• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Worship Bass Pedalboards

I used this today:
IMG_7751.jpeg

The RevivalDrive was great. It’s a bit more ‘amp like’ than my other ODs.
 
I made an important discovery with my Bass Microsynth this week. I've been using it in services for a few months with good feedback. But I've felt engaging it is a bit jolting and I fiddle with the faders working to get it to sound better. This week, I took the back off and trimmed back the gain pot a bit since my P Bass is pretty hot. The BMS suddenly engaged much better and smoothly blended in. The instructions discuss this gain trim pot but I never got around to fiddling with it. Lesson learned, trim the BMS gain to the specific bass you are playing. Less is more with this device, I think.
 
Last edited:
I’ve been using the Aguilar emulations on the stomp for a couple of years. This week someone noticed that I had an actual TH on the board and immediately everyone started commenting on how the tone was great etc lol

I mean, I love it and I do think I do a better job of getting a good tone out of it this way but I’m sure it 95% placebo.
 
  • Like
Reactions: rcmbass
Nice board! You like to run the OD after your compressor? I’m adding a vintage microtubes to my board this week. Was thinking I would run it before the Cali76. But maybe not?

Thanks. I like to have the compressor before everything—well, except for the wireless receiver. I would say try it both ways and see what works best. I tried the comp at the end of the chain—even after the preamp. It’s a cool option, but I like to use the compressor as a combination of compression and tone shaping. I think that is part of what I like about the Cali76–it has some color.
 
  • Like
Reactions: TaylorJ
I made an important discovery with my Bass Microsynth this week. I've been using it in services for a few months with good feedback. But I've felt engaging it is a bit jolting and I fiddle with the faders working to get it to sound better. This week, I took the back off and trimmed back the gain pot a bit since my P Bass is pretty hot. The BMS suddenly engaged much better and smoothly blended in. The instructions discuss this gain trim pot but I never got around to fiddling with it. Lesson learned, trim the BMS gain to the specific bass you are playing. Less is more with this device, I think.
The newer version of the BMS or the older version?

I had no idea there was gain pot to trim!
 
Thanks. I like to have the compressor before everything—well, except for the wireless receiver. I would say try it both ways and see what works best. I tried the comp at the end of the chain—even after the preamp. It’s a cool option, but I like to use the compressor as a combination of compression and tone shaping. I think that is part of what I like about the Cali76–it has some color.
Thanks for the info! I’ll try it both ways.
 
Thanks for the info! I’ll try it both ways.
I like it before the Compressor when the overdrive is touch sensitive. You control the gain based on how much you dig in, which I really enjoy. If it’s high gain, it’s likely not touch sensitive and more likely to be noisy so I put it after.

In my current board I have my mild germanium based distortion before comp and my RAT after comp.
 
  • Like
Reactions: TaylorJ
I just started playing bass at church again. I have an Empress Effects Bass Compressor > Vintage Bass Octave > HX Stomp > Aguilar Tone Hammer > Sushi Box Neptunium.

I see many worship bassist using a Moog Synth keyboard on stage.

Has anyone been able to recreate the Moog sounds on bass with pedals or a HX Stomp?

Just trying to not jump into the synth keyboard space and spend unless absolutely necessary.
 
I used some of IMA’s synth presets. They are good. I went back to my Yamaha MODX6 as it just does synth better. The band also likes it better. More expense. More to haul around. 🤷🏼‍♂️

On the bright side, learning/playing a 2nd instrument is always a good thing.
 
  • Like
Reactions: rcmbass
I play a Moog with my WT. Before I got it, I was using a combination of an octave pedal, overdrive and maybe some chorus. In the Stomp, you could pull up some octave patches and try it out. Then build out a nice block with overdrives and modulation.
We used to do songs with just a few bars of synth, and I didn't see the need to haul around the extra gear. But, once I started bringing the Moog, the song list has moved more in that direction. There are services where it might be 50/50 bass and Moog.
I'm not a fan of bringing more and more gear, and setup and breakdown takes a bit longer--but, when I get to play it and hear it, I'm happy to have it.
But, I have gotten pretty good results from the pedals too.
 
  • Like
Reactions: erayser and rcmbass
I used some of IMA’s synth presets. They are good. I went back to my Yamaha MODX6 as it just does synth better. The band also likes it better. More expense. More to haul around. 🤷🏼‍♂️

On the bright side, learning/playing a 2nd instrument is always a good thing.

At first, I was thinking that at least I can go with a smaller bass board without the octave and chorus pedals. But that is negated by my Moog CV controller board. :)
 
  • Like
Reactions: erayser and rcmbass