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U.S. Peavey Club

I have fiddled with it about a week now and noticed the problem seems to be the A string from the 17th-21st fret. The bass came with unknown stainless rounds and a good setup. Setup was consistent but higher than I prefer and I didn't want another bass strung with stainless rounds. A set of EB flats was intalled and the set up began from scratch. Just a tweek of the truss rod was necessary but the A string continues to buzz at the high frets when set to the same height as the others. When fretted at 17 it's buzzy and 18 and 19 are the same note. The original setup had the tilt screw backed out pretty far and the saddles pretty low even though the strings were in the medium height range. I haven't measured anything or taken a straight edge to it but it's odd that it's just one string. Fret leveling was just the 1st thing that came to mind.

The flats are still fresh but it did not change the sound profile of the Fury as much as anticipated. It still rings and sounds a bit trebly but I think that's some of the character of the super ferrite showing through....


Not to sound flippant... how often do you play the A string that far up?

I'd be guessing tension first... before redoing frets... find an old school dunlop capo (before clamp capos) and clamp down the "break" on the headstock... it's possible a string tree could help your issue.

OR

Redo the geometry of the bass... get the same action with a different equation of the variables.

Reason I'm suggesting tension is the issue is only with one string ... it's not likely this single string has issues with the single fret position.
 
On another note, anyone else notice the prices of USA Peavey basses on Ebay lately?

Dyna Unity for $899.00

USA Millennium Plus $800.00

Peavey G 5 for $899.00

TL-5 for $800.00


T-40 SOLD for $746.00



DAMMIT, DAMMIT, DAMMIT, DAMMIT....... B-quad FRETLESS SOLD for $615.00!?!?!?

How did I miss THIS one?!?!?!?!?

DAMMIT, DAMMIT, DAMMIT, DAMMIT.......
I wouldn't spend too much time lamenting that B-Quad. The market price on those basses is still under $800.


The asking prices on those auctions are way over the top. Even the T-40 that sold - nuts - the buyer paid wayyyyy too much for it. Peavey Dyna Unity basses can be regularly had for $200, TL-5's for $400, etc...

Look at this guy for example:

He starts off asking $600 for his G-bass.
eBay - New & used electronics, cars, apparel, collectibles, sporting goods & more at low prices

No bids. So he runs a no-reserve auction, and ends up selling it for $247.

eBay - New & used electronics, cars, apparel, collectibles, sporting goods & more at low prices


That's how it works. There's "asking" price, and what the item actually sells for.
 
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I wouldn't spend too much time lamenting that B-Quad. The market price on those basses is still under $800.


The asking prices on those auctions are way over the top. Even the T-40 that sold - nuts - the buyer paid wayyyyy too much for it. Peavey Dyna Unity basses can be regularly had for $200, TL-5's for $400, etc...

Look at this guy for example:

He starts off asking $600 for his G-bass.
eBay - New & used electronics, cars, apparel, collectibles, sporting goods & more at low prices

No bids. So he runs a no-reserve auction, and ends up selling it for $247.

eBay - New & used electronics, cars, apparel, collectibles, sporting goods & more at low prices


That's how it works. There's "asking" price, and what the item actually sells for.

Good Points all. I know it's been discussed before, asking price vs actual value and it's an interesting discussion.

UGH, the Gbass would have been a good buy as well....

The reason I carry on so about the BQuad is that I paid $1100.00 for mine and it needs a little TLC. Nothing major, just a pot, but I can't do the work myself so off to the luthier it goes. I actually had to flip my Ric 4003FL quickly to land that Bquad.

I was SERIOUSLY considering defretting mine but decided not to for now. THAT white BQuad in the $600's would have been perfect. My luthier charges $300.00 for a defret, fill and respray alone.....ugh! LOL

I'm guilty of paying "above market prices" for basses that IMHO are worth the asking price or even more.

I paid $650.00 for my Unity because I was after THAT specific bass, and it alluded me at LEAST 3 times, starting at $279.00. And this was way before the Peavey prices were where they are now.

I also paid $750.00 for a very special and minty late model TL-5.
I was watching them sell all day for about $400-500, some lower. But, when I saw my bass, I KNEW it was going to be set up to my liking and I knew the seller well. I was not disappointed.

I don't mind paying a higher price (ie buying one here off a TB member) than taking a chance on Ebay but I found it vindicating seeing those prices!:):)
 
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It took every bit of self-restraint for me not to buy that G-bass on ebay. I have 2 already, one of them a black holoflake just like the bass in that auction. But I just couldn't justify owning another.

That is why I own so many Peaveys. What you get for the money you spend on the used market is absolutely insane.
 
