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The official "Show your basses" thread part 19!

A very recent family photo, actually it's from today...

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But the most surprising thing upon finally holding it in my hands was...how heavy it is! I don't know why, but I always thought the composite/graphite materials meant it would be lighter than a similar sized traditional bass. Nope, heavier even.
Firstly, congrats!! Great price and a DB to boot!! Glad to hear you are really enjoying it. They are unique and many are put off by that. Yes, they are deceptively heavy. I use a thick foam strap with mine that just makes it manageable. They were built in layers of material with gel. Weight added up quickly, but as you now know the benefifs to tone are very apparent. I bought my '86 XL2 in 2004 for $900 but it needed a refret, headpiece reset and new pickups (one of the originals died so I replaced both), plus pivot plate with hardware. Back then these still came around on ebay. All told an additional $1k to make it factory fresh. It was a NAMM bass when it was made. One of the best grabs I've made and I couldn't be happier. There is nothing like them.
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I also finally completed my Steinberger fix in 2011 and got this XM2. With the maple body it's similar but different. Still a tone machine though! The original owner added the EMG boost module which I didn't need. I used the extra hole to add an EMG BQC pre with sweepable mid. Love it.
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Those one-piece Steinbergers are solid-literally. I don't think there is much air/deadspace in the material so it's very dense.

Both basses look to be in excellent shape, congrats!
In deed, they're so stiff and dense, so there's almost no resonance on body & neck w.s. there's a maximum energy from the strings onto the pups and once tuned, it stays in for years, except one change the strings monthly ... and yes, the XL5W is/was in perfect manner (for she's gone), the L2-5 has plenty a scars except on the neck, this one is flawless as well. Btw, this is my third one ...

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New (to me) one as of today.

Early to mid-90s Carvin LB76F, in black. Errythin black, apart from the back of the neck. It’s in damn good shape, just a few wear marks on the fingerboard from rounds, and a very small bit of barely visible marks on the back. Sounds really nice, just have a scratchy bass pot.

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It feels a little crazy to me, to realize that this makes four six-strings now (Carvin XB76WP, ESP LTD B-206, Dingwall NG3, and now this one).
 
New (to me) one as of today.

Early to mid-90s Carvin LB76F, in black. Errythin black, apart from the back of the neck. It’s in damn good shape, just a few wear marks on the fingerboard from rounds, and a very small bit of barely visible marks on the back. Sounds really nice, just have a scratchy bass pot.

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It feels a little crazy to me, to realize that this makes four six-strings now (Carvin XB76WP, ESP LTD B-206, Dingwall NG3, and now this one).

"It's so...black!" said Zaphod, reaching out out to touch it. His hand stopped, tried again. "It's completely frictionless!" Ford was amazed. "Light...just seems to seems to fall into it!" he said reverently.
 
All this talk of Steinbergers had me pining for the one that got away...

Now I'm double-whammied b/c I think I pawned out of necessity back in the early 90's for ~$300 :banghead::banghead::banghead::banghead::banghead:

These prices for a wood-bodied, bolt on Steinberger are stoopid:
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Had a Lucite Berger many years ago... I bought it used for about a few hundred, probably got about the same for it when I sold it. As I recall, they weren't considered so much as treasures back then as unusual oddities. Folks liked the Berger's different headless styling and it's tones well enough I think, but they were also considered awkward handlers and much too heavy. Treasures now? -I guess... TEHO, but I wouldn't want one again.
 
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