Combo Numero Uno is the Ampeg BA108v2. And here are a few syllables about it:
This is a kicking combo! Ah yes, a massive 20 watts and an 8 inch driver means no Maxell advertisement with this one. It's a
practice amp. Now I dunno about you, but my practice volumes aren't exactly thunderous. Likely there's enough meat behind the knobs it can hold its own against an acoustic guitar in a coffee shop. Won't rattle anybody's hat off but that's not the intention for this amp.
What the little Ampeg brings is a sweet lotta Ampeg tone, a great headphone out and an AUX In with its own volume knob. That's actually pretty important to me as there's no telling the volume of whatever it is I plug in.
One of them things that gets plugged in is a Tascam GB-10. Little headphone amp with all the trimmings. Not sure I can call the Tascam a combo amp but it sure is loaded with useful features.
Which brings us up to the combo amp of droolage, the Phil Jones Bass BG-400 Suitcase Compact. This is the "everything inna box" solution. Two inputs means it's easy to double should one be a doubler. Each channel has its own preamp section. Rad. And an effects loop, and and and this is a major amp of no mean amplitude. Pair it with a Compact 4 extension cab (as I do) and that's a whole lot of loud. 500 watts loud through eight 5 inch drivers.
Ever have the pleasure of driving a Mercedes Benz from the 60s? You know how in one of those things when you push a button or engage a switch there is a clearly discernable "thunk" that feels as solid as a brick s-house? That's what the controls on the Phil Jones feel like to me.
One might argue that's a lot of dosh for 300 watts in a combo that doesn't reach my knees. For the same coin it's possible to own a rig that is powerful enough to fry chickens in the barnyard. But that's not the point with the Phil Jones gear. With the C4 it gets scary loud enough as it is.
And suits me fine
... would I own another combo?
The combo amp stork has been taking notes on the Vox VX50BA shhhhhhhh