Hey guys,
I'm pretty new to this forum, and I just stumbled across this thread and felt that I could contribute with a few pics.
I was the happy owner of 2 rather early Skjold basses that I bought on eBay from a marketing guy in Lithuania (!) at a good price, but unfortunately I had to let them both go... just couldn't say no to the enormous profits I made! I actually pushed the two basses netting a total profit of about $3.500 - could you resist that, even if it meant giving up the best 5-string you ever played...? Sadly, I couldn't
Well, the 4-string was a great bass, stunning looking and wonderful to play, but it didn't really do the trick for me soundwise, so I sold it rather quickly. But, the 5-string... man, that was just MY bass! I've honestly never played a better 5-string, it was wonderful, smooth, fast, had great balance, and best of all - a B-string more powerful, defined and rich than any other bass I've ever heard or touched. I miss it so much, especially because my MTD is almost the opposite... So I'm selling that one this week (already have a buyer). I guess my next try will be a Ritter...
Here are the pics of my former basses (they're both still in Denmark, but I don't think I could convince the buyer of the 5-string to sell it back to me for $3.000 less than what he paid!):
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Skjold 5-string Exotic Custom Deluxe. Pros: The most beautiful selection of woods and craftmanship combining them, as well as a more than brilliant preamp/pickup/wood combination, and great playability and balance. Cons: "Unfinished" feel here and there, as some parts were not coated. Sloppy pots and (2) cheap plastic knobs. The E-A-D strings let go of the saddle when playing at the zero-fret because of the head not being tilted backwards.
Overall: A bass that I really miss!!! But I made $3.000 only by buying and selling it...
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Skjold Custom 4-string. Pros: Wonderful Tasmanian Eucalyptus top and purpleheart fretbord, great balance and playability. Cons: Not very interesting soundwise, but definately not bad either. A-D strings let go of the saddle when played at the zero-fret in spite of the string tunnel (?) on the headstock. Also a slightly "unfinished" feel here and there.
Overall: A bass that I don't miss, but I'm sure it's a great workhorse for someone out there. And I made 500 bucks by playing it for a few months
Any comments, questions, etc are more than welcome !
/Basdyret.