it works great. The tuner is quick and responsive but I don't like that it mutes, an always on option would he much preferred. Bright is BRIGHT, that with the mid scoop contour is slap city. Mid shift let's you pick between low mids and high mids. I plugged in a cleap single button foot switch and it only mutes on and off. Manual says the proper foot switch should mute and control over drive on off.

The AUX and headphones was a surprise and very welcomes. The speaker out has me curious too. If they offered a matching 110 extension cab I would definitely consider purchasing one. I think the RMS for this is 60watts by itself. Over all I'm happy with the combo. Bass the World did a video on these and Gregor helped sell it for me as well when he discussed how easy it is to mic up for recording (confirmed by my observation of how uncolored it is). I traded in a bergantino 210 cab that had been collecting dust and got %15 off on this and a Gator TSA case for one of my basses. The combo with the discount came out at $255. For that price, even at $300, you're getting a great combo and possibly one of the only Peavey products on the market that carries their past reputation for durability, reliability, and performance at affordable prices.
 
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Like em or not, Korn played a great gig a few nights ago. They started with about 40 minutes of hits using acoustics and backed by chior and organ. Then they debuted their new album. Fieldy is taking a break and they've had Ra Diaz filling in (and killing it) I'm looking at the rigs and had to chuckle at Head and Munkey with their dual Mesa Half Stacks each and there is Ra with a Schecter Corsair and some kind of small vintage combo... and of course I'm sure he's DI to FOH. But still pretty cool.

One of the biggest acts in the world being handled by a $900-1000 mass produced bass and a combo amp. He busts out a stilletto studio for the album debut.
 
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Due to a combonation of events, I was here today……7ender MIM Guitar factory in Ensenada. Factory workers working, closed to the public, no store, tours, nada. Across the main drag from Costco…


'Evening people. Just stopped by after finishing homework. JPD, I'm surprised you couldn't bribe your way into the plant for a look-see. That's why I always carry fun-size Snickers whenever I'm near a music factory. Ahh, lesson learned. Hope you had fun at Costco though!
 
View attachment 4573493 View attachment 4573492

I goofed and posted this on the show your bass thread by accident. so lemme swap this over.

Ok, had some time to spend with the Peavey. First impression, HELL YES. For comparison sake I'll reference my last combo the Trace Elliot Elf 110 Combo. I took all 17lbs of the Elf around hotels and barracks rooms for a few months and the light weight, tiny footprint and ample power worked perfectly. I sold it when I got home and recouped some of the $600 buy in on it. It currently holds down bar gig duties for a fellow TBer.

This time around I won't be traveling per say but more so living at work. I'll spend about 18-20hrs a day at my office and needed a little something to keep there. I immediately thought about the Elf again. But, as much as the form factor was great the price tag is still pretty hefty. I've had ampeg, TC, and two other peavey combos in the past. Trace is owned by Peavey as well and I've watched some videos with peavey big heads and others that pretty much say they're using the same parts in both brands. The Max 110 rings up at $300 and probably has the same speaker, has the same DI (as stated by Peavey big heads), and most of the same components, likely made same factory.

The larger cab has two ports, you can see them in the picture, the speaker is angled up and most reviews are from church players who DI to FOH and use this as a stage monitor. It's loud, clear, doesn't seem to be colored with EQ flat and none of the button engaged (keep in mind I've been playing 2 very colored tube heads for the past few months so take that for what it is).

Now let's talk buttons! We'll I'll let the manual handle that.
View attachment 4573515 View attachment 4573526

Now that you've read that I will add that they all work tastefully. Nothing engages and just makes your tone sound like immediate garbage. I am super impressed with the over drive. Crank the gain and volume and you've got tons of volume, punchy lowend, and headroom. The kosmos C is the same it has always been, a kind of sub Harmonic generator that tricks your ears until hearing more low end. It's not new technology and it works great. The tuner is quick and responsive but I don't like that it mutes, an always on option would he much preferred. Bright is BRIGHT, that with the mid scoop contour is slap city. Mid shift let's you pick between low mids and high mids. I plugged in a cleap single button foot switch and it only mutes on and off. Manual says the proper foot switch should mute and control over drive on off.

The AUX and headphones was a surprise and very welcomes. The speaker out has me curious too. If they offered a matching 110 extension cab I would definitely consider purchasing one. I think the RMS for this is 60watts by itself. Over all I'm happy with the combo. Bass the World did a video on these and Gregor helped sell it for me as well when he discussed how easy it is to mic up for recording (confirmed by my observation of how uncolored it is). I traded in a bergantino 210 cab that had been collecting dust and got %15 off on this and a Gator TSA case for one of my basses. The combo with the discount came out at $255. For that price, even at $300, you're getting a great combo and possibly one of the only Peavey products on the market that carries their past reputation for durability, reliability, and performance at affordable prices.

Hey Nu! No, really dig in and tell us what you think of your new Peavey combo. Man, that was some detailed review, and for anyone looking at $300 combos right now, you may want to check this one out if only out of respect for the author's work here. Sounds like it's the perfect amp for you at this time. Enjoy! :hyper:
 
Couldn't help but check it out, GP, though I knew it had to be a righty. Then I saw the price and decided if anyone could not only afford the bass but deserve it, it'd have to be Canada's own, Doc Intrepid. Doctor, when you get this one home we'd like a few more pics and maybe a demo, okay? Beautiful bass though...
She is a beauty, but too rich for my blood. The seller must think it says 7ender on the head stock.
 

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