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Thunderbird Club

I'm jealous, I've always wanted to play that stuff in a band, I don't think anyone really knew who they were when they were really active. I include Paul McCartney in that list except we all knew who he was, he inspired me to play bass, I loved the sound of the bass, his bass at least for me was probably the first bassist whose bass really stood out, it was louder than just about anyone else's back then, although Motown bass was mixed up pretty loud too along with that high pitched kick drum..
One of the things I love about Motown, Muscle Shoals and Stax was you could hear the bass so well and it was so musical. With the Staple Singers, it was the dominate/driving force in most songs.
 
Love Schacher and Peter Cetera, he's one of the fastest pick style players I've ever heard, great sound and very tasteful lines in addition to singing at the same time, I'm surprised more bassists don't recognize how good he is/was too. (I don't think he's playing much bass these days although he did start playing again).
I remember the first time I put some headphones on and really heard what Peter was playing. I was aaaaaamazed.
 
I'm 100% positive he probably could have played just about anything he wanted to in 1971 unless he REALLY improved a lot by 1976. That being said I'm not a big Jaco fan, bought the first album, marvelled at his playing and never played it again and I agree with you about his tone, I like bass. Jaco completely changed bass styles, created a lot of lead bass players. I don't mind busy players as long as their bass sound sound sounds like a bass, I never heard of him until the Joni Mitchell- Mingus album, I liked what he did on that album a lot.
I think he just didn't wanna play what we were playing, but as I said, he coulda just told us that up front.
 
You made me listen, you made it 5 seconds more than I did. I did and still really like SOS though and that's probably the only one by them I really like. There's something about this song that I love, maybe it's the classical piano intro and the synthesizer, it was a really well written and performed song. It has a haunting quality to it.



That's a good one. Maybe weird, but my favorite is Dancing Queen. Also has an eerie feel to it. Well sung and produced.
 
I'm jealous, I've always wanted to play that stuff in a band, I don't think anyone really knew who they were when they were really active. I include Paul McCartney in that list except we all knew who he was, he inspired me to play bass, I loved the sound of the bass, his bass at least for me was probably the first bassist whose bass really stood out, it was louder than just about anyone else's back then, although Motown bass was mixed up pretty loud too along with that high pitched kick drum..
The band was my drummer friend’s idea. Then he quit because he doesn’t want to gig anymore. I’m doing my best to keep it rolling because almost every tune has a fun bass line!
We’ve also decided to branch out beyond Motown/Stax, so we’re doing stuff like Ophelia and Oh What a Night. I’m going to suggest Saturday in the Park.
 
That's a good one. Maybe weird, but my favorite is Dancing Queen. Also has an eerie feel to it. Well sung and produced.


It is weird, it has eerie haunted quality to it, the keyboards are excellent in that tune. I just listened to Dancing Queen too, I don't know if they played their own stuff in the studio but whoever did were very good players.
 
The band was my drummer friend’s idea. Then he quit because he doesn’t want to gig anymore. I’m doing my best to keep it rolling because almost every tune has a fun bass line!
We’ve also decided to branch out beyond Motown/Stax, so we’re doing stuff like Ophelia and Oh What a Night. I’m going to suggest Saturday in the Park.


Yup, love that stuff. My ear was glued to the radio so much when I was a kid it doesn't take me much to really learn them properly. I could fake my way through a lot of that stuff now.
 
SIT/'64 update. I used the '64 again today with the Power Wounds. Loved them just as much as before in a live setting. Sounded great with fingers or pick, both pickups or just the neck. I don't see ever buying the expensive Infelds ever again, and I thought I would never do a string choice change on that bass. Oddly enough, those two strings sound very similar on that bass.
 
Never really had much experience with pedals and power supplies. Thinking of a pedal that the power supply is 9VDC-18VDC, 40mA max. I have some power supplies that are over 40mA. Will one of those work since they will supply that (and more if it were needed), or must it be matched with a 40mA supply?
 
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It is weird, it has eerie haunted quality to it, the keyboards are excellent in that tune. I just listened to Dancing Queen too, I don't know if they played their own stuff in the studio but whoever did were very good players.
It is not a "happy" song, thus the haunting quality. Great harmonies, excellent arrangement.
 
Yup, love that stuff. My ear was glued to the radio so much when I was a kid it doesn't take me much to really learn them properly. I could fake my way through a lot of that stuff now.
When I first saw the set list I didn’t recognize some tunes, but they were all familiar when I heard them.
Some are easy, but Ain’t No Mountain High Enough took some work and that bass run in “oh What a Night” is a bïtch!
 
Happy Birthday Geo

:) Thanks! HNY!

Aren't the necks really wide on the originals? I've never tried one but I've heard that. People were sayin'.

I can't recall if I ever demo'd one (it would have been an original) so I can't say. All I know is they are heavy! It's sorta counterintuitive being 'clear'... but solid plastic gets heavy!