Two words: strangle switch.![]()
I'll be experiementing with it. I just hope that the increased string tension (as compared to my Jag Baritone) is enough.
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Two words: strangle switch.![]()
I'll be experiementing with it. I just hope that the increased string tension (as compared to my Jag Baritone) is enough.
I appreciate the info. I had wondered about that adjustment. This is the fulfillment of a 43 year-old dream . . . if the bloody thing ever gets here!!!30.3" scale + nearly 4" of string between the bridge and the tail-piece ought to tighten things up some.
Then there's this:
'Setting up the Tremolo System'
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A summary of the procedure described in the above link:
"You just set the guitar up fully with the Trem-Lock engaged, then once all done, simply unlock the trem - it will go out of tune, unless you're incredibly lucky - and then turn the trem tension screw until it comes back perfectly to pitch without touching the tuners. Done."
- John Phillips
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30.3" scale + nearly 4" of string between the bridge and the tail-piece ought to tighten things up some.

Hi kungfubassist.
Welcome fellow 'VI-er!
For roundwounds? .025 - .095 is the heaviest gauge set I'm aware of.
For flatwounds it'd be .026 - .095 (There's only one set available...)
The Facebook group 'Bass VI players.' has plenty of links to strings & things.![]()
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It seems I may have been mistaken re a stringed instrument's overall string length contributing to its string tension beyond the string's scale length.
If so, then fitting a reverse headstock to the Agile VI (assuming that it's an in-line 'stock in the first place) would not yield the hoped for benefits of increasing bass string, and reducing treble string, tension.![]()
It seems I may have been mistaken re a stringed instrument's overall string length contributing to its string tension beyond the string's scale length.
If so, then fitting a reverse headstock to the Agile VI (assuming that it's an in-line 'stock in the first place) would not yield the hoped for benefits of increasing bass string, and reducing treble string, tension.
I think that it would make a difference...the length would be greater so the tension should be slightly greater also (for the low strings). For instance...you can't tell me that the .045 'D' string on a Bass VI isn't tighter feeling than a .046 'E' string on a guitar (especially tuned to D). Same pitch...almost the same gauge...but definitely stiffer. Maybe not an apples to apples comparison like a reverse headstock against a regular headstock guitar would be...but I have a hard time believing that it wouldn't make at least a slight difference.
Anyone have clips playing their Bass VI's? I want to hear sonic possibilities and intonation. The couple clips I found on youtube were poorly intonated. I hear it's a problem for the Bass VI.

So I just got an email back from Kurt@Rondo Music.com saying that we should expect something similar to a Bass VI this fall...no word on specs but..

