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Winter NAMM 2018 (ultra Pic-heavy)

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Reactions: Goy77
Another big thanks for the vicarious living, @wintremute! Remarkably, I'm making it through this thread mostly GAS-free. With a few interesting/curiosity-provoking exceptions, most of these basses seem to fall into two broad camps: variations on standard designs ("been there, done that") and innovative-but-ugly designs ("interesting, but..."). One can't win! But of course, as they said at the first RAMM (Roman Association of Music Merchants, held at the Colosseum in AD 97), de gustibus non est disputandum. ;)
 
So, remember when I said that Tony Smith's claw technique looked familiar? I thought his and Remco's were similar. I asked Tony if he had heard of Remco, and he said he had not. So I asked him if he would be down with me bringing Remco to meet him so that they could compare their techniques. He was cool with that. I talked to Remco, and Remco was cool with that.

Remco grabbed his Hammersmith jazz, and we headed down to the dungeon. Tony was cool to play, but asked Remco to play a TUNE bass, since they were in the TUNE booth. He picked one out, and they played the most amazingly epic jam. Seriously, fresh air blew through Hall E, and unicorns and leprechauns fell from the sky. However, I didn't realize I was having technical difficulties with my camera, and I didn't record it. I realized about a third of the way through, when the choir of demons appeared, and just decided to enjoy the live event as it was happening.

It looks like someone else took a quick video of that first jam. Here's a snippet.
 
Could you get a few pics from it anyway?
:)

p1020193.jpg
 
That's an especially interesting observation in light of a TB thread a few months ago where the OP wondered what had happened to Markbass' popularity.

I think part of the reason their booth was always packed is that they always seemed to have someone playing. Exhibiting Artists draw crowds.