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U.S. Peavey Club

If it werent for that paint chip at the top of the front pickup, I would be in the car right now if I were you! That is bomb-a$$ cool!
That's bona-fide play wear from thumb placement!
Signifies two things (to me):
1. It's a great bass that got lots of play time. More often than not, minty ones aren't as nice and may have been shelved for years. However, this is not as big of a deal with our beloved, consistent Peaveys as it is with the Corporate era CBS Fenders and Norlin Gibsons. Sometimes, Peaveys did land in the hands of someone that took care of it. ;):)
2. Gotta check in on bigger deal wear and tear things,
---A. Fret wear. However, I wouldn't hesitate to refret (or at least fret level) a Peavey, as the expense is always worth it if you plan to keep it for the long haul. Also, ski jump comes into play with all of the basses of this era.
---B. Pots and switch.
-Switch is an easy fix with either a direct replacement part to solder to the board or (easier) use jumper wires to the circuit board on a suitable DPDT on-on replacement.

-The proper value and taper replacement spider leg pots, however, are impossible to find. Also not a total deal killer, since they are good quality and can be rebuilt. My 91 Dyna 5 had 4 of it's 5 pots pretty much tanked out useless upon arrival. I searched and searched and could only find a couple spider pots intended for Peavey mixers, which would have been a hail Mary fix for me since they weren't a very accurate part swap. Decided that I had to go deep--unsoldered them all from the board, carefully pulled them apart, cleaned, dialectric greased and reassembled them, giving them solid crimps on the pot body. They all worked perfectly afterwards. Worst case scenario is that you have to find another similar CTS to cannibalize the resistive track/wafer for the rebuild or wait for another preamp to pop up for sale to do a swap.
--I did the same rebuild on my Fender Dimension bass pots. They were not as high quality as the CTS on the Peavey, so they didn't take as well to the disassembly. They did work better than before, but still not acceptable. They held out long enough until I did find the exact replacement circuit board and did a full swap. Good as new!
 
Also, if anyone has a Hipshot EB4 Xtender they want to get rid of, I'm game! Preferably chrome, but it doesn't matter if it's black or gold, Schaller or Grover Titan style either (they are both fully interchangeable and retrofittable). It's all for function over form on my FoundRiot.
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wow -- I'd not even know where that much horse power is needed... guessing it is a beast!

Sheesh... I've gigged with a down fire 110 and 200 watt Class D and told I was too loud
My home rig is an Aguilar DB680 and a crown preamp 1500 watts bridged


My gigging rig is a tc electronic BH800
But looking to replace that soon
 
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If a person needed to replace the preamp in a Cirrus, what would be the best option?
IMO a used Cirrus or Milly pre would be easiest. If you're looking for a change then Bartolini; Aguilar, & Nordstrand seem pretty popular right now. Depends on what you want different I guess.

edit: Have not heard of anyone using a Darkglass pre on a Cirrus but that might be fun.
 
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IMO a used Cirrus or Milly pre would be easiest. If you're looking for a change then Bartolini; Aguilar, & Nordstrand seem pretty popular right now. Depends on what you want different I guess.

edit: Have not heard of anyone using a Darkglass pre on a Cirrus but that might be fun.
The EMG will be pretty close to the millennium from specially with the mid sweep I like that it has an active balance control
 
wow -- I'd not even know where that much horse power is needed... guessing it is a beast!

Sheesh... I've gigged with a down fire 110 and 200 watt Class D and told I was too loud

My home rig is an Aguilar DB680 and a crown preamp 1500 watts bridged
My gigging rig is a tc electronic BH800
But looking to replace that soon

I usually use a pair of Aguilar GS 112’s powered by an Aguilar AG 700 or a Genz Benz Shuttlemax 9.2. It not only gets loud the tone is fantastic.

My practice rig is a GS 212 powered by an Aguilar AG 500. I used to gig with this cabinet but it is too heavy for this old man to be moving.


I have always found that having more power than what is needed never hurts. Bass amps tend to work well and last longer when run closer to idle vs red line.
I don't really own any massive amps, my most powerful is my Eden WT500 (with a mod that got it 600W). However, my 100W Peavey Century 200 gets plenty loud for what I use it for.
 
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