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Thunderbird Club

Yes, if you have a log in at sweetwater.com, you have an account. Now, that doesn't mean you have payment type setup. Actually, it was PayPal that notified me. I have that linked to my Sweetwater account and that is linked to my credit card. A couple of layers of protection. I stopped using Sweetwater's credit card as they use Synchrony bank. I had that account hacked a couple years ago and Synchrony was worthless, so I closed that card.

Ah, makes sense.
I’ve never done that with them.
But now makes me wanna close my flea bay and verb account.
I’m done buying anyway.
 
Gig tonight(Saturday, 5/18). 67 NR T-Bird w/#2814 EBCFs>7ender R200c amp. The sound I want[although the 200c was a little much for the room].

Little story here: First, a disclaimer or two. I've been doing R&R gigs since 1968-longer than some of y'all have been around-so I have alotta experience-and a pretty good ear. We had a request tonight for "Start Me Up", which we've never played as a group.(second disclaimer: I like maybe 5 "Stones" songs. This ain't one of them, but I've heard it at least eleventy-seven hundred times). One of our guitarists knew the lyrics, called the key(E, FWIW), and away we went. I can guarantee that no one in the crowd had a clue we'd never played it B4. It will now become a part of our 'act'. We got a very nice tip outta the requester. My point being, since we play for dancing and don't go by a set list but instead "feel out" the crowd-and take requests-we're free to play whatever we think will fly. We're almost always right. I'm not saying "never rehearse"(we haven't for ~a year), but if everyone listens to each other and plays what they've heard on the radidio forever, you can please the crowd. If your group is doing covers, it's likely you'll put your own touches to each song, particularly 'cos none of us sounds exactly like the recording, nor do we have the production tools-such as dubbing-to sound the same. JMNSHO.
Blaspheme! If it isn't note perfect, it is a trainwreck! [/sarcasm]

One of the things I love about live music is hearing the raw take on what happened in the studio. IIRC, it was some time after the Moving Pictures album that Rush started considering how they would play songs live as they worked in the studio. Until then, they just tried to figure it out when rehearsing a live show.

And I love hearing covers (and I would argue that every band doing their own material is a cover band who happened to record the original) to see different/unusual takes. Devo's take on (I Can't Get No) Satisfaction is simultaneously recognizable as a cover and a completely different song.
 
I wouldn't call it operatic 'though. It's also different on every album, most shrieky and shrill on "A Farewell To Kings".
My first Rush album was "Caress Of Steel" and it's still the dearest. It's strange, it rocks and it was my gateway to progressive rock. It has also some power pop elements (Bacchus Plateau) that made for example Big Star sound strangely familiar when I got into them for the first time about 10 years later.
Geddy's singing was a bit of a shock but I got used to it about a minute in "Bastille Day". And Alex' solo on "No One At The Bridge" is just brilliant.
I understand if many Rush fans don't like that album but it sometimes hurt when the band downplays it. Yes, it didn't sell, they smoked a lot of weed when making it, Paul Stanley didn't get it and the epic doesn't flow (true, but it should be taken as individual songs strung together under "The Fountain Of Lamneth" banner and also the cd should have separate indexes).
I also like "I Think I'm Going Bald" which isn't about Kim Mitchell but Alex Lifeson stressing about his hair (he was 20 years early with his thoughts). It does sound a bit like Max Webster and it rocks plus the lyrics are down to earth and great.

I was in the music store one day and heard someone playing I Think I'm Going Bald and had to go and take a look. It was a kid about 14 and I commented something to the effect of wow, that's a deep cut. The dad jumped in and told me that he insisted that his son would not just learn the 'hits' but all the good songs. He was there buying the son an amp.

Did Kim Mitchell go bald because of the OPP hat or was the OPP hat to cover up the thinning?*


* There is a popular theory that hats cause baldness. When I was in the army, there was a soldier that wanted the army to pay for Rogaine as he claimed that his baldness was a workplace injury caused by the requirement to wear hats...
 
So I guess what I try to say, is that the weather seems to be quite similar to what we have here..

It depends on the year - I moved to Chicago in the fall of '78, and that winter had record snowfall, immobilizing the city. Other winters were average, but cold.
 
Here is my take on the discussion about Rush and Neil Young. I like them both! And to my defence, I like a lot of other artists and styles too too, from jazz and blues, to pop and rock, heavy, prog, folk… What I listen too depends on the time of day, mood, background music or ”listen to music”…

And below the proof that I actually enjoy Neil and Geddy:smug:


View attachment 5452379 View attachment 5452380 View attachment 5452381 View attachment 5452382
I dislike your organization. Is there a method beyond putting bands together? Albums need to be sorted first by artist (which you appear to have done) and then by release date. Any deviation from this method is wrong. ;)
 
Yes, if you have a log in at sweetwater.com, you have an account. Now, that doesn't mean you have payment type setup. Actually, it was PayPal that notified me. I have that linked to my Sweetwater account and that is linked to my credit card. A couple of layers of protection. I stopped using Sweetwater's credit card as they use Synchrony bank. I had that account hacked a couple years ago and Synchrony was worthless, so I closed that card.
And this is why I always check out as "guest" whenever possible. I have no need to have my data held by any number of random websites.
 
Blaspheme! If it isn't note perfect, it is a trainwreck! [/sarcasm]

One of the things I love about live music is hearing the raw take on what happened in the studio. IIRC, it was some time after the Moving Pictures album that Rush started considering how they would play songs live as they worked in the studio. Until then, they just tried to figure it out when rehearsing a live show.

And I love hearing covers (and I would argue that every band doing their own material is a cover band who happened to record the original) to see different/unusual takes. Devo's take on (I Can't Get No) Satisfaction is simultaneously recognizable as a cover and a completely different song.

When Mahavishnu Orchestra's live 'Between Nothingness and Eternity' ('73) came out, it was impossibly complex and dynamic - a power-house tour de force and their last LP with that line-up. (Billy Cobham, Jan Hammer, Jerry Goodman, Rick Laird* and of course John McLaughlin) Twenty-six years later ('99) 'The Lost Trident Sessions' studio version of Trilogy came out, recorded around the same time as the live version. Amazingly it was letter perfect to the live version. Later versions of MO would never top their 3 early '70s LP's

* Rick Laird (bass) quit playing after MO broke-up and became a professional photographer. He said nothing after playing with that band satisfied him as a bass player/musician.



 
man, you really like those guys huh?.. wonder why GL never used Traynors…

His first proper bass amp was a Traynor.
And after that a Sunn 2000S (IIRC) which he did use until the Hemispheres tour along with SVT's.
Not much Squire copying there (Squire had solid state Sunns and the old Marshall back then).
 
I dislike your organization. Is there a method beyond putting bands together? Albums need to be sorted first by artist (which you appear to have done) and then by release date. Any deviation from this method is wrong. ;)

I suffer from the same disease with you apparently:
20240519_194400.jpg


I do make exceptions with solo albums:
What is Steve Swindell's 1980 album "Fresh Blood" doing there between Hawkwind/lords and Dick Heckstall-Smith? Well, Steve was Hawklords' keyboard player, that's why. On the other hand he had quit the 'lords at the time of the recording and also should I put the album after the Hawkwind's '79 release "PXR5" as it fits the time frame better? Damn, there goes the good night's sleep again...
20240519_194455.jpg
 
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I dislike your organization. Is there a method beyond putting bands together? Albums need to be sorted first by artist (which you appear to have done) and then by release date. Any deviation from this method is wrong. ;)
Oops!
But to my defence, I actually put all my CD:s into Discogs, doesn't that give me a small plus:)
 
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