What up dudes,
Just thought I'd post a wee observation about the SA200 on my gig tonight. I played with a SUPER LOUD R&B/Funk band called the Irresistibles. The band was composed of a horn section, drummer, guitarist, bassist, B3 player, and 3 singers. I stood next to the loudest B3 player I've ever come in contact with in my life. Good thing he was such a great player! I mean, good lord - it was a true Leslie cab and it was just CRANKIN'. The drummer was also a hard hitter - but again, a great player.
So the gig was outdoors and I'd brought along my SA200 and my Berg HS410. I started to doubt if the SA200 would deliver out in the open with such a loud band.
And boy did it EVER!
I was amazed at the volume and girth my rig produced on that stage. It was incredible! I played my Lakland USJO straight into the Sadowsky. And with the gain at !:00ish, the volume at 3:00 and the master at a mere 9:00, the SA200 delivered more that I could've dreamed on a gig like this - huge, supportive low end and that tubey compression with just a hint of dirt. Man was I a happy bass player.
I know this is a bit redundant, but I feel it bears repeating: This amp will hold up on damn near ANY gig. Don't let the 200 watts scare you away!
Side note: I had a small pedalboard that I was planning on running in front of the SA200 (like I usually do). It has a Sadowsky pre/DI, a Demeter Compulator, an EBS Octabass, and a Voodoo Labs Sparkledrive. I power it with a Visual Sound One Spot, and for some reason, my One Spot connection to the wall wart cord was intermittent. DRAG! So I reluctantly plugged straight into the SA200 only to RELEARN that a simple signal chain is probably the BEST signal chain. Wow did it sound great. And I was free to concentrate on my playing and reading rather than the great tapdance. Great experience.
Ian