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What is your job?

Sad to see such a rich and complex art form as music beeing reduced to a McDonalds department.
I think that's just recorded music, and it's happened.
I remember, back in the late 90's, at one of my daughter's high school basketball practices, kids had CD's scattered all over the bleachers for their portable players they brought with them. Must've been 50-100 disks just scattered on the bleachers.

Then I noticed a lot of them were home recorded. Then I went on a quest to find a single disk that was NOT home recorded. Not a one.

This is when I coined the phrase and shared with my daughters: Recorded music will become like the free toy in a happy meal.

Live music is different. It could even become more popular. But then a new twist kinda screwed it up: Everybody became a mediocre, at best, musician and suddenly "live" music meant, for the most part, crappy music.

And here we are...
 
Well, we don't necessarily blatantly promote the drinks...do people do that? We're already at a bar, that much can be assumed by the people there. We are there primarily to play music, as in that's the thing we HAVE to do or else we will get fired. There are other indirect things that happen from that, hopefully giving the bar/restaurant more sales then they would have if no band was playing. We are attracting people to come and buy food/drink that wouldn't be there otherwise, and keeping the rest staying longer to buy more food/drink. We also help the establishment keep a reputation for frequently having live music.
 
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I think it depends on the venue. If it's a concert it's the band's job to entertain. If it's a bar or a party the band is there to provide soundscape or sonic scenery. Dare I say help set the mood for whatever the occasion might be so that the patrons will be more agreeable to buying whatever the host is selling.
 
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Bring people to the establishment and keep them there as long as possible. I leave it up to the bar to sell the beer, although I do encourage drinking and tipping several times a night. Have had a similar discussion over the years with other musicians in regards to setlists. IMHO, if you want to be a successful bar band, you need to appeal to drunk women. If the womens come to your gig the men will follow and try to get them drunk enough to put out. Sounds crude spelled out that way but...just an observation from a long time bar band player. And yes, I will gladly play Mustang Sally for you.
Yeah. Where the women go, the men aren't far behind. The women drink for free--it's the men who supply.
 
Or in other words: Make music for people who actually appreciate and care about music, opposed to spewing out under stimulating generic crap without any personality, character or real substance whatsoever made for the sole purpose of exploiting the general public's musical ignorance to make money out of their need for easily digested background entertainment to distract them from their miserable meaningless life.

Gee, you sound like fun...
 
Read the book THIS IS YOUR BRAIN ON MUSIC by Daniel J. Levitin (New York Times best seller) and you will understand that our job as musicians is to give pleasure and expand consciousness for living things, including our own.
I have a book called "Practicing" that gets into it on the personal level. It's by an aspiring classical guitarist that "almost" makes it, puts his guitar down for a decade, and picks it up again, with completely different motives. A truly excellent read.
 
I don't drink or use drugs at all and consider both to be a curse on mankind, BUT I know that if people couldn't drink when they go to see bands, the venues would be just about empty. Sad but true.
 
It depends on the client. If it's a restaurant owner my job is to increase sales -- either food or alcohol. If it's an event planner, normally, as a jazz musician it's to create a relaxed atmosphere. If it's a wedding dance, then it's to help people have a good time, mostly from dancing, but sometimes audience interaction.
 
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Our JOBS are
to make folks forget about the BS in their life and the world for a brief time, enjoy the music, socialize with friends and band members, spend money at the venue, dance, have fun, have a GREAT time.

If it's a great gig I'm an artist.
If it's a so-so gig, I'm a beer salesperson.
And if it's a corporate gig, you sometimes become wallpaper(or not).
You become like the guy playing music on a busy sidewalk as no one pay him any mind.
 
I think that's his point. He's not in it for the money. :)
And, as I also said: I'm totaly fine with that. I respect and understand that people have different motivations for what they do. What I don't respect is this "I'm into this because of the artsy partsy important stuff that I do, and I dislike any other approach to this very important art that I'm into". I'm fine with whatever his motivation is. The same with everyone else, in a bar, in a church, in a hotel, in a concerthall. Is the thing you do important for you (and hopefully somebody else)? Fine. Keep on playing.
 
I think that ultimately, band-as-beer-salesmen is a failing model. It's just not that likely that a bar will consistently sell enough more beer with a band there to justify paying the band decently, compared to what they would sell with no band and no expense for the band. Bands are fragile things that break up easily, it takes time to build a following, and by the time a lot of them have been around long enough to have gained the experience to be any good and have a following, they're mostly middle-aged and so are their friends and probably not hard-partying kids any more. That means a pretty high risk for the venue that the old reliable bands will have broken up and you're constantly trying out new bands that don't bring the extra sales in you'd hoped for.

This has not been my experience. The core Redhead fan is female, divorced, 35-65. Followed closely by men in similar circumstances. They have the money and the time (kids are either gone or old enough to not need a babysitter) to go out on a Friday or Saturday night (sometimes both!) and have a few drinks and work on their flirting skills. Lots of couples, too, of course. And sometimes (to my great astonishment) we get college kids. Remember, they grew up in homes where mom & dad played Zep and Heart and Doobie Bros, etc. (Kinda scary to think that "Whole Lotta Love" was released 50 years ago, eh?) Is the band really good? Not for me to say. But we seem to have convinced a lot of people that we're worth seeing.

It helps that our BL is extremely outgoing--if she spots a group she's never seen before, she's going to take the wireless mic to their table and sing to them. At the break, she's going to go talk to them. And little by little, she's built us a solid fan base. The main thing, from a commercial perspective, is that club owners know we are a reliable draw, that we do a lot of promotion on our own (there's one guy who now refuses to book bands that don't do their own promotion), and that we do all the little stuff, like load in as quickly and unobtrusively as possible, get the crowd to cheer for the bar staff, keep the volume appropriate, etc., etc. As I often say, it ain't rocket science.

Edit: Nearly forgot. We get a lot of Girls Together Outrageously. They like Jane. They are almost always DINKS (Dual Income No Kids) and they are often the first ones on the dance floor. And when the Melissa Ethridge tunes come up, they sing along. Loudly. Love 'em.
 
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Live music is different. It could even become more popular. But then a new twist kinda screwed it up: Everybody became a mediocre, at best, musician and suddenly "live" music meant, for the most part, crappy music.
I think you are wrong. There are more good musicians now than ever. And there are some darn good players out there making good music every night.
 
The day my job as a bass player becomes a seller of alcohol I will stop playing.

It is a LOAD OF CRAP that selling alcohol is the key to getting more gigs.
The club owner and promoters should be responsible for advertising and making the establishment worth going to and figure out how to sell their own rotten beer.
The band's job is to play the songs.
This whole thing of selling beer and playing CRAP pop tunes being the ONLY way a band gets gigs UNLESS your band is an established pro act, is complete HORSEPUCKY.
Is your band that horrible that you have to intoxicate the "paying customers" to enjoy the music and let them risk a DUI?
They aren't there just for your band... your band is background music. Great. No thanks.
I HATE DRUNKS, the local entertainment mafia bosses and sellouts.
 

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