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Way To Go Eden

memories...*sniff

ResizeofMarksEdenRig.jpg
 
Guess I'm the one that gets to burst ya'lls bubble. That's not how concert sound works folks. You might have been hearing a line from the preamp if you're lucky, either that or one straight from the bass with no Eden gear in the chain at all. Either way, it would've been further eq'd, processed, compressed to sit right in the front-of-house speakers. If it was exceptional tone, you were likely hearing a good sound engineer at his craft.

Not to dis'. A WT800 and 410xlt's were the got-to backline rig around here at one time. Never had an issue getting good sound out of them, rock or otherwise.

Just to corroborate what the OP was saying. I used to run a small regional sound company andI often got to do fill in duty for the lesser stages at some of these large multi stage events. I always brought my Community 3 ways and some JBL EONs for monitors. (those original Eons were awesome when they came out!). I'd always do a decent basic mix and leave some headroom so the PA wouldn't get muddy sounding. I would also ring out the foldback and make sure the kiddies could here at least vocals and snare.
In tune and on time right?
But when I would wander around and check out the competition, there would be simple 1202+amp+2 mains. Often with a security cover so you couldnt make any adjustment. Basically the 3rd tier bands had to make do with rehearsal hall gear, in an outdoor environment.
I've seen some of these events where the Red Bull booth has a better PA than the 2nd stage! :rollno:
 
I use an Eden rig once a week at the rehearsal space, it's cool, but lets' be real here, an SVT 8x10 rig will eat it alive. what kind of "festival" has no FOH even for side stages, sounds like a fish story.

What do you mean it will eat it alive? I have plenty of SVT through 8x10 experience, but I now play an Eden amp through an Ampeg 8x10, so I know you can't be talking about volume, and certainly not clarity at high volumes.

I dig the SVT, though, just wondering what you mean by getting real?

Martin
 
I've owned and used a lot of Eden gear, and still do. I haven't played any rig that cuts through a stage mix like an 800B and 410XLT. The mids may sound a bit pronounced in the shop, but they're killer on stage! A lot of backline companies supply exactly that rig.

I still have a 550, that doesn't get used a lot, but my XST's are a mainstay.
 
Don't forget that the 1st generation of SWR cabinets (Goliath, Redhead & Goliath Jr.) were actually built by Eden. I special ordered both a Redhead (#90) and a Goliath 4X10 and they were actually shipped from the Eden facility in Minnesota. At today's prices a clean 1st generation SWR cab is a steal.
 
Yep,. that's a fact. I remember seeing a bass player on the UC Davis quad years ago, and noticed that his cabinets looked exactly like SWR cabs, but with a different logo. I asked him what they were and he told me they were Edens.

Don't forget that the 1st generation of SWR cabinets (Goliath, Redhead & Goliath Jr.) were actually built by Eden. I special ordered both a Redhead (#90) and a Goliath 4X10 and they were actually shipped from the Eden facility in Minnesota. At today's prices a clean 1st generation SWR cab is a steal.
 
I have never had a better rock tone than with my WT800, though admittedly I usually don't go all 'classic' rock in my original band. But the thing some people tend to overlook is that while the basic Eden sound is great for some things and less good for others, the WT series also have one of the most flexible EQ's I know of. I feel pretty safe saying there is no genre that you can't play, and no tone that you can't successfully approximate with a WT amp, and whenever I hear someone say that the Eden tone is a love or hate thing, all I can think is 'user error'.

Martin

I don’t doubt that. Many flexible heads are stereotyped due to their tone when controls are set “visually” flat, which might not really be flat at all. Regardless, the Eden players I’ve listened to have a different sound than the Ampeg or GK players (myself included) sound. I not sure if it’s harmonics or what, but my Carvin sounds more Eden-like when I turn up the DRIVE control on it. When I turn DRIVE down and turn up the master, it sounds more GK-like. Eden’s (and Nemesis) have a distinct sound to them, a very good sound, but not for everybody.
 
Don't forget that the 1st generation of SWR cabinets (Goliath, Redhead & Goliath Jr.) were actually built by Eden. I special ordered both a Redhead (#90) and a Goliath 4X10 and they were actually shipped from the Eden facility in Minnesota. At today's prices a clean 1st generation SWR cab is a steal.

IIRC Eden made the cabinets for Pearce too!
 
I was a long time Eden user and owned multiple heads and cabs until the quality and customer service went south. Always liked the tone but tired of dealing with cheap castors,amp covers, a 210xst with one wire loose on a speaker and being an Eden WT 1205 crash test dummy. I recently bought a WTDI that seams to work well.

Ditto, I was a big time Eden user and sold them when I worked for a local retailer....I was the Eden SWR guy and the other bass player salesmen was the Ampeg guy. After multiple MULTIPLE experiences of getting in NEW GEAR that did not work out of the box, horrid customer service and just a loss of focus...they lost me. I could no longer recommend them as a reliable product. I have heard they have rebounded and that is good to hear. But I think with many of us who were on board in the begining.....it is too little too late. I would still grab any pre "buy out" Eden product from maybe 2004 and earlier....but I have no confidence in any Eden gear after that point. I am really glad to hear others feel the differently.
 
I would still grab any pre "buy out" Eden product from maybe 2004 and earlier....but I have no confidence in any Eden gear after that point./QUOTE]

I think a lot of people had the same experience that early stuff=good, while post buy-out didn't have the same quality control. And I would have to guess that that is the biggest reason that Eden has fallen off the radar, so to speak. But Marshall just bought Eden, I would imagine their plan is to try to salvage a name that still has a good connotation to most.
 
see, not to be critical, but this is a human disease, not just a bassplayer's disease...... throw more hardware at it.
I see it all the time in computers [my field].... it ain't "cutting it", so go buy more. end up at the same spot.... raise the power. same thing again.

the OP's point, if you let him speak, was that the tone got the job done better than most. more power does not mean more tone to the listener. never has. never will.

Maybe many folks are switching from large Eden, SWR, etc. (heavy and not all tube) for smaller and more powerful micros.
 
I would still grab any pre "buy out" Eden product from maybe 2004 and earlier....but I have no confidence in any Eden gear after that point./QUOTE]

I think a lot of people had the same experience that early stuff=good, while post buy-out didn't have the same quality control. And I would have to guess that that is the biggest reason that Eden has fallen off the radar, so to speak. But Marshall just bought Eden, I would imagine their plan is to try to salvage a name that still has a good connotation to most.



That would be awesome. The best two rigs I ever had were a Navigator Pre into an 410 XLT and a WT400 into a 210 XLT. I played all kinds of music with all kinds of basses. There was nothin I could not do with Eden gear.