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The Combo Club

I hear a lot of good things about the Rumble. I’ll have to see if anywhere near me has both. I’d also like to know if the Rumble Stage is worth the extra price tag.


Whoa! Dude! Did you, like, read my mind? Totally! But, also gnarly! Yeah, no!

I was just writing a description of the difference between most bass amps and the Rumble Stage (and Studio) amps just a few minutes ago!

I dearly love both my Rumble 500 combo (about same cost as Orange 100, BTW) and my Rumble Studio 40 (little brother to the Stage 800 with all same modeling features), but they are way, way, way different devices!

Browse the Stage & Studio manual (PDF) before setting your sights on one of these animals. THEN, if you're still interested, YES! they are very much worth the extra coin. ;)
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Hey all you teachers out there ( like @iagtrplyr )
... appears I join your ranks for a couple hours. Accepted an invitation to share my Real World ™ experiences with senior students at an alma mater for an ethics day symposium. Of course one such as I would never encounter ethics problems in the Real World ™ of putting new bird cage liner on your doorstep. These kids are way-over-the-top smart. My first year there is 1972, and I'm all of 16 ....

Back to bass, with Thursday's rhythm matrix practice group looming large. Give Up the Funk is one of this week's homework assignments. All beamed through my combo amp into the DAW and
:: wave at all the nice people out there ::


Have fun, M! There's nothing like the smell of napalm in the morning and stinky, sweaty kids on a hot afternoon in May. Please keep us informed of your adventures. BTW, everyone, I'm down to 79 school days before they tell me I don't have to wake up at six, five days a week unless I want to!
 
Kai, it's Mike from Clinton. Boy, do I have a deal for you! Don't do anything until I've gotten a chance to PM you.

Agreed. Add the Rumble 115 and he's an intercontinental ballistic missile!


Oh, boo hoo hooink! Hiss Semi-retired Excellency iss makink me to cry SO badenoff! He knows I have always coveted the Fender Rumble Stage 800 since it vas announced. He also knows I am not havink gigs nor jams to even keep my Rumble Studio 40 busy, much less a Stage, even more so! He toys with my feelinks! Boo hoo hooink! :crying:
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Oh, boo hoo hooink! Hiss Semi-retired Excellency iss makink me to cry SO badenoff! He knows I have always coveted the Fender Rumble Stage 800 since it vas announced. He also knows I am not havink gigs nor jams to even keep my Rumble Studio 40 busy, much less a Stage, even more so! He toys with my feelinks! Boo hoo hooink! :crying:
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Gig tonight(just got home). Basically, a hangar size motorhome facility. 67 NR TBird>R100. GAIN and VOLUME both at 10ish. Plenty.
 
I currently use an Ibanez Promethean P3310, but I am not entirely satisfied when I play with my Jazz bass. I am thinking of buying a new combo like the Fender Rumble 500 for home practice, rehearsals and future gigs. Would this amp be a good upgrade? Any other suggestions?
In a music school I often use a Fender Rumble 75 Studio V2 and I like the way it sounds.
 
Yes, R500. Might be able to get one used…but folks like ‘em and do not sell them a lot.

Try to test drive the Ampeg Rocket 210 as well.
I currently use an Ibanez Promethean P3310, but I am not entirely satisfied when I play with my Jazz bass. I am thinking of buying a new combo like the Fender Rumble 500 for home practice, rehearsals and future gigs. Would this amp be a good upgrade? Any other suggestions?
In a music school I often use a Fender Rumble 75 Studio V2 and I like the way it sounds.
 
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I currently use an Ibanez Promethean P3310, but I am not entirely satisfied when I play with my Jazz bass. I am thinking of buying a new combo like the Fender Rumble 500 for home practice, rehearsals and future gigs. Would this amp be a good upgrade? Any other suggestions?
In a music school I often use a Fender Rumble 75 Studio V2 and I like the way it sounds.


Yeah, BW, welcome to The Combo Club! Show a pic of your Promethean and just ask to join and you'll be awarded a membership number!

Of course, I agree that the Rumble 500 combo would be a very considerable upgrade from the Promethean, especially if you already like the Rumble V2 sound. Of course the V3 has some different voicings from the V2, but most Rumblers like them. :D

I've loved every minute with my R500c for nearly 8 years now! Though mine's not for sale, there are occasionally some available for a discounted price. Just be sure they are still fully functional! Here's also a collection of Rumble V3 Reviews, with several recent "Best Amp" articles, as well. ;)

Feel free to ask any Rumble questions in the Fender Rumble Club, too. :thumbsup:
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I currently use an Ibanez Promethean P3310, but I am not entirely satisfied when I play with my Jazz bass. I am thinking of buying a new combo like the Fender Rumble 500 for home practice, rehearsals and future gigs. Would this amp be a good upgrade? Any other suggestions?
In a music school I often use a Fender Rumble 75 Studio V2 and I like the way it sounds.

Props to G-K! CC members love theirs.
 
I currently use an Ibanez Promethean P3310, but I am not entirely satisfied when I play with my Jazz bass. I am thinking of buying a new combo like the Fender Rumble 500 for home practice, rehearsals and future gigs. Would this amp be a good upgrade? Any other suggestions?
In a music school I often use a Fender Rumble 75 Studio V2 and I like the way it sounds.

All I know is I had narrowed my choices down to 3 combos. I went into GC to try them. They didn't have two of them, but had the Rumble 100 (all the larger Rumbles are voiced as similarly as Fender can make them). They had one on sale (a trade-in), so I bought that, knowing I could take it back if I wasn't happy. That was 2-3 years ago and it's still here. 8^)

Like GDog said, post a pic if you want a Combo Club membership number, with all rights and benefits that pertaineth thereto!
 
Thanks to everyone for the answers! The new Ampeg Rocket BA-210 seems a good alternative to the Fender Rumble 500, but I'm afraid I can't test both of them where I live.
GK MB-212 II is tempting, but maybe too expensive for the budget I have.
I don’t know if this is useful but I live in Europe, I like to play a bit of everything both modern and vintage sounds. I hope this makes sense. :)

16E585C3-6705-4962-88B1-8ECA6918E185.jpeg
I bought it used and can’t return it, it’s not a bad amp but not the best for my Jazz bass.

Sorry for my English.
 
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Just picked up this Hartke 1155 carcass, sans MOSFET 3500 head, 5" compression driver and crossover. Working on the driver and crossover... There's a rattle I have to find, I think it's a loose port tube. But the original 15 is still working, and with the Eden WT405 in the slot it sounds pretty great! Hi-fi-like, nice and strong, good sounds. A solid sounding gig rig, and I can add a cab I have here when needed.
I'm trying to get help from Samsontech/Hartke for driver and x-over info, but it's really a simple problem. What I need most is to get a good crossover point and set it up.
More when I get stuff done...

IMG_20220129_203806770~2.jpg
 
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Thanks to everyone for the answers! The new Ampeg Rocket BA-210 seems a good alternative to the Fender Rumble 500, but I'm afraid I can't test both of them where I live.
GK MB-212 II is tempting, but maybe too expensive for the budget I have.
I don’t know if this is useful but I live in Europe, I like to play a bit of everything both modern and vintage sounds. I hope this makes sense. :)

View attachment 4564781
I bought it used and can’t return it, it’s not a bad amp but not the best for my Jazz bass.

Sorry for my English.

BlackWolf, welcome! You are now Combo Club member #276. Wear your number proudly in your TB signature, on tee shirts, your bass case, whatever works for you!

We'd love to hear about you, and your combo and bass journeys.

Also, your English is fine!