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Not the same.
It’s Orlando. I’m thinking Mike has at least a good ten years of playing ahead of him. For someone of his caliber, finding work is likely going to be easier than he thinks right now. I’m guessing his daughter is concerned and wants him closer. So him relocating makes sense. But it’s another chapter, not the end. @GonePlaid, PM me and set up a call if you want to talk. It will all work out.True, for some. I'm sure there are people who would much rather play with those who don't have "the look" (whatever that is defined by whoever was granted that ability to codify that definition), but can play, are mature enough to not cause needless drama and just be a great person to spend time with. I'll take that all day, and you fit the bill there. But a 18 yr old girl metal band might not be a good fit.
There's always male gigolo work.
Joking aside, there's got to be people that would love to have "The" Mike in the band. You'll find something, I have no doubt. Just may take a little while to figure the scene out.
I haven’t interacted with hm at all other than “like” his posts. So who knows.Maybe he excludes us if we disagree with him on something?
Yes, they are standard in the current Non-Reverse, I have one and really like the pickups a lot. I have also used them to replace the stock Epiphone
pickups in a Vintage Pro, again, they're great sounding, for the money, maybe the best buy out there.
You can hear them here:
Part of the reason I play in a Community band is to keep my reading chops up.She does, but she is studying to be a music teacher and needs to be able to instruct kids on the basics of woodwinds and brass. Playing a horn in a community band would help keep up her chops.
+a trillion.No such thing. Ever.
You are correct,. To a point. The SVT and my Mesas can compensate. But they are not well rounded IMO. Others disagree. And that’s fine. I’m half deaf with tinnitus. The 760s are the hardest for me to dial in to what I like. But everyone is different.I will add, I love the 760s. (Have two VPs.) Their only "fault" is that they are a tad shy in the lows. But amps have a knob for that. With my big sounding Ampeg head they sound fantastic. As in close to my '64 Thunderbird. I would think one would make a great sounding neck pickup, but it's all subjective. Again, it will depend on several other factors, but the 760s are great as well.
Only bass I have ( out of too many ) with tort. But it fits the look. Reminding me it’s one of many projects to send to Irv to make replacement guards for.
On '60s Teisco guitars and basses, the tone knob full clockwise is bass and full 'off' counterclockwise - treble. For an electric bass... full "tone" is more logically BASS.
That never gets old.
Yes. I will say the amp/cab being used makes a difference. Never a problem with my Ampeg heads. Sounds fantastic. Heads and cabs naturally lacking some lows (compared with others), will make this issue more apparent. I must have big lows and the 760s are big an punchy via Ampegs. I have yet to use a VP through the ABM yet. I suspect I will prefer the Ampeg for those. The ABM has tighter but less lowend with both being flat. To get the same bigness as the Ampeg at noon the ABM would need to be about 2 maybe 3:00.That’s my only complaint with the 760s - not enough low end. But they have the rest in spades.
Any room here for a class action against tort and it's makers (where ever the big pockets are)? Personal injury suit with some pain suffering thrown in for that was inflicted upon the eyes after decades of unsolicited exposure?+a trillion.
Yes, it's all subjective and all the variables add up or take away from the tonal objective. I would add that I find a huge difference in home vs big room live use. At home my VPs are OK. In a big room the lows fill out and that really helps. It (big room/live) and Ampeg was hurting with the NR, '06 and '55 Pbass, and the Ashdown tightened up the lows and fixed that. To the point that those basses don't just sound good live, they sound fantastic with the ABM. Just shows how all the parts make the whole.You are correct,. To a point. The SVT and my Mesas can compensate. But they are not well rounded IMO. Others disagree. And that’s fine. I’m half deaf with tinnitus. The 760s are the hardest for me to dial in to what I like. But everyone is different.
Beautiful P.obsessed with bass related stuff........some angles of the P bass are (imho) unbeatable....
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^^^This. My basses sound different when I'm playing at home practicing vs at home rehearsing with a band vs on stage with a band.Any room here for a class action against tort and it's makers (where ever the big pockets are)? Personal injury suit with some pain suffering thrown in for that was inflicted upon the eyes after decades of unsolicited exposure?
Yes, it's all subjective and all the variables add up or take away from the tonal objective. I would add that I find a huge difference in home vs big room live use. At home my VPs are OK. In a big room the lows fill out and that really helps. It (big room/live) and Ampeg was hurting with the NR, '06 and '55 Pbass, and the Ashdown tightened up the lows and fixed that. To the point that those basses don't just sound good live, they sound fantastic with the ABM. Just shows how all the parts make the whole.