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referrelative="t" path="m@4@5l@4@11@9@11@9@5xe" filled="f" stroked="f"> <v:stroke joinstyle="miter"/> <v:formulas> <v:f eqn="if lineDrawn pixelLineWidth 0"/> <v:f eqn="sum @0 1 0"/> <v:f eqn="sum 0 0 @1"/> <v:f eqn="prod @2 1 2"/> <v:f eqn="prod @3 21600 pixelWidth"/> <v:f eqn="prod @3 21600 pixelHeight"/> <v:f eqn="sum @0 0 1"/> <v:f eqn="prod @6 1 2"/> <v:f eqn="prod @7 21600 pixelWidth"/> <v:f eqn="sum @8 21600 0"/> <v:f eqn="prod @7 21600 pixelHeight"/> <v:f eqn="sum @10 21600 0"/> </v:formulas> <v

ath o:extrusionok="f" gradientshapeok="t" o:connecttype="rect"/> <o:lock v:ext="edit" aspectratio="t"/> </v:shapetype><v:shape id="_x0000_i1025" type="#_x0000_t75" alt="" style='width:11.4pt; height:11.4pt'> <v:imagedata src="file:///C:/DOCUME~1/THOMAS~1.BOW/LOCALS~1/Temp/msoclip1/01/clip_image001.gif" o:href="http://www.talkbass.com/forum/images/smilies/colors/smile.gif"/> </v:shape><![endif]--><!--[if !vml]--><!--[endif]-->Well, I just had an opportunity to take my SA200 to its first gig. This was a new venue (and a smaller one, at that), so I didn't know the room all that well. It seemed to have some issues with too much bass in one part of the room, and not enough bass in the other (gee, how unusual!

) but the NV215 does great with leveling the playing field, and once again I was struck by how well these two compliment each other. For kicks, I decided to bring along my Trace Elliot 4x5 Bright Box, and I found that it worked really well to add some additional upper midrange/treble bite and clarity (without getting harsh).
<!--[if gte vml 1]><v:shape id="_x0000_i1026" type="#_x0000_t75" alt="" style='width:11.4pt;height:11.4pt'> <v:imagedata src="file:///C:/DOCUME~1/THOMAS~1.BOW/LOCALS~1/Temp/msoclip1/01/clip_image002.gif" o:href="http://www.talkbass.com/forum/images/smilies/colors/biggrin.gif"/> </v:shape><![endif]--><!--[if !vml]--> The majority of the bass in the room was coming from my rig, and our stage volume was not at all out of hand, but loud enough to be forceful on stage. Several people told me that it was the best that we had sounded.

At the volume we were playing, I was driving the SA200 hard enough to get some tube overdrive (just barely). The warmth and grit increased slightly as the evening wore on, but I found it pleasing and appropriate. The SA200 never lost its sense of clarity and articulation, though. The overdrive on the SA200 is more of a "tone enhancer" than an "effect", and I was again impressed with the range of options offered by the tone controls and the Clean/Fat switch. The DI sounded great, BTW, too!
All in all, I was very happy, though I do realize that for my outside gigs, I'll likely bring the Trace Elliot V8.

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<!--[if gte vml 1]><v:shape id="_x0000_i1028" type="#_x0000_t75" alt="" style='width:15.6pt;height:12pt'> <v:imagedata src="file:///C:/DOCUME~1/THOMAS~1.BOW/LOCALS~1/Temp/msoclip1/01/clip_image004.gif" o:href="http://www.talkbass.com/forum/images/smilies/bawling.gif"/> </v:shape><![endif]--><!--[if !vml]--> Here are some shots from the gig. Unfortunately, the person taking the photos did not take any of me playing during the two sets where I used my Sadowsky 24F 5

, but did take numerous shots during the set that I played my Fodera.
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