Right, this is why I ask, those pure vintage basses come with a .1uf also the paper work with that pickup has that in the schematic…. I just wonder how low that thud will go if I do that…. Especially once the flats comeThe two wires coming out of one is a shielded wire, now that's a good thing, that is the ground wire is running like a braided shield all along the insulated hot wire in the middle, helping to eliminate some background electromagnetic interference noise.
Also the fact that the cap is an orange drop might be more important to you than the actual value of the cap, the value though will be what actually matters on it's effect on the tone though, while the fact that it's an orange drop will be as good as completely irrelevant as far as that is concerned.
On a second note, reading through the thread at the beginning there was a lot of talk about chrome’s partially wrapping the post with stock bridges… and labella advising against….was there ever a consensus reached on putting short scale chromes on a stock bass? I saw some added hi-mass bridges to add length on the ball side… where are we at on that?
Eventually hopefully Labella will make another run….until then I’ll have to make due…
Also not to much mention of how the labellas have played in…. Anybody?