The gbass was an extremely fair price - the sunburst is a huge pricing bonus

Like some on this board, I'm cheap- but willing to pay a premium for a known seller with pretty basses - the only turds I've ended up with are Craigslist and eBay - this is where all my questionable as us junk goes

You'd choke at what I've paid for some USA peaveys - but then again im blessed to have worked on many of your guitars and have PayPal waiting for the cream of the crop

Yes - I'm gladly hoarding the USA gems
 
@Mark your Fury looks really nice. My theory, it is always better in black.

Another pickguard makeover. Got the black one from my daughter for christmas. I also thought wow looks like a completely different bass. I had to send it back as the first guard was for a 90's Fury. The people at pickguard heaven were understanding and got the right one out to me right away. Even asked for a few pics of my bass to insure there would be no problem. Great service there, kudos to them.

This Fury is the best playing bass I have ever owned. It has some stiff competition now with the Foundation in the stable.
 
Grebnaws said:
the A string continues to buzz at the high frets when set to the same height as the others.

That's the first assumption I'd review right there. My basses (whether setup by me or by the tech I used to take them to) generally have slightly higher saddle heights as the string thickness increases. Which makes sense to me. Don't you expect the thicker string to vibrate with a larger amplitude?

Except... I have noticed that, for some reason, the E string saddle usually ends up lower than the A string.

Anyway, point is, maybe try raising your A string saddle a little bit and see if that makes it play the way you want? Don't let the looks of of the saddles or some idea of how they're supposed to be setup distract you from the only actual important thing - how it plays.
 
when ordering from pickguard heaven... always include a clean close up pix of the body/neck joint... and one of the body.

They've caught a few of my mistakes.

I gave my daughter the model and make I.D number's from there website. I also told the year of my bass. I figured this would be enough. Pickguard heaven sent her/me a PDF file that had the neckpocket and lower horn of 2 Fury templates. I picked the wrong one. In the future will definitely sends pictures first.
 
Axcelerator 5 en route.. :hyper:

Not my bass but same color

IMG_1553Medium.jpg

IMG_1555Medium.jpg


Pics by thebasssponge
 
That's the first assumption I'd review right there. My basses (whether setup by me or by the tech I used to take them to) generally have slightly higher saddle heights as the string thickness increases. Which makes sense to me. Don't you expect the thicker string to vibrate with a larger amplitude?

Except... I have noticed that, for some reason, the E string saddle usually ends up lower than the A string.

Anyway, point is, maybe try raising your A string saddle a little bit and see if that makes it play the way you want? Don't let the looks of of the saddles or some idea of how they're supposed to be setup distract you from the only actual important thing - how it plays.

The body is flat and the fretboard is curved. With the bigger strings moving more as you said, the the A string does seem to need the most height at the bridge. Some for the string size and more for the curve of the fretboard.
 
Not to sound flippant... how often do you play the A string that far up?

I'd be guessing tension first... before redoing frets... find an old school dunlop capo (before clamp capos) and clamp down the "break" on the headstock... it's possible a string tree could help your issue.

OR

Redo the geometry of the bass... get the same action with a different equation of the variables.

Reason I'm suggesting tension is the issue is only with one string ... it's not likely this single string has issues with the single fret position.

No apology necessary. I'm a casual enthusiast and it doesn't interfere with my usual practice in any way at all. For the sake of completeness and satisfaction in providing my own setup I want it to play "perfect". I have a few tools at my disposal but am concentrating on feel versus measuring semantics in decimals. It is the first time I have encountered an individual string problem and wasn't sure how to proceed, having done this just a few times before.

I do not think this is the case, but would something like neck twist ever account for this?
 
That's the first assumption I'd review right there. My basses (whether setup by me or by the tech I used to take them to) generally have slightly higher saddle heights as the string thickness increases. Which makes sense to me. Don't you expect the thicker string to vibrate with a larger amplitude?

Except... I have noticed that, for some reason, the E string saddle usually ends up lower than the A string.

Anyway, point is, maybe try raising your A string saddle a little bit and see if that makes it play the way you want? Don't let the looks of of the saddles or some idea of how they're supposed to be setup distract you from the only actual important thing - how it plays.

I have been measuring the string height at the 21st fret and this A string insists on taking a higher saddle compared to the others for buzz free operation. For now it rests higher than the others and plays well enough, it just struck me as odd that the other strings didn't behave this way even at much lower settings.

I should be practicing instead of tinkering but it's in my nature to get inside of things. It's a good bass. In 20 or 30 years when I'm ready to play rock covers it will be a solid :)