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U.S. Peavey Club

I own a few GV, Modulus Quantum, Fleabass and Cirrus... have owned a several standard Gbasses

Necks - -Rumor is that Modulus made them... Some literature gives this impression. They are just as stable as a Modulus, Status, Schack etc.

In the stock form the sound is 1/2 way between JBass and Cirrus --- they do not sound like a Modulus (could be changed)

He haloflake paint job is intended to be a stage color.. meaning the sparkles don't make sense until you see it from a distance under lighting... the green almost looks black.

I like Stuart's idea of modifying with the Millenium Preamp (very straight forward conversion)

Overall, I'd always suggest a G or GV over a Modulus and keep cash in the bank.
 
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Are the black painted G necks the same as the ones that show the carbon weave?
Same shape? ...same feel? ....same stability?
Have the G's you guys are talking about had the black necks?
I tend to like the sound of a P bass best, or the neck pickup on a jazz can sound great too, don't care for the stingray sound, not a big fan of the scooped slap sound.
Grew up with a steady diet of rock bass from the 60's and 70's.
Is the G sound going to be too "modern"..?
 
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Are the black painted G necks the same as the ones that show the carbon weave?
Same shape? ...same feel? ....same stability?
Have the G's you guys are talking about had the black necks?
I tend to like the sound of a P bass best, or the neck pickup on a jazz can sound great too, don't care for the stingray sound, not a big fan of the scooped slap sound.
Grew up with a steady diet of rock bass from the 60's and 70's.
Is the G sound going to be too "modern"..?

IIRC, the plain black necks were the 2nd generation ones, made by Moses Graphite. The carbon-weave pattern ones (1st gen) were made by Modulus. I've had both, and not one problem with stability on either. Now, I may be wrong, but the Moses necks sounded brighter to my ear. Both basses are definitely a modern sound, but the first necks being warmer (imo). The overall modern tone is anything from a very dark and mellow tone to a very bright and aggressive sound. Funny you associate "scooped" tone with modern, am I right? Vintage Jazzes had a very scooped sound....

Now, realize that I learned how to eq better over time, yet the bass always retains a very smooth and full tone, perhaps better than the Cirruses. The low-B on my G-V's kicked my Cirrus' butts, honestly. The carbon had to be the reason for increased sonic projection.
 
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IIRC, the plain black necks were the 2nd generation ones, made by Moses Graphite. The carbon-weave pattern ones (1st gen) were made by Modulus. I've had both, and not one problem with stability on either. Now, I may be wrong, but the Moses necks sounded brighter to my ear. Both basses are definitely a modern sound, but the first necks being warmer (imo). The overall modern tone is anything from a very dark to a very bright and aggressive humbucker sound. Funny you associate "scooped" tone with modern, am I right? Vintage Jazzes had a very scooped sound....

Interesting. I had one of each and I never noticed any difference in the feel or sound. But, I had only been playing bass for about a year at the time.
 
I'm just happy to be getting this girl on Wed!
 

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Yeah, I think MNAirhead's point was simply that, though Modulus made them, Peavey could have spec'ed whatever profile they wanted, so there was really no guarantee at all that the B Quad necks would "feel" like a Modulus neck.