Sounds about right! It’s funny how upright has changed my approach to electric bass tonally. Especially on roots music gigs, more and more I’m playing electric with a harder attack but with a shorter note envelope. One of my favorite country bass players in Nashville, Becky Hinson has come up to me and said something like, “Even when you play a Thunderbird bass, you make it sound like an upright!” I don’t know about that, but upright has certainly informed my approach to electric on OG country/roots gigs. On those great 50’s-60’s ‘A Team’ country sessions, they typically had Bob Moore on upright, which sounded dark, thumpy and legato , but also had a second electric ‘tick tack’ ebass that was sharper/brighter, very staccato and doubled the upright lines. When I play electric bass on old school stuff, I often try to get a sound that is both of those things at once. Not sure I succeed at it, but Becky Hinson seems to think so and that’s good enough for me
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