Thanks @khutch.
This may be my third time trying this tuning out, but I have different musical goals now which are playing in this new tuning’s favour.
I used to focus on playing rock/metal songs made by bassists tubing in 4ths and I already struggled to play these songs, so tuning in 5ths felt like an unnecessary hurdle for me.
However, now I am striving to play classical melodies, as well as compose my own songs, and I’m really liking the 5th tuning this time around.
For the last few weeks I've been warming up with an arpeggio figure for Pachelbel's "Canon in D" (the figure is 1-5-8-10 of each chord, and the chords range from the octave of the key down to the root) and now instead of going across 4 strings to hit this arpeggio and sliding up and down the neck to play it, I can play this same arpeggio on 3 strings and have a bit more flexibility of choosing which string to start on for a different tone or different shifting.
I’ve also been able to find some classical scores for entry level cellists and will work on these, as well as transposing some of my favourite songs to play to the new tuning, just in case I get the itch to go back to 4ths (it will also help me understand the new mapping of the fingerboard).
I’m not going to lie, this is making me want to now get a fretless more than anything else, but I can’t swing that right now and I’m also debating getting a digital piano, but I’ll figure that out later.
I tune by 5 string to D-A-E-B-F#, this allowed me to transition easier from fourth tuning to fifth, as anything on A string is the same.