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Thunderbird Club

I had a bit of a bad day yesterday; so I took the bass at night and started working on it, to unburden myself
490278.gif


It wasn't my intention to use these Rotosound now, but the ones that came with it were bad.




Consider done (since last week :D)
 
The ones on my Goth are Cobalt flats. There are many others with purple silks though.
Yes. My EBCFs had purple silks. It was a peasant surprise to find purples on the Power Flats since, as we know, TTIITPS(C).
Nothing against the PFs, but I'll be going back to EBCFs at the next string change. I've kept the Cobalts on my LPB2/5 which, incidentally, will be off to 'the shop' Tuesday to fix a problem that I don't trust myself to f---* with. I don't use the 5er much, but it needs to be playable when I need it which it ain't right now.

*ool
 
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Interesting question. Turns out the Eppi Embassy bass I got had shoulderless inserts. I haven’t checked my Eppi VP bass, but it might be the same. I wonder if the Eppi shouldered inserts are only related to the three point bridges.

My guess is it was either a mistake or a cost-cutting move early on, and it stuck.
 
I know this about the Supertone. But, why does Epiphone not just recess the insert flanges? Seems just dumb. Is it a Gibson-imposed restriction??

I've heard two different rumors for explanation. Either one, or both, may be true, or false

The first, is that the shouldered design doesn't pull from the body as easily, with the 3-point. It keeps the bridge from impacting the body (which would apply leverage to help pull out the inserts)

The second, like you mentioned, Gibson didn't want Epi to use theirs? But that doesn't make much sense (but hey, it's Gibson, when has that been a requirement? :laugh: :rollno: ), since Epi's already using the bridge design, why get picky over the inserts?

It would seem like it would be easier/cheaper to just keep making the same insert for all the 'birds, instead of two different designs.......so my guess is either reason #1 (they didn't want to have potentially a lot of troubles from people buying the less expensive Epiphone Thunderbirds, causing a bad impression against the Gibdin versions?), or, for whatever reason, the over-seas parts producer could make the shouldered version more easily/less expensively :unsure:
 
It's either one less step in manufacturing or the Gibson insert doesn't have a flange. Hmmm, I'll have to compare.

Yes, the Gibson has no flange. Also, the fluting is also more....fine? less coarse?

I have a pic of the two around here someplace......










.....here we go :thumbsup:



Babicz (in the bag) vs. Gibson inserts:

20220821_150730.jpg





Epiphone (black) vs. Gibson inserts:

20200903_011246.jpg




Gibson inserts installed (2013 CP)

20211107_011043.jpg
















Hopefully that's helpful.........






:)
 
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I've heard two different rumors for explanation. Either one, or both, may be true, or false

The first, is that the shouldered design doesn't pull from the body as easily, with the 3-point. It keeps the bridge from impacting the body (which would apply leverage to help pull out the inserts)

The second, like you mentioned, Gibson didn't want Epi to use theirs? But that doesn't make much sense (but hey, it's Gibson, when has that been a requirement? :laugh: :rollno: ), since Epi's already using the bridge design, why get picky over the inserts?

It would seem like it would be easier/cheaper to just keep making the same insert for all the 'birds, instead of two different designs.......so my guess is either reason #1 (they didn't want to have potentially a lot of troubles from people buying the less expensive Epiphone Thunderbirds, causing a bad impression against the Gibdin versions?), or, for whatever reason, the over-seas parts producer could make the shouldered version more easily/less expensively :unsure:
There could possibly be a third reason beyond Pulling and Sourcing…

The flush mount Gibson anchor allows the builder to install the anchors before the bass goes through the finishing or painting process. That would eliminate the potential to muck up the finished surface of the bass when press fitting the anchors into the body. However, the Eppi raised shoulder insert cannot be installed prior to finish sanding or painting because of the raised surface, so it must be installed after the finish process is complete, the raised flange may be sized properly to conceal any minor press fit impacts (chipping, cracking, cratering…). So it may come down to fabrication logistics where USA Gibson bodies are finished after the anchor install and Asian Epiphones are finished before the anchor install, each requiring a different type of anchor.

FWIW - having removed, fixed and installed a number of both the Eppi and Gibby inserts I find the Gibson ones to be more robust and harder to remove. That might be because after the insert is press fit into the body (just a hair below flush) the wood closes up around the top to a degree. Might also be because there are more biting splines on the Gibby offering that much more friction.

