Seems like a good alternative to the Sandberg TM5 as well in the HS?
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Not really fond of this copycat business.
Yep.I'm fine with it. It's like stringed instruments. Do we really need to reinvent the shape of the violin? Nerp. These designs are classic, and the real difference between the brands will be the fine details.
That said, I WANT to like these basses. But I could never play an instrument with another bass player's name blasted onto the headstock. It's a hard pass for that reason alone.
Looks like it will have p-bass nut width like the Sterling ray34. (4-string version) I wish it had Jazz bass nut width like the Sterling Ray24. I love the feel and sound of the Sterling Ray24 but I have had really bad luck with multiple copies of that model. Terrible quality control. I have been looking for a better Stingray alternative that won't put me in the poor house.
Honestly, I've never really been interested in a Stingray. There was a short time in the 80s where I thought the original Sabre was cool, but I never acted. This one, though, I find myself really liking.This. If you want one get one now. Suspect there will be lawyers involved and the basses won't survive the process. I sure hope I'm wrong though.
I had the same thought. And for that price, if the electronics weren't to taste a swap would be worth it.Seems like a good alternative to the Sandberg TM5 as well in the HS?

I'm fine with it. It's like stringed instruments. Do we really need to reinvent the shape of the violin? Nerp. These designs are classic, and the real difference between the brands will be the fine details.
That said, I WANT to like these basses. But I could never play an instrument with another bass player's name blasted onto the headstock. It's a hard pass for that reason alone.
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If the quality of these basses is like that of the V7 or V5 basses, SBMM is about to have some serious competition.




So wait, it's totally cool when Sire builds Fender clones, but when they cart out the Stingray clones there's a problem?
I seem to remember when RondoMusic was selling a direct MM copy in Europe, but couldn't sell them in the USA since EBMM were hot and heavy with the threats, and cease and desist notices.I don't think anyone is commenting on the clone status just the fact that they went with a 3+1 tuner combo that EBMM has a legal right too. The oddest part is that they already have a standard headstock that would look fine on this AND has at least some level of brand recognition. Basically there was zero reason to go down that design path other than "we want to appear to be more like the real thing"
I agree but only partly. The "original" violin is, as far as I know, nobody's creation. The well known design resulted after centuries of slow and diffuse evolution and today, every manufacturer who makes violins, follows pretty much the same design.
But with instruments like the Pbass, Jbass, Stingray etc., they are, as a product, the direct and causal result of the efforts of a specific individual/manufacturer. So if a different manufacturer produces them too (practically unaltered), well then it's copycat business.
Just a guess here, but wouldn't the shape of the headstock have to be part of that, not just the 3+1?I don't think anyone is commenting on the clone status just the fact that they went with a 3+1 tuner combo that EBMM has a legal right too. The oddest part is that they already have a standard headstock that would look fine on this AND has at least some level of brand recognition. Basically there was zero reason to go down that design path other than "we want to appear to be more like the real thing"
Just a guess here, but wouldn't the shape of the headstock have to be part of that, not just the 3+1?