True to a degree, but don't discount the influence that a soundman has on gear selection for a given song, and in my experience 90% of the soundmen I've dealt with default to a P bass in the mix because it's what they're familiar with and know how to EQ quickly. And worse yet, an incompetent soundman or a passive aggressive soundman (that wants to prove a point to non P bass conformists) can guarantee your TBird sounds like crud or is completely buried in the mix.Agreed about the Peavey. One thing I always consider though, is how a bass sounds not only solo, but- even more importantly- how it sits in the ensemble. There is a reason the P-Bass is so popular in so many styles, especially as a recording instrument.
Fire away...
So the real question might be how many recordings were denied the grace of a TBird because of a non-performance based decision. Much like the age old question, "how many licks to get to the center of a tootsie pop"? The world may never know.



but it works