Beautiful MTDs, guys! Here's my 434-22 with Saratoga electronics. Classic MTD wood combo, myrtle burl/poplar/wenge.
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I had one with an ash neck...I have one with a wenge neck...to me the ash neck opened things up more, especially when it was paired with the maple board I had on there...the wenge neck is more compressed sounding, but it has agreat bbalance and with it being a one piece neck/board, it lets me dial in an unreal smooth but growly tone I am extremely fond of...love the open grain on both...!Can someone who's owned an Ash necked MTD compare it to either a maple or wenge neck? I'd seriously appreciate it!
I had one with an ash neck...I have one with a wenge neck...to me the ash neck opened things up more, especially when it was paired with the maple board I had on there...thewenge neck is more ccompressed sounding, but it has agreat bbalance and with it being a one piece neck/board, it lets me dial in an unreal smooth but freely tone I am extremely fo
It's really very nice for sure...!="bassvirtuoso, post: 17136938, member: 69289"]Wow this is perfect! I love wenge (3 basses with wenge necks) but I don't want that compressed tone for my next bass, so I was thinking of Ash as an alternative and it sounds like it's the perfect winner!
I had an ash/walnut/ash/maple 535. It had a notable growl to it (more so than the wenge/wenge 535s I've owned). Unfortunately, the maple boarded MTDs I've owned have not had the strong fundamentals to them that I like to hear in a bass (I like to clearly hear the notes I'm playing in a band setting). Also, lots of "drop out" when switching from fingers to slap. I'm not saying that all maple boarded MTDs are going to sound this way but this has been my experience.Wow this is perfect! I love wenge (3 basses with wenge necks) but I don't want that compressed tone for my next bass, so I was thinking of Ash as an alternative and it sounds like it's the perfect winner!
I had an ash/walnut/ash/maple 535. It had a notable growl to it (more so than the wenge/wenge 535s I've owned). Unfortunately, the maple boarded MTDs I've owned have not had the strong fundamentals to them that I like to hear in a bass (I like to clearly hear the notes I'm playing in a band setting). Also, lots of "drop out" when switching from fingers to slap. I'm not saying that all maple boarded MTDs are going to sound this way but this has been my experience.
Mmm, I wouldn't say the Saratogas are more aggressive sounding than 535s. They still sound very much like MTDs, just more "focused" in terms of sonic "footprint" than a 535. If you're looking for a Fenderish sound then I would get a Fender. If you want an MTD sound that leans more in a Jazz bass direction (but is still an MTD) then the Saratoga is a great option.Anyone with USA Saratoga experience out there that might be able to tell me anything about the pickups...?..are they hot sounding like a '70s Fender or a Sadowsky...?..I'm looking into a combo for my next build that will give me a more aggressive sound than my 535 has...I love my '73 jazz, but I'd like to put it out to pasture when I find a 5 string replacement....not sure if it will be an MTD or not...
bass12 said:Mmm, I wouldn't say the Saratogas are more aggressive sounding than 535s. They still sound very much like MTDs, just more "focused" in terms of sonic "footprint" than a 535. If you're looking for a Fenderish sound then I would get a Fender. If you want an MTD sound that leans more in a Jazz bass direction (but is still an MTD) then the Saratoga is a great option.
I should add that, along with a bunch of "typical" Saratogas, I've tried Saratogas that did not have Mike's standard Barts in them. If you don't want the Bart sound then you can always request different pickups or a different preamp.
I'm down to the final countdown on my 535! Mike shipped it out to me this morning, should be here sometime Wednesday.
What gigbags are you all using for your MTDs? I've been using an original Sadowsky Portabag since they first came out around 8 years ago, and it's treated me well. But with the new bass coming in I figure it's time to try something new.
The Mono bags and Reuinion Blues bags have too high of a profile for me - I'm 6'5" and I can't get through doors without banging the headstock with higher profile bags. The Gruvgear GigBlade looks really cool, but does the side carry thing really work well in the real world? Seems like the bass would want to slide off of the shoulder. I also looked into getting a Glenn Cronkhite leather bag, but he only sells Fender shaped bags now - his bags are very form fitting and not one size fits all. The J bass shape MAY work but it's a tough call to spend that much on a custom bag that might not fit.
Very nice...really dig the fingerboard...