I notice all the fretboards are darker woods. My white VP is pretty light. I prefer the darker as on my burst. Just looks more normal.
I prefer dark fretboards on my instruments. Always been that way.
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I notice all the fretboards are darker woods. My white VP is pretty light. I prefer the darker as on my burst. Just looks more normal.
Nice cab!
traded mine for a New York 2 X 12...better now..You like that? I'm thinking about selling it.
interesting direction for Fender..... gave this bad boy a try today and man....almost walked out with it...plugged into an Eden top and 2X10 cab. the Aguilar pup/preamp setup along with the pup placement were optimal for me. neck is a dream...REALLY well thought out bass..
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Even the mighty Fender must BOW before the mighty humbucker. BOW.
I thought about the Tele mudbucker as well but this is a completely different animal. Almost like Fender finally admitting Leo’s way forward after Fender was the right one..Yep - that's the 'other' Flee sig bass - closer to his early Modulus, sans cf neck. Is it a P-width nut?
Actually Fender rocked a Seth Lover bucker on their early '70s Tele bass, so nothing too new...
I thought about the Tele mudbucker as well but this is a completely different animal. Almost like Fender finally admitting Leo’s way forward after Fender was the right one..
Bizarro cool. Classy pawn-shop.
tough one, cause for me a G&L is a refinement of the MM platform where the Stingray was a radical departure from Fender...Oh I agree - but maybe not the right one, but another right one! As an admirer of the Leo Fender (like Miles Davis) - reinventing/innovating was their headlights. (or better yet, search-light) With LF, like Miles - there were 3 distinct and game-changing phases of their creativity. Fender, MM & G&L - each one a sea change.
I'm thinking about picking up one these sets. I really want the Ampeg but I don't need that much power plus I was actually trying to downsize.
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Lol! Top 40 Guitars in the San Diego area..Bizarro cool. Classy pawn-shop.
Bizarro cool. Classy pawn-shop.
It's been collecting real aging/dust now as I've not touched it for years! I almost feel like trading it for 'quick cash' at a pawn shop so that it develops a Shaggs-level mystic! tough one, cause for me a G&L is a refinement of the MM platform where the Stingray was a radical departure from Fender...

Lol! Top 40 Guitars in the San Diego area..
the 2000 would have been the evolution of the MM Sabre..Agree, the Stingray was as you say - but as much as the G&L L1000 was a refinement - what put G&L on the map was the L2000.
My T2K Mk II is my tribute to Leo's Legacy. When all else fails - break glass for it.
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That's a cool bass.ding-ding-ding! You win a cupie-doll!I created this bass, a bass that never existed. It was based on a Kay guitar (also badged "Old Craftsman") from the late '50s called the "Solo-King". (a bass was never made) When I first saw a pic of it many years ago - I thought it was one of the most beautiful club-footed designs I'd ever seen. The neck is a re-purposed Epi EBO ss neck and I designed the 1-1/4" alder body around the Solo King. It has a rotary switch similar to the early EB-3's and crude soapbar pu's. My finish concept was to make it look like it was found in a dark dusty corner of a pawn shop! The funny part is that it feels really comfortable to play, balances well, is stupid light and sounds great! Very bold and R&R!
It's been collecting real aging/dust now as I've not touched it for years! I almost feel like trading it for 'quick cash' at a pawn shop so that it develops a Shaggs-level mystic!
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