Edit: just went back and closely checked my Gibby three point birds and it appears some (pre 2021) do have a minor shoulder that is countersunk into the body below the finished surface prior to finishing the bass, and some don’t have a shoulder or countersink but are still installed below the finished surface prior to finishing (2021 NR). The two point two piece bridge birds and the Embassy appear use completely shoulderless inserts installed flush into the body after finishing.

Gibson Tbird with flanged insert countersunk into body prior to finishing…
ED54C92B-7040-439C-9DD7-9B5AFF197222.jpeg

Embassy (same as VP) insert with no flange (you can clearly see the splines) was flush mounted in the Embassy after finishing, I removed it and have reinstalled it in a new bird build, press fit slightly lower than flush to allow finish sanding and painting.
BA83DF8A-1B0B-49C5-8B63-0B96BE971EE3.jpeg
 
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Interesting question. Turns out the Eppi Embassy bass I got had shoulderless inserts. I haven’t checked my Eppi VP bass, but it might be the same. I wonder if the Eppi shouldered inserts are only related to the three point bridges.
The MIJ EB-3 Elite has shoulder less inserts and a three point bridge.
 
There could possibly be a third reason beyond Pulling and Sourcing…

The flush mount Gibson anchor allows the builder to install the anchors before the bass goes through the finishing or painting process. That would eliminate the potential to muck up the finished surface of the bass when press fitting the anchors into the body. However, the Eppi raised shoulder insert cannot be installed prior to finish sanding or painting because of the raised surface, so it must be installed after the finish process is complete, the raised flange may be sized properly to conceal any minor press fit impacts (chipping, cracking, cratering…). So it may come down to fabrication logistics where USA Gibson bodies are finished after the anchor install and Asian Epiphones are finished before the anchor install, each requiring a different type of anchor.

FWIW - having removed, fixed and installed a number of both the Eppi and Gibby inserts I find the Gibson ones to be more robust and harder to remove. That might be because after the insert is press fit into the body (just a hair below flush) the wood closes up around the top to a degree. Might also be because there are more biting splines on the Gibby offering that much more friction.
On the Casady the insert flanges are flush at the front and stick up at the back. It looks like they milled the hole through the finish.
B4107C9A-8B74-4506-AEDF-FF5ADBD0B318.jpeg
 
Yes, the Gubson has no flange. Also, the fluting is also more....fine? less coarse?
I have a pic of the two around here someplace......
.....here we go :thumbsup:
Babicz (in the bag) vs. Gibson inserts:

View attachment 4994288

Epiphone (black) vs. Gibson inserts:

View attachment 4994289

Gibson inserts installed (2013 CP)

View attachment 4994291

Hopefully that's helpful.........

:)
Excellent post! It got me double checking my birds to see what the anchors looks like. Some of my Gibby anchors match yours (small shoulder, fine spline) and some don’t (no shoulder, fine spline). I revised my post accordingly.
Looking closely at the Shouldered Gibby anchor it would be a 4 step process to install the anchor (drill pilot hole, drill forsner countersink, drill press fit hole, press fit anchor into the hole) vs a two step process for the Eppi (drill press fit hole, press fit anchor into the hole until flange is resting on the finished body surface). So it all probably comes down to cost and complexity reductions driving the Eppi raised flange design. Interestingly, the Gibby 2021 NR builders look to be applying similar complexity reductions in their anchor process. The new NR appears to use a shoulderless anchor that is press fit into the body after the painting process, so a two step process vs four step process (not to mention potentially reduced cleanup and thread chasing efforts by installing the insert after the finish process).
 
I've heard two different rumors for explanation. Either one, or both, may be true, or false

The first, is that the shouldered design doesn't pull from the body as easily, with the 3-point. It keeps the bridge from impacting the body (which would apply leverage to help pull out the inserts)

The second, like you mentioned, Gibson didn't want Epi to use theirs? But that doesn't make much sense (but hey, it's Gibson, when has that been a requirement? :laugh: :rollno: ), since Epi's already using the bridge design, why get picky over the inserts?

It would seem like it would be easier/cheaper to just keep making the same insert for all the 'birds, instead of two different designs.......so my guess is either reason #1 (they didn't want to have potentially a lot of troubles from people buying the less expensive Epiphone Thunderbirds, causing a bad impression against the Gibdin versions?), or, for whatever reason, the over-seas parts producer could make the shouldered version more easily/less expensively :unsure:
I vote for what's behind curtain #3: ¯\_(ツ)_/¯