(Re: Fender Bass VI BBS) I've been there a few times but it's pretty dead there, maybe if enuff of us here visit we can make it our own little hangout.
(Re: Oceanic 30)...I'm not saying that the premium is not justified... not on a level where I can afford or justify a hand-built instrument for myself. Surely a factory built instrument is inferior to a well-built handmade instrument...but even the best I can afford still are in that lower price bracket. Out of respect for your craft and services, I always assume that a handmade instrument is going to be out of my league (I want to keep my guitars under $1k..and I only have one who's values reaches half that) because I'm pretty sure most folks that take all the time to put together an instrument like that aren't going to give it up for $1/hr labor (I know I wouldn't). I build custom pedals/electronics for people and it would be...not worth my effort if I decided to give away all of my products at a price competitive with the likes of Boss or Danelectro...nor should I because in theory at least...my pedals are of substantially greater functionality and quality to a mass manufactured piece. If my assumption is inaccurate though, what would something like this (with standard features, nothing extraordinary) cost to purchase? Or what kind of trades would you consider?
Hi,
I'm from Spain and this is my 1st message here, so I beg your pardon for my English language.
I'm VERY interested in the topic of Tic-Tac Bass. Could anybody provide me with a Youtube link where I can appreciatte that playing style??, (=i.e., an upright bass doubled by a six string one). Thank you in advance!!
Meanwhile, here are some pics of my 6 string Spanish Bass Guitar, with nylon strings tuned EADGBE and made in Valencia (Spain) by Vicente Quiles...
Best!!
cbaixo
That's a very nice guitar! I've been considering getting one like it myself, for quite a while now.Hi,
I'm from Spain and this is my 1st message here, so I beg your pardon for my English language.
I'm VERY interested in the topic of Tic-Tac Bass. Could anybody provide me with a Youtube link where I can appreciatte that playing style??, (=i.e., an upright bass doubled by a six string one). Thank you in advance!!
Meanwhile, here are some pics of my 6 string Spanish Bass Guitar, with nylon strings tuned EADGBE and made in Valencia (Spain) by Vicente Quiles...
Best!!
cbaixo
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The Four Seasons "Carol"
That's a very nice guitar! I've been considering getting one like it myself, for quite a while now.
How would you describe its sound? Oh, and if you have any soundclips or videos with it, please share!
Hi,
I'm from Spain and this is my 1st message here, so I beg your pardon for my English language.
I'm VERY interested in the topic of Tic-Tac Bass. Could anybody provide me with a Youtube link where I can appreciatte that playing style??, (=i.e., an upright bass doubled by a six string one). Thank you in advance!!
Meanwhile, here are some pics of my 6 string Spanish Bass Guitar, with nylon strings tuned EADGBE and made in Valencia (Spain) by Vicente Quiles...
Best!!
cbaixo
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[Invalid or Expired Link Removed]
I think that it would make a difference...the length would be greater so the tension should be slightly greater also (for the low strings). For instance...you can't tell me that the .045 'D' string on a Bass VI isn't tighter feeling than a .046 'E' string on a guitar (especially tuned to D). Same pitch...almost the same gauge...but definitely stiffer. Maybe not an apples to apples comparison like a reverse headstock against a regular headstock guitar would be...but I have a hard time believing that it wouldn't make at least a slight difference.
...Welcome to TalkBass!...
...Tic-tac bass? The Patsy Cline videos in the Links section of the Facebook group [Invalid or Expired Link Removed].' provide some superb examples (headphones please)...
...As for your 6 string Spanish Bass Guitar, does Vicente Quiles have a Web site?
) before I permanently screw something up with my newly acquired Hellcat or LaBella Bass VI flatwounds. All of the strings sound great except for the low E. 
This has been alluded to earlier so I'm looking for some advice (from people I have never met but trust ) before I permanently screw something up with my newly acquired Hellcat or LaBella Bass VI flatwounds. All of the strings sound great except for the low E.
Here's my problem: a) the E string is so long that part of it wraps around itself on the post, and b) the E sits up pretty high off the fretboard right now, higher than the other strings. Part b) may be because it's loose; I have the E tuned to a low B because I'm reluctant to give the tuner knob another turn.
If any of you have LaBella flatwounds on your Hellcat VI, can you tell me if you modified anything to get the E to fit? Did you have to modify the groove in the headnut at the top of the neck or cut some of the fat, flatwound part of the string off (rather than the skinny part wrapped in silk) so it wouldn't wind around the post so much, etc.?
Yesterday 02:46 PM
Maybe you should measure the length of the string and see what you come up with? I don't think the total uncut string length should be greater than maybe 35"?
Also I don't know how the Labella strings are packed...but if there is a model # for each individual string they might use a numbering scheme that incorporates a "30" or a "34" or something...that would be a hint in the right direction as well.
Though I have never tried the Labellas so maybe they don't fit on the Hellcat?
That's a good description, in that it makes me want to try a contrabass guitar like yours even more than I did before. Thanks!Well. I'm not sure if I can describe it properly in English... It's very... 'mellow', soft and deep.... It's fantastic to play with nylon guitars and other kind of instruments (=flutes, violins, etc.). And you can arpegiate and producing chords with this guitar...
Unfortunately I don't have any clips of me playing this guitar... Sorry abo' tha'...!!
This is a very good thread. I will participate as much as I can...
Best!!
cbaixo