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Thunderbird Club

Love them both! The Bird is makin' me Sproingky!

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Thank you! It's got some scars and it's a museum piece, but doggone it plays and sounds amazing. Fortunately the Epi VPs sound very, very similar and offer a good option to take out more often without fear of losing a bass I would likely never acquire again.

I've gigged with my '64 in recent years and as long as I treat it with care and keep a sharp eye on it I haven't had a problem. Many of the scars on it were put there by me as it was a 'closet-queen' when I got it. The reward is playing the bass - which is what it was made for, vintage or not. The main thing is that most people could care less what the bass player (especially) is playing. And most especially if it's a younger audience. I played mine in front of a big crowd at a Sunday afternoon "all ages" show and they really responded to our music but no-one said anything about my bass (that was older than any of them!) - period! Plus, I am a hawk at shows where our kit is loaded in a corner waiting to eventually go on. I've always felt that is the most vulnerable time of someone casually attempting to 'lift' some gear. (twould be a big mistake :blackeye:) When I first bought my '64 in '78, it was my only bass and I played it non-stop in many projects and live bands in Chicago in the late '70-'80s. I now own a number of vintage basses from the '60s and play them all w/o concern for their cult status. (to someone)
Instruments are meant to be played and playing the hell out of a (vintage or otherwise) bass is one of life's rewards. :bassist:
 

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